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 Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
Brilliant, 22 Oct 2008
This is brilliant book on design and composition taking the reader on a tour through graphic elements, colour, contrasts etc.
A lot of photography, but independent of technology: It's not the camera that takes the photo, it's the photographer. And this book introduces the reader to all the decisions a photographer makes, whether concious or not, when taking the photo.
The word "digital" should be dropped from the title, only four pages discuss techniques particular to digital photography, and then not.
This makes the book perfect for any one with a desire to improve their photographic skills - or eyes.
My best photography book ever, 13 Oct 2008
I keep returning to this book over and over again for inspiration and it has completely transformet the way I take pictures.
Perhaps the best book regarding photographic composition, 07 Jul 2008
I have always been skeptical about buying books that deal with photography either because there exist too many online tutorials which cover many aspects in detail or simply because the techniques each book covers are more or less the same rewritten in a different format.
This book by Michael Freeman though is trully a gem and a "must-have" in the library of every photographer.
It covers most photographic composition aspects in a great detail with perhaps images of excellence regarding composition, including schematic figures outlining and justifying the choice of the composition which exactly hit the point the writer is trying to make. It is printed in premium, relatively thick, paper with high quality images.
- The book is well structured in 6 main chapters beginning with the usage of the image frame, the positioning within the viewfinder of the camera and generally the placement of a scenery and objects within the frame
- Chapter 2 explains the objective principles of design and why certain photographs pop up from the lot if thinking is allocated to aspects such as Gestalt theory, Dynamic tension, patterns, visual weight etc.
- Chapter 3 walks us through the elements that compose photographs such as lines, shapes, focus, motion exposure and others.
- Chapter 4 highlights the importance of light needed in composition and its association with color.
- Chapter 5 analyzes the intent in composition, that is the purpose the photograph was taken in order to please aesthetically by teaching and explaining among others, planning, ahead thinking and reactiveness, simplicity and complexity in photographs, ambiguity etc.
- The book finishes with chapter 6 which in detail explains why process is so necessary prior to composing and shooting a photograph.
This draft description only outlines a few of the topics covered and by no means it can show the true depth of the book.
A small word of advice though. This book is not purely intended to teach basic rules of photography (although the writer explains topics such as the rule of thirds and HDR) but it rather builds and expands on some existing knowledge and fine granulates the art of photography through composition and design with the utmost intent to help the user develop the skills to shoot great images.
The book helps !, 07 Jul 2008
I bought this book after reading the reviews as I'm not into too technical stuff...
It's a very handy book which nicely and in easy terms (I'm not an native English speaker) explains about composition, what our eyes see or focus on and therefor why we better take a photo this or that way.
The book contains many example photographs which makes it even easier to see what the author means.
more design than composition, 27 Feb 2008
i was looking for a book to help with my photo composition and was recommended this, so perhaps i was expecting something a little 'less formal'
for me, its quite formal and concentrates on design aspects rather than composition itself in which i would think of things such as framing subjects etc, but perhaps i was just expecting more along the lines of "rules of thirds", "bottom heavy images" etc.
with that said, its a good book for ppl who have already familiarity with general composition rules.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
Brilliant, 22 Oct 2008
This is brilliant book on design and composition taking the reader on a tour through graphic elements, colour, contrasts etc.
A lot of photography, but independent of technology: It's not the camera that takes the photo, it's the photographer. And this book introduces the reader to all the decisions a photographer makes, whether concious or not, when taking the photo.
The word "digital" should be dropped from the title, only four pages discuss techniques particular to digital photography, and then not.
This makes the book perfect for any one with a desire to improve their photographic skills - or eyes.
My best photography book ever, 13 Oct 2008
I keep returning to this book over and over again for inspiration and it has completely transformet the way I take pictures.
Perhaps the best book regarding photographic composition, 07 Jul 2008
I have always been skeptical about buying books that deal with photography either because there exist too many online tutorials which cover many aspects in detail or simply because the techniques each book covers are more or less the same rewritten in a different format.
This book by Michael Freeman though is trully a gem and a "must-have" in the library of every photographer.
It covers most photographic composition aspects in a great detail with perhaps images of excellence regarding composition, including schematic figures outlining and justifying the choice of the composition which exactly hit the point the writer is trying to make. It is printed in premium, relatively thick, paper with high quality images.
- The book is well structured in 6 main chapters beginning with the usage of the image frame, the positioning within the viewfinder of the camera and generally the placement of a scenery and objects within the frame
- Chapter 2 explains the objective principles of design and why certain photographs pop up from the lot if thinking is allocated to aspects such as Gestalt theory, Dynamic tension, patterns, visual weight etc.
