A false Aslan is roaming the land of Narnia, forcing the terrified Narnians to work for the evil Calormenes. Jill Pole and Eustace Scrubb find themselves called back to Narnia just one more time to help them in their biggest and most frightening battle against injustice yet alongside King Tirian, who helps to lead them in the almighty struggle between good and evil.

The final book in the Chronicles of Narnia, The Last Battle, is a roller-coaster fantasy adventure through the strange and mystical land of Narnia, a place that has captured the hearts and minds of so many young readers since the Chronicles were first published in the 1950s. Pauline Baynes, with her hand-coloured illustrations, again highlights the magic of the original stories by dramatically conjuring up imaginative visions of the Narnians as they fight for their lives in this stunning, special edition, published to celebrate the centenary of CS Lewis. --Susan Harrison

I don't know anyone who likes this., 08 Apr 2007
C.S.Lewis is generally a well-respected and loved wrtier, but The Last Battle is... awful. Admittedly, it has a beautiul, stifrring ending, but before the last 10 pages, you have to put up with weak characterisations, screeds against evolution, Muslims, skeptics, girls who wear makeup, and everything else C.S.Lewis disliked in society of his time.

Yes, the last 10 pages are brilliant, possibly the best depiction of Heaven I've ever seen. But there's a lot of awfulness before then, and the plot depends on all the characters acting like idiots. It's almost a bad parody of religion for the first half.

...I cannot recommend it.

"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.

All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.

The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.

This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.

Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.

"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.

Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.

Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.


A rather exciting beginning for a syrupy ending., 18 Aug 2005
This is the seventh and last (chronologically) Chronicle of Narnia (after The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair).

This final volume is more or less cut in two parts. In the first one, an Ape called Shift bullies and forces his companion Puzzle the donkey to wear an old lion skin on his back and to pretend he's Aslan the great Lion. Allied with Calormenes, they start slaughtering Talking Beasts and doing other evil deeds.

To Tirian, the current King of Narnia, and to his dear friend Jewel the noble Unicorn, this seems like a most unusual behaviour for Aslan, so they set out in search of the truth. They'll call children from our world to their aid: Eustace and Jill.

Ensues a battle opposing the King's small party to the Calormenes and the Men and Beasts they've managed to cheat.

In the second half of the book, like in a mirror image of the adventures of Digory and Polly in The Magician's Nephew, we witness the unmaking of the World by Aslan (the real one this time). Like in a curtain call, all the characters (but one) from the previous volumes return for the final journey to the forever kingdom of Aslan.

Whereas the beginning was rather exciting, I found the ending really too syrupy and allegorical. It was also very shocking to see the absence of Susan explained by "she's interested in nothing nowadays except nylons and lipstick and invitations." With its oldish style, and the fact that the baddies, the Calormenes, have a definite Middle-Eastern profile, I felt that the book was really anchored in the 1950's. I must admit I'm glad to have finally finished the series.

Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?

This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over.

While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.

The perfect ending to a perfect series, 08 Nov 2003
Well now, where to start. Well lets start with the fact that I am now 42 and I am reading these books to my own children. I loved all the chronicles of narnia (With the exception of the magicians nephew which I despise) but The last battle is in my mind far and away the best of the series. It has everything that you could want from a book, a perfect plot, loveable and believeable characters and most of all the greatest ending to any book ever. However, when I was 11/12 and I first discovered the chronicles of narnia I despised this book and loved The lion, the witch and the wardrobe instead. Now why is that? I think that it is because this is a book that is wasted on anyone under the age of 18. Lewis does create an exciting plot and characters every bit as good as in his other chronicles, but the ending to this book is just something else, and I feel that an immature reader will not fully appreciate this. You can feel the emotion welling up inside you almost as if you know that the end of the series is nigh and you don't want it to end. However, you are aware that it must. And when Aslan finally destroys Narnia you feel that you are there beside him because lewis's description is just out of this world.
This book is not for the faint of heart as it does have all the usual bloodthirsty battles between the narnians and the Calormenes. However, what this book posesses that the others do not is the absolute passion of the intense novelist that Lewis was. I once read a review in which the reviewer poked fun at the bathos (Anti-climax) of this book and I physically shook with rage, this novel has the greatest ending of any novel that I have ever read and in my opinion is almost too beautiful to be wasted on young children who will not understand them. I feel that nobody can adequately describe just what a phenomenal novel this is, it blows all other tales clean away, and more to the point, this was a series that Lewis intended for children but which does genuinely bridge the age gap to appeal to adults as well.
Let me end by giving you a piece of advice, put away your J.K Rowling, your Jaqueline Wilson or your Brian Jacques and pull down a copy of The lion, the witch and the wardrobe and read the whole narnia series. The entire series is probably shorter than the latest Harry Potter book, but they contain 100 times more action and excitement. In these novels, Lewis has genuine passion for what he is writing about which is so rare in the books of today and so read these books, love these books and then pass them on to the next generation as these are novels which transend time and age anyone at any time can pick up a C.S Lewis novel and admire it as on eof the greatest pieces of fiction ever to leave a printing press.

The Horse and his Boy is a stirring and dramatic fantasy story that finds a young boy named Shasta on the run from his homeland with the talking horse, Bree. When the pair discover a deadly plot by the Calormen people to conquer the land of Narnia, the race is on to warn the inhabitants of the impending danger and to rescue them all from certain death.

