Elizabeth Bennet is the perfect Austen heroine: intelligent, generous, sensible, incapable of jealousy or any other major sin. That makes her sound like an insufferable goody-goody, but the truth is she's a completely hip character who ,if provoked, is not above skewering her antagonist with a piece of her exceptionally sharp, yet always polite, 18th-century wit. The real point of the book though, the critical question which will keep you fixated throughout, is: will Elizabeth and Mr Darcy hook up? Read this genuine all-time classic and discover the answer while enjoying a story that has charmed generation after generation.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.


captivating, 23 Sep 2003
elizabeth Bennet is a wilful, head strong girl, and when she first meets Mr Darcy she thinks him to be an arrogant, conceited man who dislikes her as much as she does him. when she later discovers that darcy has involved himself in the love affair of her sister jane and mr bingley, and the awful treatment of her newly discovered friend mr wickham, she is determined to hate him even more.
the story that follows is a delightfully funny and well observed tale of the dating game. and Austen's wonderful way of writing characters and there behaviour is absolutely captivating, before you know it you're drawn in to the story, willing Mr darcy and lizzie to realise how they truly feel!
for a casual reader who has not got the time to listen to the entire thing, i would recommend this as it runs at a quite comfortable 5 3/4 hours on 6 CD's. Joanna David's lovely honey voice carries you through and it draws you in, her voicing of Mrs Bennet is especially good.
however i would not recommend this for students as the book is abridged on these CD's, though the editing is done skilfully and the story lines carried nicely through the bits that are left out.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.


captivating, 23 Sep 2003
elizabeth Bennet is a wilful, head strong girl, and when she first meets Mr Darcy she thinks him to be an arrogant, conceited man who dislikes her as much as she does him. when she later discovers that darcy has involved himself in the love affair of her sister jane and mr bingley, and the awful treatment of her newly discovered friend mr wickham, she is determined to hate him even more.
the story that follows is a delightfully funny and well observed tale of the dating game. and Austen's wonderful way of writing characters and there behaviour is absolutely captivating, before you know it you're drawn in to the story, willing Mr darcy and lizzie to realise how they truly feel!
for a casual reader who has not got the time to listen to the entire thing, i would recommend this as it runs at a quite comfortable 5 3/4 hours on 6 CD's. Joanna David's lovely honey voice carries you through and it draws you in, her voicing of Mrs Bennet is especially good.
however i would not recommend this for students as the book is abridged on these CD's, though the editing is done skilfully and the story lines carried nicely through the bits that are left out.

Persuasion not necessary, 06 Apr 2008
Persuasion is not a perfect novel. It is not the most perfect novel written by Jane Austen. It is, however, by some measure the most poignant, written at the end of her life and might be described as an Indian Summer of a book.

Juliet Stevenson reads superbly - every word to be savoured. I recommend this recording highly.

Two sisters of opposing temperaments but who share the pangs of tragic love provide the subjects for Sense and Sensibility. Elinor, practical and conventional, is the epitome of sense; Marianne, emotional and sentimental, the embodiment of sensibility. To each comes the sorrow of unhappy love: Elinor desires a man who is promised to another while Marianne loses her heart to a scoundrel who jilts her. Their mutual suffering brings a closer understanding between the two sisters--and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Now an award-winning movie written by Emma Thompson.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.


captivating, 23 Sep 2003
elizabeth Bennet is a wilful, head strong girl, and when she first meets Mr Darcy she thinks him to be an arrogant, conceited man who dislikes her as much as she does him. when she later discovers that darcy has involved himself in the love affair of her sister jane and mr bingley, and the awful treatment of her newly discovered friend mr wickham, she is determined to hate him even more.
the story that follows is a delightfully funny and well observed tale of the dating game. and Austen's wonderful way of writing characters and there behaviour is absolutely captivating, before you know it you're drawn in to the story, willing Mr darcy and lizzie to realise how they truly feel!
for a casual reader who has not got the time to listen to the entire thing, i would recommend this as it runs at a quite comfortable 5 3/4 hours on 6 CD's. Joanna David's lovely honey voice carries you through and it draws you in, her voicing of Mrs Bennet is especially good.
however i would not recommend this for students as the book is abridged on these CD's, though the editing is done skilfully and the story lines carried nicely through the bits that are left out.

Persuasion not necessary, 06 Apr 2008
Persuasion is not a perfect novel. It is not the most perfect novel written by Jane Austen. It is, however, by some measure the most poignant, written at the end of her life and might be described as an Indian Summer of a book.

Juliet Stevenson reads superbly - every word to be savoured. I recommend this recording highly.