- Chapter 3 walks us through the elements that compose photographs such as lines, shapes, focus, motion exposure and others.
- Chapter 4 highlights the importance of light needed in composition and its association with color.
- Chapter 5 analyzes the intent in composition, that is the purpose the photograph was taken in order to please aesthetically by teaching and explaining among others, planning, ahead thinking and reactiveness, simplicity and complexity in photographs, ambiguity etc.
- The book finishes with chapter 6 which in detail explains why process is so necessary prior to composing and shooting a photograph.
This draft description only outlines a few of the topics covered and by no means it can show the true depth of the book.
A small word of advice though. This book is not purely intended to teach basic rules of photography (although the writer explains topics such as the rule of thirds and HDR) but it rather builds and expands on some existing knowledge and fine granulates the art of photography through composition and design with the utmost intent to help the user develop the skills to shoot great images.
The book helps !, 07 Jul 2008
I bought this book after reading the reviews as I'm not into too technical stuff...
It's a very handy book which nicely and in easy terms (I'm not an native English speaker) explains about composition, what our eyes see or focus on and therefor why we better take a photo this or that way.
The book contains many example photographs which makes it even easier to see what the author means.
more design than composition, 27 Feb 2008
i was looking for a book to help with my photo composition and was recommended this, so perhaps i was expecting something a little 'less formal'
for me, its quite formal and concentrates on design aspects rather than composition itself in which i would think of things such as framing subjects etc, but perhaps i was just expecting more along the lines of "rules of thirds", "bottom heavy images" etc.
with that said, its a good book for ppl who have already familiarity with general composition rules.
Much better than expected, 08 Nov 2008
The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)
Excellent book that I have learned more from in a week than I did from Rob Sheppard's Lightroom 1 book in several months. I know that some people find Scott's casual style a bit irritating, but it is not at all intrusive in this book. In fact I think it helps me to remember things. Screen shots linked directly to the "stepped" approach, provide both a readable book and a reference work. The practical "real life" approach suits me and I would think many other photographers - Thoroughly recommended!
A lot more to Lightroom than the obvious, 08 Oct 2008
Mr. Kelby always does a good job with all his books, but this is his best yet.Written in a clear, and concise manner, and the screen captures this time are readable without the aid of a magnifying glass. The book follows a good workflow throughout, and proves what a comprehensive programme Lightroom is. This is not evident at first or even second glance, and yet Mr. Kelby makes it all appear so easy, which few writers manage to attain with so called technical books, this is his big secret.
The book is also a valuable reference.
I never knew there was so much in it!, 02 Oct 2008
With the beta release of Lightroom 2, I decided to see what all the fuss was about and try it. Once Adobe released it to manufacturing, I was happy to switch my workflow from CaptureOne + Adobe Bridge + Photoshop to Lightroom 2 + Photoshop. I was up-and-running very quickly, but I knew I was just scratching the surface. Obviously, there's a lot in Lightroom 2 and I wasn't exploiting very much of it.
I was rather pleased, then, to see that Scott Kelby was releasing this new volume and pre-ordering it was a no-brainer. I particularly like Scott's informal, conversational style of writing. I expect some may find it irritating, but for me, it makes his books more pleasant to read. Consequently, it makes it easier to retain the knowledge that he imparts.
I'm reading this one from cover-to-cover, as Scott recommends, and it's certainly working. Within the first few pages, I found useful ways to incorporate Lightroom facilities that I simply hadn't encountered. As I continue to work through, there's more and more that is helping improve my workflow considerably.
I sometimes wonder if Scott's books are a little lightweight. They certainly don't tax your brain too much. I guess that's because most of the books I read tend to be detailed technical references where there's a vast amount of information to impart in a limited space. The way Scott writes, it seems too easy. But then, that's the point, isn't it? When you're working with hundreds or even thousands of photographs at a time, it really does need to be easy. So, thumbs up to Mr Kelby for helping me find new ways to improve the efficiency of my workflow, yet again.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
Brilliant, 22 Oct 2008
This is brilliant book on design and composition taking the reader on a tour through graphic elements, colour, contrasts etc.
A lot of photography, but independent of technology: It's not the camera that takes the photo, it's the photographer. And this book introduces the reader to all the decisions a photographer makes, whether concious or not, when taking the photo.
The word "digital" should be dropped from the title, only four pages discuss techniques particular to digital photography, and then not.
This makes the book perfect for any one with a desire to improve their photographic skills - or eyes.
My best photography book ever, 13 Oct 2008
I keep returning to this book over and over again for inspiration and it has completely transformet the way I take pictures.