None of the sheer magic of the Horse and His Boy has faded since it first delighted a generation of children in the 1950s, and anyone who has ever savoured the peculiar delights of Narnia will love this special edition, published in celebration of the centenary of CS Lewis. With its stylish, larger format featuring fine, hand-coloured illustrations by Pauline Baynes, all the magic of the originals can be found in this delectable tale which will continue to enchant hosts of new readers long into the future. --Susan Harrison

I don't know anyone who likes this., 08 Apr 2007
C.S.Lewis is generally a well-respected and loved wrtier, but The Last Battle is... awful. Admittedly, it has a beautiul, stifrring ending, but before the last 10 pages, you have to put up with weak characterisations, screeds against evolution, Muslims, skeptics, girls who wear makeup, and everything else C.S.Lewis disliked in society of his time.

Yes, the last 10 pages are brilliant, possibly the best depiction of Heaven I've ever seen. But there's a lot of awfulness before then, and the plot depends on all the characters acting like idiots. It's almost a bad parody of religion for the first half.

...I cannot recommend it.

"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.

All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.

The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.

This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.

Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.

"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.

Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.

Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.


A rather exciting beginning for a syrupy ending., 18 Aug 2005
This is the seventh and last (chronologically) Chronicle of Narnia (after The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair).

This final volume is more or less cut in two parts. In the first one, an Ape called Shift bullies and forces his companion Puzzle the donkey to wear an old lion skin on his back and to pretend he's Aslan the great Lion. Allied with Calormenes, they start slaughtering Talking Beasts and doing other evil deeds.

To Tirian, the current King of Narnia, and to his dear friend Jewel the noble Unicorn, this seems like a most unusual behaviour for Aslan, so they set out in search of the truth. They'll call children from our world to their aid: Eustace and Jill.

Ensues a battle opposing the King's small party to the Calormenes and the Men and Beasts they've managed to cheat.

In the second half of the book, like in a mirror image of the adventures of Digory and Polly in The Magician's Nephew, we witness the unmaking of the World by Aslan (the real one this time). Like in a curtain call, all the characters (but one) from the previous volumes return for the final journey to the forever kingdom of Aslan.

Whereas the beginning was rather exciting, I found the ending really too syrupy and allegorical. It was also very shocking to see the absence of Susan explained by "she's interested in nothing nowadays except nylons and lipstick and invitations." With its oldish style, and the fact that the baddies, the Calormenes, have a definite Middle-Eastern profile, I felt that the book was really anchored in the 1950's. I must admit I'm glad to have finally finished the series.

Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?

This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over.

While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.

The perfect ending to a perfect series, 08 Nov 2003
Well now, where to start. Well lets start with the fact that I am now 42 and I am reading these books to my own children. I loved all the chronicles of narnia (With the exception of the magicians nephew which I despise) but The last battle is in my mind far and away the best of the series. It has everything that you could want from a book, a perfect plot, loveable and believeable characters and most of all the greatest ending to any book ever. However, when I was 11/12 and I first discovered the chronicles of narnia I despised this book and loved The lion, the witch and the wardrobe instead. Now why is that? I think that it is because this is a book that is wasted on anyone under the age of 18. Lewis does create an exciting plot and characters every bit as good as in his other chronicles, but the ending to this book is just something else, and I feel that an immature reader will not fully appreciate this. You can feel the emotion welling up inside you almost as if you know that the end of the series is nigh and you don't want it to end. However, you are aware that it must. And when Aslan finally destroys Narnia you feel that you are there beside him because lewis's description is just out of this world.
This book is not for the faint of heart as it does have all the usual bloodthirsty battles between the narnians and the Calormenes. However, what this book posesses that the others do not is the absolute passion of the intense novelist that Lewis was. I once read a review in which the reviewer poked fun at the bathos (Anti-climax) of this book and I physically shook with rage, this novel has the greatest ending of any novel that I have ever read and in my opinion is almost too beautiful to be wasted on young children who will not understand them. I feel that nobody can adequately describe just what a phenomenal novel this is, it blows all other tales clean away, and more to the point, this was a series that Lewis intended for children but which does genuinely bridge the age gap to appeal to adults as well.
Let me end by giving you a piece of advice, put away your J.K Rowling, your Jaqueline Wilson or your Brian Jacques and pull down a copy of The lion, the witch and the wardrobe and read the whole narnia series. The entire series is probably shorter than the latest Harry Potter book, but they contain 100 times more action and excitement. In these novels, Lewis has genuine passion for what he is writing about which is so rare in the books of today and so read these books, love these books and then pass them on to the next generation as these are novels which transend time and age anyone at any time can pick up a C.S Lewis novel and admire it as on eof the greatest pieces of fiction ever to leave a printing press.

OUTSTANDING/AMAZING my personal favorite out of the narnia books, 04 Jan 2009
Such a good book, very adventurous about a boy and a girl running away together and meeting up along the way both with different stories and backgrounds.... riding on horses that talk venturing towards narnia...

Its such a great book so different from the rest but still captures the magic that all the books hold.

I recommend it for anyone who enjoys other NARNIAN BOOKS/ADVENTURE/HAPPY ENDINGS/moments of happiness and moments of slight fear (not enough fear to scare anyone)

A delightful fairy-tale - and without any preaching!, 14 Oct 2008
Chronologically the third book in the Narnia series, set between the penultimate and last chapters of the previous book, but published fifth in the series, this story can stand alone, making only one passing reference to events in the previous books which might confuse young readers. It's a humourously written but fairly standard fairy tale of a journey, people growing up, and a lost prince. In this context, even ignoring the rest of the Narnia series, such fairy-tale staples as talking animals make perfect sense. And - mirabile dictu there's no preaching at all! I'm not quite so keen on this as on the previous two books in the series, but it's still worth owning.

A good old-fashioned yarn, 01 Jun 2008
"The Horse and his boy" has everything that a good old-fashioned story should have: thrills and spills, magic, humour and beautiful descriptive writing.