Super story, 25 Mar 2008
This book is a Puffin Classic and it really is a true unforgettable and terrific tale. This tale is very moving and that is why I really like it! It is by the author of Pride and Prejudice: Jane Austen! I thoroughly enjoyed it - the rating that I would give it is definitely 9/ 10, and think that older children aged from 10 - 15, like me, would like it and that those who were younger would not really understand (or get pleasure from reading) it very much. Here is the storyline: Elinor and Marianne are both sisters, who are (strangely) immensely different but they are always there for each other and their sister-in-law as well.

Jane Austen's First Look at English Society, 27 Oct 2007
Most people who have read Jane Austen will have read Pride and Prejudice. With a title like Sense and Sensibility, most readers will assume that the two books can be interpreted and enjoyed in the same way. Other than having three word titles that employ alliteration in the first and third words, the two novels are more different than similar.

While Pride and Prejudice is primarily about miscommunication, Sense and Sensibility is about the maturation of two sisters as they find themselves confronted by adversity. The former topic allows Ms. Austen more room to roam, but within the later topic she has plenty of opportunities to display her story telling and comic talents. While maturation is an important sub theme in Pride and Prejudice, you see maturation better developed in Sense and Sensibility.

When their father dies, Elinor, Marianne and Margaret find themselves in exile from their family home with their mother. The family estate had been left to their half brother whom their father exhorted to take care of them. But that promise is soon diluted into doing almost nothing through the selfishness of his wife and his vacillation. A relative kindly offers them a country cottage near his home and takes obvious pleasure in their company.

At this modest new home, Elinor found herself entertaining the welcome attentions of Edward Ferrars. Elinor's younger sister, Marianne, is all aflutter over John Willoughby who seems to be committed to her. In fact, everyone assumes that there will soon be wedding bells for Marianne and Willoughby.

All of these pleasant connections are, however, soon disrupted. Willoughby leaves and ignores Marianne. Elinor finds out an unexpected secret about Ferrars that puts her on her caution in pursuing their relationship. As these complications develop, Marianne soon finds herself distraught despite having attracted another suitor, the reliable, but older, Colonel Brandon. Elinor steps into the breach to try to help her sister regain her equilibrium. Both learn what a broken heart can feel like and adjust in their own separate ways.

In vintage Jane Austen style, all bets are off near the end of the book as characters take unexpected steps that open up new possibilities. There's no one quite like Jane Austen for pulling great twists in her romantic comedies. These twists will cause your jaw to drop.

Try not to compare this book to Pride and Prejudice. It's clearly a lesser work, but one that can certainly be enjoyed in its own right.

Well worth a read, 04 Jan 2000
This is a beautiful book. It is one to read in the garden on a summer afternoon. To me it is different from Austen's other novels and has something young and fresh about it. You really feel like you are with these two sisters as they suffer the trials love puts in their way.

I have given this book more stars than it deserves, 16 Oct 1999
I will not go into the storyline because I do not want to bore you. Basically these old fashioned girls that nobody cares about act stupidly about foppish gentlemen. All the characters are shallow, pathetic and materialist. This is an out of touch womans' book for the naive.

A delightful and witty book, 09 Sep 1999
Sense and sensibility is a book about life and love. The story unfolds around the lives of two sisters - Elinor: full of love, reserve, caution, and sense; Marianne full of love, passion and sensibility. They fall in love with men who are of the same character. However, through no fault of their own, they are both thwarted in love. This book is full of entertaing characters and delightful satire. Jane Austen presents a fascinating view of human nature: both the fickle and the genuine.

"I should like to see Emma in love, and in some doubt of return; it would do her good," remarks one of Jane Austen's characters in Emma.

Quick-witted, beautiful, headstrong and rich, Emma Woodhouse is inordinately fond of match-making select inhabitants of the village of Highbury, yet aloof and oblivious as to the question of whom she herself might marry. This paradox multiplies the intrigues and sparkling ironies of Jane Austen's masterpiece, her comedy of a sentimental education through which Emma discovers a capacity for love and marriage.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.


captivating, 23 Sep 2003
elizabeth Bennet is a wilful, head strong girl, and when she first meets Mr Darcy she thinks him to be an arrogant, conceited man who dislikes her as much as she does him. when she later discovers that darcy has involved himself in the love affair of her sister jane and mr bingley, and the awful treatment of her newly discovered friend mr wickham, she is determined to hate him even more.
the story that follows is a delightfully funny and well observed tale of the dating game. and Austen's wonderful way of writing characters and there behaviour is absolutely captivating, before you know it you're drawn in to the story, willing Mr darcy and lizzie to realise how they truly feel!
for a casual reader who has not got the time to listen to the entire thing, i would recommend this as it runs at a quite comfortable 5 3/4 hours on 6 CD's. Joanna David's lovely honey voice carries you through and it draws you in, her voicing of Mrs Bennet is especially good.
however i would not recommend this for students as the book is abridged on these CD's, though the editing is done skilfully and the story lines carried nicely through the bits that are left out.