Perhaps the best book regarding photographic composition, 07 Jul 2008
I have always been skeptical about buying books that deal with photography either because there exist too many online tutorials which cover many aspects in detail or simply because the techniques each book covers are more or less the same rewritten in a different format.
This book by Michael Freeman though is trully a gem and a "must-have" in the library of every photographer.
It covers most photographic composition aspects in a great detail with perhaps images of excellence regarding composition, including schematic figures outlining and justifying the choice of the composition which exactly hit the point the writer is trying to make. It is printed in premium, relatively thick, paper with high quality images.
- The book is well structured in 6 main chapters beginning with the usage of the image frame, the positioning within the viewfinder of the camera and generally the placement of a scenery and objects within the frame
- Chapter 2 explains the objective principles of design and why certain photographs pop up from the lot if thinking is allocated to aspects such as Gestalt theory, Dynamic tension, patterns, visual weight etc.
- Chapter 3 walks us through the elements that compose photographs such as lines, shapes, focus, motion exposure and others.
- Chapter 4 highlights the importance of light needed in composition and its association with color.
- Chapter 5 analyzes the intent in composition, that is the purpose the photograph was taken in order to please aesthetically by teaching and explaining among others, planning, ahead thinking and reactiveness, simplicity and complexity in photographs, ambiguity etc.
- The book finishes with chapter 6 which in detail explains why process is so necessary prior to composing and shooting a photograph.
This draft description only outlines a few of the topics covered and by no means it can show the true depth of the book.
A small word of advice though. This book is not purely intended to teach basic rules of photography (although the writer explains topics such as the rule of thirds and HDR) but it rather builds and expands on some existing knowledge and fine granulates the art of photography through composition and design with the utmost intent to help the user develop the skills to shoot great images.
The book helps !, 07 Jul 2008
I bought this book after reading the reviews as I'm not into too technical stuff...
It's a very handy book which nicely and in easy terms (I'm not an native English speaker) explains about composition, what our eyes see or focus on and therefor why we better take a photo this or that way.
The book contains many example photographs which makes it even easier to see what the author means.
more design than composition, 27 Feb 2008
i was looking for a book to help with my photo composition and was recommended this, so perhaps i was expecting something a little 'less formal'
for me, its quite formal and concentrates on design aspects rather than composition itself in which i would think of things such as framing subjects etc, but perhaps i was just expecting more along the lines of "rules of thirds", "bottom heavy images" etc.
with that said, its a good book for ppl who have already familiarity with general composition rules.
Much better than expected, 08 Nov 2008
The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)
Excellent book that I have learned more from in a week than I did from Rob Sheppard's Lightroom 1 book in several months. I know that some people find Scott's casual style a bit irritating, but it is not at all intrusive in this book. In fact I think it helps me to remember things. Screen shots linked directly to the "stepped" approach, provide both a readable book and a reference work. The practical "real life" approach suits me and I would think many other photographers - Thoroughly recommended!
A lot more to Lightroom than the obvious, 08 Oct 2008
Mr. Kelby always does a good job with all his books, but this is his best yet.Written in a clear, and concise manner, and the screen captures this time are readable without the aid of a magnifying glass. The book follows a good workflow throughout, and proves what a comprehensive programme Lightroom is. This is not evident at first or even second glance, and yet Mr. Kelby makes it all appear so easy, which few writers manage to attain with so called technical books, this is his big secret.
The book is also a valuable reference.
I never knew there was so much in it!, 02 Oct 2008
With the beta release of Lightroom 2, I decided to see what all the fuss was about and try it. Once Adobe released it to manufacturing, I was happy to switch my workflow from CaptureOne + Adobe Bridge + Photoshop to Lightroom 2 + Photoshop. I was up-and-running very quickly, but I knew I was just scratching the surface. Obviously, there's a lot in Lightroom 2 and I wasn't exploiting very much of it.
I was rather pleased, then, to see that Scott Kelby was releasing this new volume and pre-ordering it was a no-brainer. I particularly like Scott's informal, conversational style of writing. I expect some may find it irritating, but for me, it makes his books more pleasant to read. Consequently, it makes it easier to retain the knowledge that he imparts.
I'm reading this one from cover-to-cover, as Scott recommends, and it's certainly working. Within the first few pages, I found useful ways to incorporate Lightroom facilities that I simply hadn't encountered. As I continue to work through, there's more and more that is helping improve my workflow considerably.
I sometimes wonder if Scott's books are a little lightweight. They certainly don't tax your brain too much. I guess that's because most of the books I read tend to be detailed technical references where there's a vast amount of information to impart in a limited space. The way Scott writes, it seems too easy. But then, that's the point, isn't it? When you're working with hundreds or even thousands of photographs at a time, it really does need to be easy. So, thumbs up to Mr Kelby for helping me find new ways to improve the efficiency of my workflow, yet again.