The tale itself, although part of the Narnia Saga, could easily be read with no knowledge of the preceding books. It has a mythic feel about it and some wonderfully evocative writing. Some passages are rather difficult due to the archaic language and it is probably better read aloud to younger children. The characters are well-drawn and very believable: Aravis in particular is a super role-model for girls and unusual in a book from the 1950s.

As to the criticisms of "racism", I would take these with a pinch of salt. If you are particularly anti-Christian for whatever reason, or extremely PC, then stay away from C.S Lewis's work.

The Horse and His Boy, 07 Apr 2008

Fifth book printed, third book chronologically.

I began re-reading the Narnia series after coming across a beautiful boxed set of all seven novels. Mainly this was out of nostalgia, as these were favourites when I was young, and I was interested to see how they held up as adults. I found them all to be written very clearly with provocative descriptive prose, and narrative that often draws the reader immediately into the story.

"The Horse and His Boy" stands out from the rest of the series, having little or nothing to do with any of the other characters. The great Aslan makes a few appearances, and his scarcity accentuates the presence that Lewis no doubt felt strongly in his heart. As a total atheist and condemner of religious analogies, even I felt a touch of wonder at each of his appearance!

The story is sound despite being removed from the over-arcing story of the Chronicles. The main character and his companion horse are well drawn and interesting. The features of the countries outside Narnia are bright and interesting, particularly if you've read the other books in the series. The book manages to carry its own weight, which some of the sequels to "The Lion, The Witch, and the Wardrobe" fail to do. An achievement, and worth picking up!


3rd book!, 13 Jan 2008
This is the third book of the Chronicles of Narnia series and is about a boy, called Shasta, who was looked after by Arsheesh, a Calormene fisherman. After many years, Shasta was going to be sold as a slave to a rich noble man so he decided to run away with, Bree, a talking horse belonging to the noble man, to Narnia. On there travels, Shasta and Bree meet Aravis, and her talking horse, Hwin. Together they travel to Narnia but the four have to travel through Tashbaan, the bustling capital city of Calormen. There Shasta is mistaken for Corin, the prince of this city who is actually his twin but that is not known by him. At the end, Corin's father realises that they are twins and Aravis lives at the palace with them later on getting married to Cor (Shasta's real name).

I don't know anyone who likes this., 08 Apr 2007
C.S.Lewis is generally a well-respected and loved wrtier, but The Last Battle is... awful. Admittedly, it has a beautiul, stifrring ending, but before the last 10 pages, you have to put up with weak characterisations, screeds against evolution, Muslims, skeptics, girls who wear makeup, and everything else C.S.Lewis disliked in society of his time.

Yes, the last 10 pages are brilliant, possibly the best depiction of Heaven I've ever seen. But there's a lot of awfulness before then, and the plot depends on all the characters acting like idiots. It's almost a bad parody of religion for the first half.

...I cannot recommend it.

"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.

All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.

The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.

This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.

Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.

"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.

Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.

Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.


A rather exciting beginning for a syrupy ending., 18 Aug 2005
This is the seventh and last (chronologically) Chronicle of Narnia (after The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair).

This final volume is more or less cut in two parts. In the first one, an Ape called Shift bullies and forces his companion Puzzle the donkey to wear an old lion skin on his back and to pretend he's Aslan the great Lion. Allied with Calormenes, they start slaughtering Talking Beasts and doing other evil deeds.

To Tirian, the current King of Narnia, and to his dear friend Jewel the noble Unicorn, this seems like a most unusual behaviour for Aslan, so they set out in search of the truth. They'll call children from our world to their aid: Eustace and Jill.

Ensues a battle opposing the King's small party to the Calormenes and the Men and Beasts they've managed to cheat.

In the second half of the book, like in a mirror image of the adventures of Digory and Polly in The Magician's Nephew, we witness the unmaking of the World by Aslan (the real one this time). Like in a curtain call, all the characters (but one) from the previous volumes return for the final journey to the forever kingdom of Aslan.

Whereas the beginning was rather exciting, I found the ending really too syrupy and allegorical. It was also very shocking to see the absence of Susan explained by "she's interested in nothing nowadays except nylons and lipstick and invitations." With its oldish style, and the fact that the baddies, the Calormenes, have a definite Middle-Eastern profile, I felt that the book was really anchored in the 1950's. I must admit I'm glad to have finally finished the series.

Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?

This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over.

While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.

The perfect ending to a perfect series, 08 Nov 2003
Well now, where to start. Well lets start with the fact that I am now 42 and I am reading these books to my own children. I loved all the chronicles of narnia (With the exception of the magicians nephew which I despise) but The last battle is in my mind far and away the best of the series. It has everything that you could want from a book, a perfect plot, loveable and believeable characters and most of all the greatest ending to any book ever. However, when I was 11/12 and I first discovered the chronicles of narnia I despised this book and loved The lion, the witch and the wardrobe instead. Now why is that? I think that it is because this is a book that is wasted on anyone under the age of 18. Lewis does create an exciting plot and characters every bit as good as in his other chronicles, but the ending to this book is just something else, and I feel that an immature reader will not fully appreciate this. You can feel the emotion welling up inside you almost as if you know that the end of the series is nigh and you don't want it to end. However, you are aware that it must. And when Aslan finally destroys Narnia you feel that you are there beside him because lewis's description is just out of this world.
This book is not for the faint of heart as it does have all the usual bloodthirsty battles between the narnians and the Calormenes. However, what this book posesses that the others do not is the absolute passion of the intense novelist that Lewis was. I once read a review in which the reviewer poked fun at the bathos (Anti-climax) of this book and I physically shook with rage, this novel has the greatest ending of any novel that I have ever read and in my opinion is almost too beautiful to be wasted on young children who will not understand them. I feel that nobody can adequately describe just what a phenomenal novel this is, it blows all other tales clean away, and more to the point, this was a series that Lewis intended for children but which does genuinely bridge the age gap to appeal to adults as well.
Let me end by giving you a piece of advice, put away your J.K Rowling, your Jaqueline Wilson or your Brian Jacques and pull down a copy of The lion, the witch and the wardrobe and read the whole narnia series. The entire series is probably shorter than the latest Harry Potter book, but they contain 100 times more action and excitement. In these novels, Lewis has genuine passion for what he is writing about which is so rare in the books of today and so read these books, love these books and then pass them on to the next generation as these are novels which transend time and age anyone at any time can pick up a C.S Lewis novel and admire it as on eof the greatest pieces of fiction ever to leave a printing press.