Persuasion not necessary, 06 Apr 2008
Persuasion is not a perfect novel. It is not the most perfect novel written by Jane Austen. It is, however, by some measure the most poignant, written at the end of her life and might be described as an Indian Summer of a book.

Juliet Stevenson reads superbly - every word to be savoured. I recommend this recording highly.

Super story, 25 Mar 2008
This book is a Puffin Classic and it really is a true unforgettable and terrific tale. This tale is very moving and that is why I really like it! It is by the author of Pride and Prejudice: Jane Austen! I thoroughly enjoyed it - the rating that I would give it is definitely 9/ 10, and think that older children aged from 10 - 15, like me, would like it and that those who were younger would not really understand (or get pleasure from reading) it very much. Here is the storyline: Elinor and Marianne are both sisters, who are (strangely) immensely different but they are always there for each other and their sister-in-law as well.

Jane Austen's First Look at English Society, 27 Oct 2007
Most people who have read Jane Austen will have read Pride and Prejudice. With a title like Sense and Sensibility, most readers will assume that the two books can be interpreted and enjoyed in the same way. Other than having three word titles that employ alliteration in the first and third words, the two novels are more different than similar.

While Pride and Prejudice is primarily about miscommunication, Sense and Sensibility is about the maturation of two sisters as they find themselves confronted by adversity. The former topic allows Ms. Austen more room to roam, but within the later topic she has plenty of opportunities to display her story telling and comic talents. While maturation is an important sub theme in Pride and Prejudice, you see maturation better developed in Sense and Sensibility.

When their father dies, Elinor, Marianne and Margaret find themselves in exile from their family home with their mother. The family estate had been left to their half brother whom their father exhorted to take care of them. But that promise is soon diluted into doing almost nothing through the selfishness of his wife and his vacillation. A relative kindly offers them a country cottage near his home and takes obvious pleasure in their company.

At this modest new home, Elinor found herself entertaining the welcome attentions of Edward Ferrars. Elinor's younger sister, Marianne, is all aflutter over John Willoughby who seems to be committed to her. In fact, everyone assumes that there will soon be wedding bells for Marianne and Willoughby.

All of these pleasant connections are, however, soon disrupted. Willoughby leaves and ignores Marianne. Elinor finds out an unexpected secret about Ferrars that puts her on her caution in pursuing their relationship. As these complications develop, Marianne soon finds herself distraught despite having attracted another suitor, the reliable, but older, Colonel Brandon. Elinor steps into the breach to try to help her sister regain her equilibrium. Both learn what a broken heart can feel like and adjust in their own separate ways.

In vintage Jane Austen style, all bets are off near the end of the book as characters take unexpected steps that open up new possibilities. There's no one quite like Jane Austen for pulling great twists in her romantic comedies. These twists will cause your jaw to drop.

Try not to compare this book to Pride and Prejudice. It's clearly a lesser work, but one that can certainly be enjoyed in its own right.

Well worth a read, 04 Jan 2000
This is a beautiful book. It is one to read in the garden on a summer afternoon. To me it is different from Austen's other novels and has something young and fresh about it. You really feel like you are with these two sisters as they suffer the trials love puts in their way.

I have given this book more stars than it deserves, 16 Oct 1999
I will not go into the storyline because I do not want to bore you. Basically these old fashioned girls that nobody cares about act stupidly about foppish gentlemen. All the characters are shallow, pathetic and materialist. This is an out of touch womans' book for the naive.

A delightful and witty book, 09 Sep 1999
Sense and sensibility is a book about life and love. The story unfolds around the lives of two sisters - Elinor: full of love, reserve, caution, and sense; Marianne full of love, passion and sensibility. They fall in love with men who are of the same character. However, through no fault of their own, they are both thwarted in love. This book is full of entertaing characters and delightful satire. Jane Austen presents a fascinating view of human nature: both the fickle and the genuine.

An Exquisite Novel, 19 Mar 2008
"Emma" by Jane Austen is easily one of the greatest novels ever written. Simple yet subtley multi-layered, it tells the story of Emma Woodhouse, the daughter of a rich landowner who finds herself living alone with him when her Governess marries and moves out of the family home of Hartfield. As a result, most of the day she is confined to staying in the house and looking after her Father and as there is precious little to do in the evening, finds herself desperate for amusement.

It is revealed very early on in the novel that Emma likes to match people up together and see how things turn out. She is a self proclaimed imaginist, although her playful games sometimes get out of hand, causing problems and hurting those involved. Soon after Miss Taylor - her former Governess - leaves, Emma meets Harriet Smith, a girl of unknown parentage and decides to take the girl under her wing, with hopes of improving her class and chances of finding a good husband. It is in these moments with Harriet that Emma's character is at her most unappealing, often seeming snobbish and rude and shocked that Harriet would be interested in marrying a farmer of all people. However, due to Austen's all seeing narrative, the reader discovers that Emma does not know as much as she thinks she does and that many events are taking place which she is completely unaware of.