DSLR made easy, 25 Oct 2008
This is a book for those who do not have an idea what is aperture (Av), shutter speed (Tv) or ISO. So if you have a compact point-and-shoot camera you know what these are. But it is a book that I bought before I even bought the DSLR camera. THe photos though in colour may not be the best but it is written to be read in a weekend.
D. Busch knows his stuff. At less than 10 quids it will sparkle your imagination and get your camera to go out an experiment.
Recommended.
Book, Camera, Action!, 14 Oct 2008
The big attraction of this series of "for Dummies" books is that we who buy these products have little respect for our own knowledge and plenty of respect for those who do and are able to write books like this.
I am currently converting from film photography to digital photography and some aspects are quite daunting. I have, therefore, purchased several books and tutorial DVDs on the subject and am working my way through them all. The title of this product suggests it is the right place to start and, on reflection, is exactly where I should have started. For those of you, who like me, are converting to digital for the first time, grab your camera and a copy of this book and work your way through from cover to cover until you are conversant with the new technology. It really will give you a good grounding.
That, however, will only work very well if you are already conversant with photography. If you are new to photography altogether and a digital SLR camera is your very first camera, you may have to learn a few basic lessons of, for example, the correlation between film speeds, shutter speeds and aperture settings - which really do need to be understood, before you study this book.
David Busch clearly knows what he is talking about and is able to put that knowledge into an easy-to-follow format for us Dummies to read and, as I say, I wish I had read this book before getting into some of the more technical tomes I also purchased.
NM
A worse dummy than I thought!, 17 Feb 2008
I think I must need a 'Total Idiot's Guide' as this was not what I thought it would be.
Being a complete beginner with dSLR, I thought this book would be a step-by-step guide on 'How To....' I was a bit wide of the mark - although the book says a lot about why you should do this over that, etc it left me lost on how to actually do it. So I'm using my camera on Auto until my Nikon book arrives. Let's hope I'll have more success with that one.
excellent book, 08 Feb 2008
Bought the book on the strength of the previous two reviews as I've not really been keen on the "dummies" books previously.
This one, though, is excellent. If you've spent a chunk of money on a new digital camera (like my EOS 40d!) you really should spend another £10 and read this, and actually start to understand how it all works! (If you're already expert then you won't be needing this, but understanding even how the digital sensor works is really interesting)
It's printed on good quality glossy paper (unlike some of the dummies books) and includes some really nice images.
Well worth it
The best book I've read for DSLR beginners, 09 Jan 2008
A real creative education from a proper photographer. Easy to read, and packed full of tips and tricks. Get this one.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
Brilliant, 22 Oct 2008
This is brilliant book on design and composition taking the reader on a tour through graphic elements, colour, contrasts etc.
A lot of photography, but independent of technology: It's not the camera that takes the photo, it's the photographer. And this book introduces the reader to all the decisions a photographer makes, whether concious or not, when taking the photo.
The word "digital" should be dropped from the title, only four pages discuss techniques particular to digital photography, and then not.
This makes the book perfect for any one with a desire to improve their photographic skills - or eyes.
My best photography book ever, 13 Oct 2008
I keep returning to this book over and over again for inspiration and it has completely transformet the way I take pictures.
Perhaps the best book regarding photographic composition, 07 Jul 2008
I have always been skeptical about buying books that deal with photography either because there exist too many online tutorials which cover many aspects in detail or simply because the techniques each book covers are more or less the same rewritten in a different format.
This book by Michael Freeman though is trully a gem and a "must-have" in the library of every photographer.
It covers most photographic composition aspects in a great detail with perhaps images of excellence regarding composition, including schematic figures outlining and justifying the choice of the composition which exactly hit the point the writer is trying to make. It is printed in premium, relatively thick, paper with high quality images.
- The book is well structured in 6 main chapters beginning with the usage of the image frame, the positioning within the viewfinder of the camera and generally the placement of a scenery and objects within the frame
- Chapter 2 explains the objective principles of design and why certain photographs pop up from the lot if thinking is allocated to aspects such as Gestalt theory, Dynamic tension, patterns, visual weight etc.
- Chapter 3 walks us through the elements that compose photographs such as lines, shapes, focus, motion exposure and others.
- Chapter 4 highlights the importance of light needed in composition and its association with color.
- Chapter 5 analyzes the intent in composition, that is the purpose the photograph was taken in order to please aesthetically by teaching and explaining among others, planning, ahead thinking and reactiveness, simplicity and complexity in photographs, ambiguity etc.