OUTSTANDING/AMAZING my personal favorite out of the narnia books, 04 Jan 2009
Such a good book, very adventurous about a boy and a girl running away together and meeting up along the way both with different stories and backgrounds.... riding on horses that talk venturing towards narnia...

Its such a great book so different from the rest but still captures the magic that all the books hold.

I recommend it for anyone who enjoys other NARNIAN BOOKS/ADVENTURE/HAPPY ENDINGS/moments of happiness and moments of slight fear (not enough fear to scare anyone)

A delightful fairy-tale - and without any preaching!, 14 Oct 2008
Chronologically the third book in the Narnia series, set between the penultimate and last chapters of the previous book, but published fifth in the series, this story can stand alone, making only one passing reference to events in the previous books which might confuse young readers. It's a humourously written but fairly standard fairy tale of a journey, people growing up, and a lost prince. In this context, even ignoring the rest of the Narnia series, such fairy-tale staples as talking animals make perfect sense. And - mirabile dictu there's no preaching at all! I'm not quite so keen on this as on the previous two books in the series, but it's still worth owning.

A good old-fashioned yarn, 01 Jun 2008
"The Horse and his boy" has everything that a good old-fashioned story should have: thrills and spills, magic, humour and beautiful descriptive writing.

The tale itself, although part of the Narnia Saga, could easily be read with no knowledge of the preceding books. It has a mythic feel about it and some wonderfully evocative writing. Some passages are rather difficult due to the archaic language and it is probably better read aloud to younger children. The characters are well-drawn and very believable: Aravis in particular is a super role-model for girls and unusual in a book from the 1950s.

As to the criticisms of "racism", I would take these with a pinch of salt. If you are particularly anti-Christian for whatever reason, or extremely PC, then stay away from C.S Lewis's work.

The Horse and His Boy, 07 Apr 2008

Fifth book printed, third book chronologically.

I began re-reading the Narnia series after coming across a beautiful boxed set of all seven novels. Mainly this was out of nostalgia, as these were favourites when I was young, and I was interested to see how they held up as adults. I found them all to be written very clearly with provocative descriptive prose, and narrative that often draws the reader immediately into the story.

"The Horse and His Boy" stands out from the rest of the series, having little or nothing to do with any of the other characters. The great Aslan makes a few appearances, and his scarcity accentuates the presence that Lewis no doubt felt strongly in his heart. As a total atheist and condemner of religious analogies, even I felt a touch of wonder at each of his appearance!

The story is sound despite being removed from the over-arcing story of the Chronicles. The main character and his companion horse are well drawn and interesting. The features of the countries outside Narnia are bright and interesting, particularly if you've read the other books in the series. The book manages to carry its own weight, which some of the sequels to "The Lion, The Witch, and the Wardrobe" fail to do. An achievement, and worth picking up!


3rd book!, 13 Jan 2008
This is the third book of the Chronicles of Narnia series and is about a boy, called Shasta, who was looked after by Arsheesh, a Calormene fisherman. After many years, Shasta was going to be sold as a slave to a rich noble man so he decided to run away with, Bree, a talking horse belonging to the noble man, to Narnia. On there travels, Shasta and Bree meet Aravis, and her talking horse, Hwin. Together they travel to Narnia but the four have to travel through Tashbaan, the bustling capital city of Calormen. There Shasta is mistaken for Corin, the prince of this city who is actually his twin but that is not known by him. At the end, Corin's father realises that they are twins and Aravis lives at the palace with them later on getting married to Cor (Shasta's real name).

Lost the Magic, 29 Jul 2006
Unlike the other reviews, I don't think I have a problem with the narrator. The magical tale however, is somewhat spoiled by the inconsistent voulume control of the recording. The narrator speaks quietly, but when the characters speak, the volume suddenly increases. It's nightmare when listening to at night, whilst trying ot wake up others in your house!

The reading I've been waiting for, 05 Aug 2005
In contrast to the pointedly negative review posted before, I found that Michael York's unabridged reading of this well-loved book was a Narnia fan's dream come true. Michael York's voice is soothing, and reads the unabridged story in a convincing and soothing tone that does not sound at all condescending. He paces the story nicely. Hearing this dramatic and well-produced reading adds a wholly new dimension to the overall experience. The inspired choice of Michael York allows the story to unfold before your very eyes, as he paces his voice comfortably enough to make you follow along and be excited at the same time. The reading may take a long time, but York never sinks into a monotonous tone, and he also gives each character personality and depth. Particularly tellig is his satanic characterisation of the White Witch. He also avoids the tendency to make the children sound too cue or whiney. To sum everything up, this reading will be sure to capture the hearts and imaginations of anyone who listens to it, and will surely be prized highly in any Narnia lover's collection and also by those who have never heard of the Narnia stories.