Perhaps the first novel which requires a re-read in order to fully appreciate Austen's intricate plot, "Emma" is a wonderful novel. It is filled with Austen's formidable wit and humour but is also a brilliant romance which will enchant its reader. Austen herself felt that no-one but her could like the character of Emma, which may or may not be true, however it is easy to empathise with her, especially on a second reading.

One of my favourite novels, "Emma" is filled with memorable characters, wonderful descriptions of setting, excellent dialogue and a brilliant central heroine. A truly timeless novel with a story which will engross and enchant the reader, "Emma" is a book never to be forgotten.

Penguin Classics 2003/4/5 - paper, print and text quality., 05 Feb 2008
I've just treated myself to Penguin's latest editions of Jane Austen's novels. I needn't review the novels themselves, trillions have already done that! But I thought it might help to tell others: the paper quality is excellent (lovely to touch and ... smells good too!), the text is clear (no burrs, light patches or 'bleeding') and of a good size (not that awful off putting dead weeny size. It's the size of an 'Arial 10'. Very easy on your eyes). Hope this helps. These things make a big difference me!

Read something else!, 09 Aug 2007
I HATED this book the first time I read it. And the second time. The third time, however, I began to quite like it.
The way I feel about Emma is this (and I know that this is contreversial): it's trivial. The whole thing is a very long book based around who loves who in a tedious upper class village in Surrey. To me, this book deals with very little that is important or even interesting in the world, or in history. I am sure that Austen lovers (and there are many) would tell me to "look at the irony"- well, I have. She's really good at using irony- but to me, that somehow doesn't fill up the whole book. The reason I liked this book the third time around, was because I found it comforting. It's rather like the famous five: full of silly little quips and upper-class twits, it doesn't talk about any of the issues of the day (in Blyton's case WW2, and in Austen's the French Revolution among others), and one feels that any comments that readers have picked up on social class are imagined. I once had the misfortune of reading some of Austen's letters to her sister Cassandra. In these she rambled on, and on, and on about plum trees, petticoats, Aunty Maud's stitching and the weather- perhaps Miss Bates is autobiographical?
Read it if you want to have read it. If you have any blood in your veins don't pick it up for the pleasure of reading. Neither thought-provoking nor intellectual, this book is, however, a fun little foray into the world of a selfish little girl of the Regency period who is seemingly trapped in a Hugh Grant Rom-Com.

"I seem to have been doomed to blindness.",, 16 Aug 2005
Emma Woodhouse, "handsome, clever, and rich," is the 21-year-old daughter of the elderly owner of Hartfield, the largest estate in Highbury. Though only a couple of hours away from London by carriage, Highbury regards itself as an isolated and virtually self-contained community, with the Woodhouse family the center of social life and at the top of its social ladder.

Emma, doting on her hypochondriac father, whom she represents to the outside world, has grown up without a mother's softening influence, and at twenty-one, she is bright, willful, and not a little spoiled. Having too little to do to keep out of trouble, Emma's hobby is matchmaking, "the greatest amusement in the world." Unfortunately, her sophistication in the social graces does not extend to much insight into human beings.

Taking Harriet Smith, a young woman of "questionable birth" under her wing, Emma makes Harriet her "project," educating her in the social graces, convincing Harriet not to marry farmer Robert Martin, who has courted her, and ultimately persuading Harriet, wrongly, that the vicar, Mr. Elton, is falling in love with her.

Bored and without a large circle of "suitable" friends, Emma is an incorrigible meddler, playing with the lives of those around her, snubbing those she considers inferior, gossiping about others in an attempt to divert attention to herself, and misreading intentions. Only Mr. Knightly, sixteen years older than Emma and a friend of her father, stands up to Emma and tells her what he thinks of her behavior, and it is through him that she eventually begins to grow.

Love and the formal protocol or marriage are a major focus here, with marriage more often a merger of "appropriate" families than the result of romance or passion. Class distinctions, acknowledged by all levels of society, limit both personal friendships and romantic possibilities, and as Emma's matchmaking fails again and again, causing grief to many of her victims, Emma begins to recognize that her pride, willfulness, and love of power over others have made her oblivious to her own faults.

Austen shines in her depiction of Emma and her upperclass friends, gently satirizing their weaknesses but leaving room for them to learn from their mistakes-if only they can learn to recognize the ironies in their lives. Though Emma may be, in some ways, Austen's least charming heroine, she is certainly vibrant and, with her annoying faults, a most realistic one. Mary Whipple

Not Pride and Prejudice but still a good read., 17 Feb 2004
Jane Austen's Emma tells the story of Highbury and the escapades of Emma Woodhouse. The novel is easily accessible and is absolutely filled with dramatic irony. Emma is unlike any other of Austen's heroines, in that she is independent of her family for financial support. This means that she is able to be a more comical character and is able to express her opinions more explicitly. The 'red herring' of Frank Churchill is a likeable characterisation as is the much talked about Jane Fairfax.
The novel is a set text for English Literature AS Level, but don't buy the York Notes Advanced book as this is useless if you have managed to read the novel.
The resolution of the novel is satisfactory and is typical Austen. Emma does not evoke the emotions that you experience when reading Pride and Prejudice but it is still a very good read and as enjoyable as any of Austen's other works.

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in society, seeking integration at a greater level. It was also interesting, I thought, to see how relevant (or irrelevant) the "worth" bestowed on the female gender was back then, compared to the present day in most societies. This, combined with the rapidity with which one fell in love, got engaged and/or was forbidden or denied to marry, could be stimulating subjects for ensuing conversations.


captivating, 23 Sep 2003
elizabeth Bennet is a wilful, head strong girl, and when she first meets Mr Darcy she thinks him to be an arrogant, conceited man who dislikes her as much as she does him. when she later discovers that darcy has involved himself in the love affair of her sister jane and mr bingley, and the awful treatment of her newly discovered friend mr wickham, she is determined to hate him even more.
the story that follows is a delightfully funny and well observed tale of the dating game. and Austen's wonderful way of writing characters and there behaviour is absolutely captivating, before you know it you're drawn in to the story, willing Mr darcy and lizzie to realise how they truly feel!
for a casual reader who has not got the time to listen to the entire thing, i would recommend this as it runs at a quite comfortable 5 3/4 hours on 6 CD's. Joanna David's lovely honey voice carries you through and it draws you in, her voicing of Mrs Bennet is especially good.
however i would not recommend this for students as the book is abridged on these CD's, though the editing is done skilfully and the story lines carried nicely through the bits that are left out.

Persuasion not necessary, 06 Apr 2008
Persuasion is not a perfect novel. It is not the most perfect novel written by Jane Austen. It is, however, by some measure the most poignant, written at the end of her life and might be described as an Indian Summer of a book.

Juliet Stevenson reads superbly - every word to be savoured. I recommend this recording highly.

Super story, 25 Mar 2008
This book is a Puffin Classic and it really is a true unforgettable and terrific tale. This tale is very moving and that is why I really like it! It is by the author of Pride and Prejudice: Jane Austen! I thoroughly enjoyed it - the rating that I would give it is definitely 9/ 10, and think that older children aged from 10 - 15, like me, would like it and that those who were younger would not really understand (or get pleasure from reading) it very much. Here is the storyline: Elinor and Marianne are both sisters, who are (strangely) immensely different but they are always there for each other and their sister-in-law as well.

Jane Austen's First Look at English Society, 27 Oct 2007
Most people who have read Jane Austen will have read Pride and Prejudice. With a title like Sense and Sensibility, most readers will assume that the two books can be interpreted and enjoyed in the same way. Other than having three word titles that employ alliteration in the first and third words, the two novels are more different than similar.

While Pride and Prejudice is primarily about miscommunication, Sense and Sensibility is about the maturation of two sisters as they find themselves confronted by adversity. The former topic allows Ms. Austen more room to roam, but within the later topic she has plenty of opportunities to display her story telling and comic talents. While maturation is an important sub theme in Pride and Prejudice, you see maturation better developed in Sense and Sensibility.

When their father dies, Elinor, Marianne and Margaret find themselves in exile from their family home with their mother. The family estate had been left to their half brother whom their father exhorted to take care of them. But that promise is soon diluted into doing almost nothing through the selfishness of his wife and his vacillation. A relative kindly offers them a country cottage near his home and takes obvious pleasure in their company.

At this modest new home, Elinor found herself entertaining the welcome attentions of Edward Ferrars. Elinor's younger sister, Marianne, is all aflutter over John Willoughby who seems to be committed to her. In fact, everyone assumes that there will soon be wedding bells for Marianne and Willoughby.

All of these pleasant connections are, however, soon disrupted. Willoughby leaves and ignores Marianne. Elinor finds out an unexpected secret about Ferrars that puts her on her caution in pursuing their relationship. As these complications develop, Marianne soon finds herself distraught despite having attracted another suitor, the reliable, but older, Colonel Brandon. Elinor steps into the breach to try to help her sister regain her equilibrium. Both learn what a broken heart can feel like and adjust in their own separate ways.