Dreadful, 14 Jul 2005
Michael York's reading is so condescending in tone & pitch that there is no pleasure to be gained from listening to it - it is irritating from the first to the last word. Fortunately, this is the only one of the stories that he reads - the others are much better read by the likes of Kenneth Branagh & Patrick Stewart.

I don't know anyone who likes this., 08 Apr 2007
C.S.Lewis is generally a well-respected and loved wrtier, but The Last Battle is... awful. Admittedly, it has a beautiul, stifrring ending, but before the last 10 pages, you have to put up with weak characterisations, screeds against evolution, Muslims, skeptics, girls who wear makeup, and everything else C.S.Lewis disliked in society of his time.

Yes, the last 10 pages are brilliant, possibly the best depiction of Heaven I've ever seen. But there's a lot of awfulness before then, and the plot depends on all the characters acting like idiots. It's almost a bad parody of religion for the first half.

...I cannot recommend it.

"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.

All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.

The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.

This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.

Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.

"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.

Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.

Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.


A rather exciting beginning for a syrupy ending., 18 Aug 2005
This is the seventh and last (chronologically) Chronicle of Narnia (after The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair).

This final volume is more or less cut in two parts. In the first one, an Ape called Shift bullies and forces his companion Puzzle the donkey to wear an old lion skin on his back and to pretend he's Aslan the great Lion. Allied with Calormenes, they start slaughtering Talking Beasts and doing other evil deeds.

To Tirian, the current King of Narnia, and to his dear friend Jewel the noble Unicorn, this seems like a most unusual behaviour for Aslan, so they set out in search of the truth. They'll call children from our world to their aid: Eustace and Jill.

Ensues a battle opposing the King's small party to the Calormenes and the Men and Beasts they've managed to cheat.

In the second half of the book, like in a mirror image of the adventures of Digory and Polly in The Magician's Nephew, we witness the unmaking of the World by Aslan (the real one this time). Like in a curtain call, all the characters (but one) from the previous volumes return for the final journey to the forever kingdom of Aslan.

Whereas the beginning was rather exciting, I found the ending really too syrupy and allegorical. It was also very shocking to see the absence of Susan explained by "she's interested in nothing nowadays except nylons and lipstick and invitations." With its oldish style, and the fact that the baddies, the Calormenes, have a definite Middle-Eastern profile, I felt that the book was really anchored in the 1950's. I must admit I'm glad to have finally finished the series.

Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?

This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over.

While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.

The perfect ending to a perfect series, 08 Nov 2003
Well now, where to start. Well lets start with the fact that I am now 42 and I am reading these books to my own children. I loved all the chronicles of narnia (With the exception of the magicians nephew which I despise) but The last battle is in my mind far and away the best of the series. It has everything that you could want from a book, a perfect plot, loveable and believeable characters and most of all the greatest ending to any book ever. However, when I was 11/12 and I first discovered the chronicles of narnia I despised this book and loved The lion, the witch and the wardrobe instead. Now why is that? I think that it is because this is a book that is wasted on anyone under the age of 18. Lewis does create an exciting plot and characters every bit as good as in his other chronicles, but the ending to this book is just something else, and I feel that an immature reader will not fully appreciate this. You can feel the emotion welling up inside you almost as if you know that the end of the series is nigh and you don't want it to end. However, you are aware that it must. And when Aslan finally destroys Narnia you feel that you are there beside him because lewis's description is just out of this world.
This book is not for the faint of heart as it does have all the usual bloodthirsty battles between the narnians and the Calormenes. However, what this book posesses that the others do not is the absolute passion of the intense novelist that Lewis was. I once read a review in which the reviewer poked fun at the bathos (Anti-climax) of this book and I physically shook with rage, this novel has the greatest ending of any novel that I have ever read and in my opinion is almost too beautiful to be wasted on young children who will not understand them. I feel that nobody can adequately describe just what a phenomenal novel this is, it blows all other tales clean away, and more to the point, this was a series that Lewis intended for children but which does genuinely bridge the age gap to appeal to adults as well.
Let me end by giving you a piece of advice, put away your J.K Rowling, your Jaqueline Wilson or your Brian Jacques and pull down a copy of The lion, the witch and the wardrobe and read the whole narnia series. The entire series is probably shorter than the latest Harry Potter book, but they contain 100 times more action and excitement. In these novels, Lewis has genuine passion for what he is writing about which is so rare in the books of today and so read these books, love these books and then pass them on to the next generation as these are novels which transend time and age anyone at any time can pick up a C.S Lewis novel and admire it as on eof the greatest pieces of fiction ever to leave a printing press.

OUTSTANDING/AMAZING my personal favorite out of the narnia books, 04 Jan 2009
Such a good book, very adventurous about a boy and a girl running away together and meeting up along the way both with different stories and backgrounds.... riding on horses that talk venturing towards narnia...

Its such a great book so different from the rest but still captures the magic that all the books hold.

I recommend it for anyone who enjoys other NARNIAN BOOKS/ADVENTURE/HAPPY ENDINGS/moments of happiness and moments of slight fear (not enough fear to scare anyone)

A delightful fairy-tale - and without any preaching!, 14 Oct 2008
Chronologically the third book in the Narnia series, set between the penultimate and last chapters of the previous book, but published fifth in the series, this story can stand alone, making only one passing reference to events in the previous books which might confuse young readers. It's a humourously written but fairly standard fairy tale of a journey, people growing up, and a lost prince. In this context, even ignoring the rest of the Narnia series, such fairy-tale staples as talking animals make perfect sense. And - mirabile dictu there's no preaching at all! I'm not quite so keen on this as on the previous two books in the series, but it's still worth owning.

A good old-fashioned yarn, 01 Jun 2008
"The Horse and his boy" has everything that a good old-fashioned story should have: thrills and spills, magic, humour and beautiful descriptive writing.