In vintage Jane Austen style, all bets are off near the end of the book as characters take unexpected steps that open up new possibilities. There's no one quite like Jane Austen for pulling great twists in her romantic comedies. These twists will cause your jaw to drop.

Try not to compare this book to Pride and Prejudice. It's clearly a lesser work, but one that can certainly be enjoyed in its own right.

Well worth a read, 04 Jan 2000
This is a beautiful book. It is one to read in the garden on a summer afternoon. To me it is different from Austen's other novels and has something young and fresh about it. You really feel like you are with these two sisters as they suffer the trials love puts in their way.

I have given this book more stars than it deserves, 16 Oct 1999
I will not go into the storyline because I do not want to bore you. Basically these old fashioned girls that nobody cares about act stupidly about foppish gentlemen. All the characters are shallow, pathetic and materialist. This is an out of touch womans' book for the naive.

A delightful and witty book, 09 Sep 1999
Sense and sensibility is a book about life and love. The story unfolds around the lives of two sisters - Elinor: full of love, reserve, caution, and sense; Marianne full of love, passion and sensibility. They fall in love with men who are of the same character. However, through no fault of their own, they are both thwarted in love. This book is full of entertaing characters and delightful satire. Jane Austen presents a fascinating view of human nature: both the fickle and the genuine.

An Exquisite Novel, 19 Mar 2008
"Emma" by Jane Austen is easily one of the greatest novels ever written. Simple yet subtley multi-layered, it tells the story of Emma Woodhouse, the daughter of a rich landowner who finds herself living alone with him when her Governess marries and moves out of the family home of Hartfield. As a result, most of the day she is confined to staying in the house and looking after her Father and as there is precious little to do in the evening, finds herself desperate for amusement.

It is revealed very early on in the novel that Emma likes to match people up together and see how things turn out. She is a self proclaimed imaginist, although her playful games sometimes get out of hand, causing problems and hurting those involved. Soon after Miss Taylor - her former Governess - leaves, Emma meets Harriet Smith, a girl of unknown parentage and decides to take the girl under her wing, with hopes of improving her class and chances of finding a good husband. It is in these moments with Harriet that Emma's character is at her most unappealing, often seeming snobbish and rude and shocked that Harriet would be interested in marrying a farmer of all people. However, due to Austen's all seeing narrative, the reader discovers that Emma does not know as much as she thinks she does and that many events are taking place which she is completely unaware of.

Perhaps the first novel which requires a re-read in order to fully appreciate Austen's intricate plot, "Emma" is a wonderful novel. It is filled with Austen's formidable wit and humour but is also a brilliant romance which will enchant its reader. Austen herself felt that no-one but her could like the character of Emma, which may or may not be true, however it is easy to empathise with her, especially on a second reading.

One of my favourite novels, "Emma" is filled with memorable characters, wonderful descriptions of setting, excellent dialogue and a brilliant central heroine. A truly timeless novel with a story which will engross and enchant the reader, "Emma" is a book never to be forgotten.

Penguin Classics 2003/4/5 - paper, print and text quality., 05 Feb 2008
I've just treated myself to Penguin's latest editions of Jane Austen's novels. I needn't review the novels themselves, trillions have already done that! But I thought it might help to tell others: the paper quality is excellent (lovely to touch and ... smells good too!), the text is clear (no burrs, light patches or 'bleeding') and of a good size (not that awful off putting dead weeny size. It's the size of an 'Arial 10'. Very easy on your eyes). Hope this helps. These things make a big difference me!

Read something else!, 09 Aug 2007
I HATED this book the first time I read it. And the second time. The third time, however, I began to quite like it.
The way I feel about Emma is this (and I know that this is contreversial): it's trivial. The whole thing is a very long book based around who loves who in a tedious upper class village in Surrey. To me, this book deals with very little that is important or even interesting in the world, or in history. I am sure that Austen lovers (and there are many) would tell me to "look at the irony"- well, I have. She's really good at using irony- but to me, that somehow doesn't fill up the whole book. The reason I liked this book the third time around, was because I found it comforting. It's rather like the famous five: full of silly little quips and upper-class twits, it doesn't talk about any of the issues of the day (in Blyton's case WW2, and in Austen's the French Revolution among others), and one feels that any comments that readers have picked up on social class are imagined. I once had the misfortune of reading some of Austen's letters to her sister Cassandra. In these she rambled on, and on, and on about plum trees, petticoats, Aunty Maud's stitching and the weather- perhaps Miss Bates is autobiographical?
Read it if you want to have read it. If you have any blood in your veins don't pick it up for the pleasure of reading. Neither thought-provoking nor intellectual, this book is, however, a fun little foray into the world of a selfish little girl of the Regency period who is seemingly trapped in a Hugh Grant Rom-Com.

"I seem to have been doomed to blindness.",, 16 Aug 2005
Emma Woodhouse, "handsome, clever, and rich," is the 21-year-old daughter of the elderly owner of Hartfield, the largest estate in Highbury. Though only a couple of hours away from London by carriage, Highbury regards itself as an isolated and virtually self-contained community, with the Woodhouse family the center of social life and at the top of its social ladder.

Emma, doting on her hypochondriac father, whom she represents to the outside world, has grown up without a mother's softening influence, and at twenty-one, she is bright, willful, and not a little spoiled. Having too little to do to keep out of trouble, Emma's hobby is matchmaking, "the greatest amusement in the world." Unfortunately, her sophistication in the social graces does not extend to much insight into human beings.

Taking Harriet Smith, a young woman of "questionable birth" under her wing, Emma makes Harriet her "project," educating her in the social graces, convincing Harriet not to marry farmer Robert Martin, who has courted her, and ultimately persuading Harriet, wrongly, that the vicar, Mr. Elton, is falling in love with her.

Bored and without a large circle of "suitable" friends, Emma is an incorrigible meddler, playing with the lives of those around her, snubbing those she considers inferior, gossiping about others in an attempt to divert attention to herself, and misreading intentions. Only Mr. Knightly, sixteen years older than Emma and a friend of her father, stands up to Emma and tells her what he thinks of her behavior, and it is through him that she eventually begins to grow.

Love and the formal protocol or marriage are a major focus here, with marriage more often a merger of "appropriate" families than the result of romance or passion. Class distinctions, acknowledged by all levels of society, limit both personal friendships and romantic possibilities, and as Emma's matchmaking fails again and again, causing grief to many of her victims, Emma begins to recognize that her pride, willfulness, and love of power over others have made her oblivious to her own faults.

Austen shines in her depiction of Emma and her upperclass friends, gently satirizing their weaknesses but leaving room for them to learn from their mistakes-if only they can learn to recognize the ironies in their lives. Though Emma may be, in some ways, Austen's least charming heroine, she is certainly vibrant and, with her annoying faults, a most realistic one. Mary Whipple

Not Pride and Prejudice but still a good read., 17 Feb 2004
Jane Austen's Emma tells the story of Highbury and the escapades of Emma Woodhouse. The novel is easily accessible and is absolutely filled with dramatic irony. Emma is unlike any other of Austen's heroines, in that she is independent of her family for financial support. This means that she is able to be a more comical character and is able to express her opinions more explicitly. The 'red herring' of Frank Churchill is a likeable characterisation as is the much talked about Jane Fairfax.
The novel is a set text for English Literature AS Level, but don't buy the York Notes Advanced book as this is useless if you have managed to read the novel.
The resolution of the novel is satisfactory and is typical Austen. Emma does not evoke the emotions that you experience when reading Pride and Prejudice but it is still a very good read and as enjoyable as any of Austen's other works.

Jane Austen's First Look at English Society, 27 Oct 2007
Most people who have read Jane Austen will have read Pride and Prejudice. With a title like Sense and Sensibility, most readers will assume that the two books can be interpreted and enjoyed in the same way. Other than having three word titles that employ alliteration in the first and third words, the two novels are more different than similar.

While Pride and Prejudice is primarily about miscommunication, Sense and Sensibility is about the maturation of two sisters as they find themselves confronted by adversity. The former topic allows Ms. Austen more room to roam, but within the later topic she has plenty of opportunities to display her story telling and comic talents. While maturation is an important sub theme in Pride and Prejudice, you see maturation better developed in Sense and Sensibility.

When their father dies, Elinor, Marianne and Margaret find themselves in exile from their family home with their mother. The family estate had been left to their half brother whom their father exhorted to take care of them. But that promise is soon diluted into doing almost nothing through the selfishness of his wife and his vacillation. A relative kindly offers them a country cottage near his home and takes obvious pleasure in their company.

At this modest new home, Elinor found herself entertaining the welcome attentions of Edward Ferrars. Elinor's younger sister, Marianne, is all aflutter over John Willoughby who seems to be committed to her. In fact, everyone assumes that there will soon be wedding bells for Marianne and Willoughby.

All of these pleasant connections are, however, soon disrupted. Willoughby leaves and ignores Marianne. Elinor finds out an unexpected secret about Ferrars that puts her on her caution in pursuing their relationship. As these complications develop, Marianne soon finds herself distraught despite having attracted another suitor, the reliable, but older, Colonel Brandon. Elinor steps into the breach to try to help her sister regain her equilibrium. Both learn what a broken heart can feel like and adjust in their own separate ways.

In vintage Jane Austen style, all bets are off near the end of the book as characters take unexpected steps that open up new possibilities. There's no one quite like Jane Austen for pulling great twists in her romantic comedies. These twists will cause your jaw to drop.