The tale itself, although part of the Narnia Saga, could easily be read with no knowledge of the preceding books. It has a mythic feel about it and some wonderfully evocative writing. Some passages are rather difficult due to the archaic language and it is probably better read aloud to younger children. The characters are well-drawn and very believable: Aravis in particular is a super role-model for girls and unusual in a book from the 1950s.

As to the criticisms of "racism", I would take these with a pinch of salt. If you are particularly anti-Christian for whatever reason, or extremely PC, then stay away from C.S Lewis's work.

The Horse and His Boy, 07 Apr 2008

Fifth book printed, third book chronologically.

I began re-reading the Narnia series after coming across a beautiful boxed set of all seven novels. Mainly this was out of nostalgia, as these were favourites when I was young, and I was interested to see how they held up as adults. I found them all to be written very clearly with provocative descriptive prose, and narrative that often draws the reader immediately into the story.

"The Horse and His Boy" stands out from the rest of the series, having little or nothing to do with any of the other characters. The great Aslan makes a few appearances, and his scarcity accentuates the presence that Lewis no doubt felt strongly in his heart. As a total atheist and condemner of religious analogies, even I felt a touch of wonder at each of his appearance!

The story is sound despite being removed from the over-arcing story of the Chronicles. The main character and his companion horse are well drawn and interesting. The features of the countries outside Narnia are bright and interesting, particularly if you've read the other books in the series. The book manages to carry its own weight, which some of the sequels to "The Lion, The Witch, and the Wardrobe" fail to do. An achievement, and worth picking up!


3rd book!, 13 Jan 2008
This is the third book of the Chronicles of Narnia series and is about a boy, called Shasta, who was looked after by Arsheesh, a Calormene fisherman. After many years, Shasta was going to be sold as a slave to a rich noble man so he decided to run away with, Bree, a talking horse belonging to the noble man, to Narnia. On there travels, Shasta and Bree meet Aravis, and her talking horse, Hwin. Together they travel to Narnia but the four have to travel through Tashbaan, the bustling capital city of Calormen. There Shasta is mistaken for Corin, the prince of this city who is actually his twin but that is not known by him. At the end, Corin's father realises that they are twins and Aravis lives at the palace with them later on getting married to Cor (Shasta's real name).

Lost the Magic, 29 Jul 2006
Unlike the other reviews, I don't think I have a problem with the narrator. The magical tale however, is somewhat spoiled by the inconsistent voulume control of the recording. The narrator speaks quietly, but when the characters speak, the volume suddenly increases. It's nightmare when listening to at night, whilst trying ot wake up others in your house!

The reading I've been waiting for, 05 Aug 2005
In contrast to the pointedly negative review posted before, I found that Michael York's unabridged reading of this well-loved book was a Narnia fan's dream come true. Michael York's voice is soothing, and reads the unabridged story in a convincing and soothing tone that does not sound at all condescending. He paces the story nicely. Hearing this dramatic and well-produced reading adds a wholly new dimension to the overall experience. The inspired choice of Michael York allows the story to unfold before your very eyes, as he paces his voice comfortably enough to make you follow along and be excited at the same time. The reading may take a long time, but York never sinks into a monotonous tone, and he also gives each character personality and depth. Particularly tellig is his satanic characterisation of the White Witch. He also avoids the tendency to make the children sound too cue or whiney. To sum everything up, this reading will be sure to capture the hearts and imaginations of anyone who listens to it, and will surely be prized highly in any Narnia lover's collection and also by those who have never heard of the Narnia stories.

Dreadful, 14 Jul 2005
Michael York's reading is so condescending in tone & pitch that there is no pleasure to be gained from listening to it - it is irritating from the first to the last word. Fortunately, this is the only one of the stories that he reads - the others are much better read by the likes of Kenneth Branagh & Patrick Stewart.

To Save A Prince, 25 Jul 2003
Eustace and Jill are called from their school to Narnia by Aslan for a task. King Caspian is old and his only son, Prince Rilian, has been taken hostage. Teaming up with the marsh-wiggle Puddleglum, they journey north from Narnia. But with winter fast approaching, their journey isn't easy. Not to mention the danger they face from giants and a stranger they meet. Will they remember to follow the signs Aslan gave them to help them on their way? Even if they do, can they save the prince?

I absolutely love this book in the series. I'd forgotten how much until I reread it. The quest gives a real sense of adventure. And they seem to meet up with plenty of danger along the way. I get a kick out of Puddleglum's pessimism, as well.

The allegory seems stronger in this book then the last couple. The themes of following God's word and Him using us in spite of our faults (and using our faults) is especially strong. Aslan has the entire thing under control from the beginning; it's just up to Eustace and Jill to actually follow his commands.

This is a wonderful fantasy story with some elements included that will make you think. Definitely a strong book in the series. If you enjoyed the others, be sure to pick this one up as well.

Two children are sent to Narnia for a rescue mission, 21 Nov 2001
Two children are sent to Narnia, a magical place far beyond the eyes of man,to rescue a long-lost prince in an underground world.But will they survive from the man eating giants?
there are three main characters: Puddleglum,a frog like creature who thinks the worst of things.
and Scrubb,a boy who had already been in Narnia .
I thought the book was great, loads of description and adventures. I would recommend it to young readers and adults.

The Horse and his Boy is a stirring and dramatic fantasy story that finds a young boy named Shasta on the run from his homeland with the talking horse, Bree. When the pair discover a deadly plot by the Calormen people to conquer the land of Narnia, the race is on to warn the inhabitants of the impending danger and to rescue them all from certain death.

None of the sheer magic of the Horse and His Boy has faded since it first delighted a generation of children in the 1950s, and anyone who has ever savoured the peculiar delights of Narnia will love this special edition, published in celebration of the centenary of CS Lewis. With its stylish, larger format featuring fine, hand-coloured illustrations by Pauline Baynes, all the magic of the originals can be found in this delectable tale which will continue to enchant hosts of new readers long into the future. --Susan Harrison

I don't know anyone who likes this., 08 Apr 2007
C.S.Lewis is generally a well-respected and loved wrtier, but The Last Battle is... awful. Admittedly, it has a beautiul, stifrring ending, but before the last 10 pages, you have to put up with weak characterisations, screeds against evolution, Muslims, skeptics, girls who wear makeup, and everything else C.S.Lewis disliked in society of his time.

Yes, the last 10 pages are brilliant, possibly the best depiction of Heaven I've ever seen. But there's a lot of awfulness before then, and the plot depends on all the characters acting like idiots. It's almost a bad parody of religion for the first half.

...I cannot recommend it.

"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.

All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.

The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.

This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.

Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.

"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.

Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.

Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.


A rather exciting beginning for a syrupy ending., 18 Aug 2005
This is the seventh and last (chronologically) Chronicle of Narnia (after The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair).

This final volume is more or less cut in two parts. In the first one, an Ape called Shift bullies and forces his companion Puzzle the donkey to wear an old lion skin on his back and to pretend he's Aslan the great Lion. Allied with Calormenes, they start slaughtering Talking Beasts and doing other evil deeds.

To Tirian, the current King of Narnia, and to his dear friend Jewel the noble Unicorn, this seems like a most unusual behaviour for Aslan, so they set out in search of the truth. They'll call children from our world to their aid: Eustace and Jill.

Ensues a battle opposing the King's small party to the Calormenes and the Men and Beasts they've managed to cheat.

In the second half of the book, like in a mirror image of the adventures of Digory and Polly in The Magician's Nephew, we witness the unmaking of the World by Aslan (the real one this time). Like in a curtain call, all the characters (but one) from the previous volumes return for the final journey to the forever kingdom of Aslan.

Whereas the beginning was rather exciting, I found the ending really too syrupy and allegorical. It was also very shocking to see the absence of Susan explained by "she's interested in nothing nowadays except nylons and lipstick and invitations." With its oldish style, and the fact that the baddies, the Calormenes, have a definite Middle-Eastern profile, I felt that the book was really anchored in the 1950's. I must admit I'm glad to have finally finished the series.

Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?

This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over.

While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.

The perfect ending to a perfect series, 08 Nov 2003
Well now, where to start. Well lets start with the fact that I am now 42 and I am reading these books to my own children. I loved all the chronicles of narnia (With the exception of the magicians nephew which I despise) but The last battle is in my mind far and away the best of the series. It has everything that you could want from a book, a perfect plot, loveable and believeable characters and most of all the greatest ending to any book ever. However, when I was 11/12 and I first discovered the chronicles of narnia I despised this book and loved The lion, the witch and the wardrobe instead. Now why is that? I think that it is because this is a book that is wasted on anyone under the age of 18. Lewis does create an exciting plot and characters every bit as good as in his other chronicles, but the ending to this book is just something else, and I feel that an immature reader will not fully appreciate this. You can feel the emotion welling up inside you almost as if you know that the end of the series is nigh and you don't want it to end. However, you are aware that it must. And when Aslan finally destroys Narnia you feel that you are there beside him because lewis's description is just out of this world.
This book is not for the faint of heart as it does have all the usual bloodthirsty battles between the narnians and the Calormenes. However, what this book posesses that the others do not is the absolute passion of the intense novelist that Lewis was. I once read a review in which the reviewer poked fun at the bathos (Anti-climax) of this book and I physically shook with rage, this novel has the greatest ending of any novel that I have ever read and in my opinion is almost too beautiful to be wasted on young children who will not understand them. I feel that nobody can adequately describe just what a phenomenal novel this is, it blows all other tales clean away, and more to the point, this was a series that Lewis intended for children but which does genuinely bridge the age gap to appeal to adults as well.
Let me end by giving you a piece of advice, put away your J.K Rowling, your Jaqueline Wilson or your Brian Jacques and pull down a copy of The lion, the witch and the wardrobe and read the whole narnia series. The entire series is probably shorter than the latest Harry Potter book, but they contain 100 times more action and excitement. In these novels, Lewis has genuine passion for what he is writing about which is so rare in the books of today and so read these books, love these books and then pass them on to the next generation as these are novels which transend time and age anyone at any time can pick up a C.S Lewis novel and admire it as on eof the greatest pieces of fiction ever to leave a printing press.

OUTSTANDING/AMAZING my personal favorite out of the narnia books, 04 Jan 2009
Such a good book, very adventurous about a boy and a girl running away together and meeting up along the way both with different stories and backgrounds.... riding on horses that talk venturing towards narnia...

Its such a great book so different from the rest but still captures the magic that all the books hold.

I recommend it for anyone who enjoys other NARNIAN BOOKS/ADVENTURE/HAPPY ENDINGS/moments of happiness and moments of slight fear (not enough fear to scare anyone)

A delightful fairy-tale - and without any preaching!, 14 Oct 2008
Chronologically the third book in the Narnia series, set between the penultimate and last chapters of the previous book, but published fifth in the series, this story can stand alone, making only one passing reference to events in the previous books which might confuse young readers. It's a humourously written but fairly standard fairy tale of a journey, people growing up, and a lost prince. In this context, even ignoring the rest of the Narnia series, such fairy-tale staples as talking animals make perfect sense. And - mirabile dictu there's no preaching at all! I'm not quite so keen on this as on the previous two books in the series, but it's still worth owning.