Try not to compare this book to Pride and Prejudice. It's clearly a lesser work, but one that can certainly be enjoyed in its own right.

The Return Journey is a collection of 14 short stories of life, love and learning that enables the most harried reader to enjoy a well-told tale in its entirety before checking on the kids or sorting the washing. In the tradition of Binchy's classic tales Circle of Friends and Tara Road, this consummate summer beach book introduces readers not to models of literary and romantic indefectibility, but to people just like us, who lose their car keys and have bad hair days. The title story paints a portrait of the embattled relationship between a mother who left her home in Dunglass, Ireland, and her daughter, who has travelled to Ireland to find her history and finds love, as well. Through weekly correspondence, mother and daughter repair the damage to their relationship, laying to rest ghosts of an earlier mother-daughter relationship gone irrevocably wrong. Binchy's Victor and St. Valentine renews faith that truly romantic men do exist and are often overlooked, their motives suspect in an increasingly self-reliant world. No one can accuse Binchy of overtelling a tale; she has perfected the art of leading her readers to the verge and then allowing them to loose their imaginations as they see fit. --Alison Trinkle --This text refers to the mass market paperback edition of this title

Who am I to critique such a classic work by Jane Austen?, 30 Jul 2008
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.

Fantastic - a timeless classic, 26 Jun 2008
The plot and principal characters are well known. I read this possibly six times in school when I was 14. What emerges for me from reading this much later is that neither Elizabeth, nor Darcy are - initially at least - the perfect, but misunderstood human beings of the screen versions. Darcy, it is clear, is an insufferable snob and it is not at all clear that he ever gets past this. Yes, in the end he has no problem in accepting Elizabeth despite her relatively low social station - that is because he has fallen in love with her. But is he really as transformed as Elizabeth believes by the end of the novel? Does it even matter to her, as Elizabeth will now ascend to a higher social station anyway? Elizabeth is also utterly quick to judge and with Wickham for example, is blind to his faults despite the clear evidence of his mercenary motivations as amply pointed out to her by Mrs Gardiner. What one has to remember however is that Elizabeth is only 21 and Darcy probably no more than 26. They can be forgiven their failings (Elizabeth her prejudice, Darcy his pride and haughtiness) to some extent. This is a novel as much about growing up and reaching maturity, as it is about the danger of judging on first impressions.

Another aspect that one does not appreciate at 14 is the social background to the novel. It is a time of the emergence of mass consumerism in England and of rapid technological and economic innovation. England was the cradle of capitalism and here it is being perfected at this time. This is evident throughout the novel and money and all things money related are always part of the main event.

Although Austen was a master of the novel form, this is not a perfect novel. Compare for example the crisp, no nonsense, galloping opening chapters with some of the final chapters that completely belabour the Wickham episode and how they slow down the narrative and plot resolution. These minor criticisms aside, P&P is a stunning achievement by a literary genius and it will never lose its appeal.


Perfect!, 26 May 2008
Austen's best novel and one of the best in English Literature. A completely realistic and loveable cast of characters and one of the great love stories of all time. It should be compulsary to read this book.

Fabulous!, 17 Mar 2008
Although I don't look like a bookwormy type (unless you know me), this is my favorite book. I read it first aged 11 and now aged nearly 13, it continues to guide me. I own a much abused copy of all the jane austen books which I continue to read, even when in class, when I am reading it under the desk in Latin (which is no mean feat! Do you know how thick it is?!?) or when eat chocolate.

My favorite parts are when Lizzie realises that Mr Darcy isn't as bad as she think's he his, and he has actually secretly been helping her.


EVERYONE SHOULD READ THIS!

A nice plunge into the past, 08 Mar 2008
The core character in this novel is Elizabeth, an attractive and intelligent 20 year-old and the second daughter (out of five) of Mr. and Mrs. Bennet. . Her mother's main interest is to see her five daughters, all eligible, nicely settled down and married to respectable and rich gentlemen.
Elizabeth's personality, very unlike her mother's, unfolds throughout the pages in a crescendo of emotions resulting from various issues connected with the whole family saga and especially to her own contrasting feelings towards a certain young man, Mr. Darcy. Will Elizabeth's passionate and sensible nature, combined with a certain degree of boldness (for those days), make her discover what lies beyond his seemingly unpleasant and unreadable personality?
The graceful politeness in the prose is charming, delineating a faithful image of life at the end of the 18th century in England.

The intrigues beyond wished-for marriages are very accurately described by Ms. Austen, with a touch of humour "hither and thither". I could not help myself comparing similar issues with nowadays. Beyond the characterisation and a part from the language, style and general progress, I believe that human nature, as depicted, is the same as it always was and it is not all just about "love", it is also about people attempting to incorporate into a higher position in soc