A good old-fashioned yarn, 01 Jun 2008
"The Horse and his boy" has everything that a good old-fashioned story should have: thrills and spills, magic, humour and beautiful descriptive writing.

The tale itself, although part of the Narnia Saga, could easily be read with no knowledge of the preceding books. It has a mythic feel about it and some wonderfully evocative writing. Some passages are rather difficult due to the archaic language and it is probably better read aloud to younger children. The characters are well-drawn and very believable: Aravis in particular is a super role-model for girls and unusual in a book from the 1950s.

As to the criticisms of "racism", I would take these with a pinch of salt. If you are particularly anti-Christian for whatever reason, or extremely PC, then stay away from C.S Lewis's work.

The Horse and His Boy, 07 Apr 2008

Fifth book printed, third book chronologically.

I began re-reading the Narnia series after coming across a beautiful boxed set of all seven novels. Mainly this was out of nostalgia, as these were favourites when I was young, and I was interested to see how they held up as adults. I found them all to be written very clearly with provocative descriptive prose, and narrative that often draws the reader immediately into the story.

"The Horse and His Boy" stands out from the rest of the series, having little or nothing to do with any of the other characters. The great Aslan makes a few appearances, and his scarcity accentuates the presence that Lewis no doubt felt strongly in his heart. As a total atheist and condemner of religious analogies, even I felt a touch of wonder at each of his appearance!

The story is sound despite being removed from the over-arcing story of the Chronicles. The main character and his companion horse are well drawn and interesting. The features of the countries outside Narnia are bright and interesting, particularly if you've read the other books in the series. The book manages to carry its own weight, which some of the sequels to "The Lion, The Witch, and the Wardrobe" fail to do. An achievement, and worth picking up!


3rd book!, 13 Jan 2008
This is the third book of the Chronicles of Narnia series and is about a boy, called Shasta, who was looked after by Arsheesh, a Calormene fisherman. After many years, Shasta was going to be sold as a slave to a rich noble man so he decided to run away with, Bree, a talking horse belonging to the noble man, to Narnia. On there travels, Shasta and Bree meet Aravis, and her talking horse, Hwin. Together they travel to Narnia but the four have to travel through Tashbaan, the bustling capital city of Calormen. There Shasta is mistaken for Corin, the prince of this city who is actually his twin but that is not known by him. At the end, Corin's father realises that they are twins and Aravis lives at the palace with them later on getting married to Cor (Shasta's real name).

Lost the Magic, 29 Jul 2006
Unlike the other reviews, I don't think I have a problem with the narrator. The magical tale however, is somewhat spoiled by the inconsistent voulume control of the recording. The narrator speaks quietly, but when the characters speak, the volume suddenly increases. It's nightmare when listening to at night, whilst trying ot wake up others in your house!

The reading I've been waiting for, 05 Aug 2005
In contrast to the pointedly negative review posted before, I found that Michael York's unabridged reading of this well-loved book was a Narnia fan's dream come true. Michael York's voice is soothing, and reads the unabridged story in a convincing and soothing tone that does not sound at all condescending. He paces the story nicely. Hearing this dramatic and well-produced reading adds a wholly new dimension to the overall experience. The inspired choice of Michael York allows the story to unfold before your very eyes, as he paces his voice comfortably enough to make you follow along and be excited at the same time. The reading may take a long time, but York never sinks into a monotonous tone, and he also gives each character personality and depth. Particularly tellig is his satanic characterisation of the White Witch. He also avoids the tendency to make the children sound too cue or whiney. To sum everything up, this reading will be sure to capture the hearts and imaginations of anyone who listens to it, and will surely be prized highly in any Narnia lover's collection and also by those who have never heard of the Narnia stories.

Dreadful, 14 Jul 2005
Michael York's reading is so condescending in tone & pitch that there is no pleasure to be gained from listening to it - it is irritating from the first to the last word. Fortunately, this is the only one of the stories that he reads - the others are much better read by the likes of Kenneth Branagh & Patrick Stewart.

To Save A Prince, 25 Jul 2003
Eustace and Jill are called from their school to Narnia by Aslan for a task. King Caspian is old and his only son, Prince Rilian, has been taken hostage. Teaming up with the marsh-wiggle Puddleglum, they journey north from Narnia. But with winter fast approaching, their journey isn't easy. Not to mention the danger they face from giants and a stranger they meet. Will they remember to follow the signs Aslan gave them to help them on their way? Even if they do, can they save the prince?

I absolutely love this book in the series. I'd forgotten how much until I reread it. The quest gives a real sense of adventure. And they seem to meet up with plenty of danger along the way. I get a kick out of Puddleglum's pessimism, as well.

The allegory seems stronger in this book then the last couple. The themes of following God's word and Him using us in spite of our faults (and using our faults) is especially strong. Aslan has the entire thing under control from the beginning; it's just up to Eustace and Jill to actually follow his commands.

This is a wonderful fantasy story with some elements included that will make you think. Definitely a strong book in the series. If you enjoyed the others, be sure to pick this one up as well.

Two children are sent to Narnia for a rescue mission, 21 Nov 2001
Two children are sent to Narnia, a magical place far beyond the eyes of man,to rescue a long-lost prince in an underground world.But will they survive from the man eating giants?
there are three main characters: Puddleglum,a frog like creature who thinks the worst of things.
and Scrubb,a boy who had already been in Narnia .
I thought the book was great, loads of description and adventures. I would recommend it to young readers and adults.

OUTSTANDING/AMAZING my personal favorite out of the narnia books, 04 Jan 2009
Such a good book, very adventurous about a boy and a girl running away together an