- The book finishes with chapter 6 which in detail explains why process is so necessary prior to composing and shooting a photograph.
This draft description only outlines a few of the topics covered and by no means it can show the true depth of the book.
A small word of advice though. This book is not purely intended to teach basic rules of photography (although the writer explains topics such as the rule of thirds and HDR) but it rather builds and expands on some existing knowledge and fine granulates the art of photography through composition and design with the utmost intent to help the user develop the skills to shoot great images.
The book helps !, 07 Jul 2008
I bought this book after reading the reviews as I'm not into too technical stuff...
It's a very handy book which nicely and in easy terms (I'm not an native English speaker) explains about composition, what our eyes see or focus on and therefor why we better take a photo this or that way.
The book contains many example photographs which makes it even easier to see what the author means.
more design than composition, 27 Feb 2008
i was looking for a book to help with my photo composition and was recommended this, so perhaps i was expecting something a little 'less formal'
for me, its quite formal and concentrates on design aspects rather than composition itself in which i would think of things such as framing subjects etc, but perhaps i was just expecting more along the lines of "rules of thirds", "bottom heavy images" etc.
with that said, its a good book for ppl who have already familiarity with general composition rules.
Much better than expected, 08 Nov 2008
The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)
Excellent book that I have learned more from in a week than I did from Rob Sheppard's Lightroom 1 book in several months. I know that some people find Scott's casual style a bit irritating, but it is not at all intrusive in this book. In fact I think it helps me to remember things. Screen shots linked directly to the "stepped" approach, provide both a readable book and a reference work. The practical "real life" approach suits me and I would think many other photographers - Thoroughly recommended!
A lot more to Lightroom than the obvious, 08 Oct 2008
Mr. Kelby always does a good job with all his books, but this is his best yet.Written in a clear, and concise manner, and the screen captures this time are readable without the aid of a magnifying glass. The book follows a good workflow throughout, and proves what a comprehensive programme Lightroom is. This is not evident at first or even second glance, and yet Mr. Kelby makes it all appear so easy, which few writers manage to attain with so called technical books, this is his big secret.
The book is also a valuable reference.
I never knew there was so much in it!, 02 Oct 2008
With the beta release of Lightroom 2, I decided to see what all the fuss was about and try it. Once Adobe released it to manufacturing, I was happy to switch my workflow from CaptureOne + Adobe Bridge + Photoshop to Lightroom 2 + Photoshop. I was up-and-running very quickly, but I knew I was just scratching the surface. Obviously, there's a lot in Lightroom 2 and I wasn't exploiting very much of it.
I was rather pleased, then, to see that Scott Kelby was releasing this new volume and pre-ordering it was a no-brainer. I particularly like Scott's informal, conversational style of writing. I expect some may find it irritating, but for me, it makes his books more pleasant to read. Consequently, it makes it easier to retain the knowledge that he imparts.
I'm reading this one from cover-to-cover, as Scott recommends, and it's certainly working. Within the first few pages, I found useful ways to incorporate Lightroom facilities that I simply hadn't encountered. As I continue to work through, there's more and more that is helping improve my workflow considerably.
I sometimes wonder if Scott's books are a little lightweight. They certainly don't tax your brain too much. I guess that's because most of the books I read tend to be detailed technical references where there's a vast amount of information to impart in a limited space. The way Scott writes, it seems too easy. But then, that's the point, isn't it? When you're working with hundreds or even thousands of photographs at a time, it really does need to be easy. So, thumbs up to Mr Kelby for helping me find new ways to improve the efficiency of my workflow, yet again.
DSLR made easy, 25 Oct 2008
This is a book for those who do not have an idea what is aperture (Av), shutter speed (Tv) or ISO. So if you have a compact point-and-shoot camera you know what these are. But it is a book that I bought before I even bought the DSLR camera. THe photos though in colour may not be the best but it is written to be read in a weekend.
D. Busch knows his stuff. At less than 10 quids it will sparkle your imagination and get your camera to go out an experiment.
Recommended.
Book, Camera, Action!, 14 Oct 2008
The big attraction of this series of "for Dummies" books is that we who buy these products have little respect for our own knowledge and plenty of respect for those who do and are able to write books like this.
I am currently converting from film photography to digital photography and some aspects are quite daunting. I have, therefore, purchased several books and tutorial DVDs on the subject and am working my way through them all. The title of this product suggests it is the right place to start and, on reflection, is exactly where I should have started. For those of you, who like me, are converting to digital for the first time, grab your camera and a copy of this book and work your way through from cover to cover until you are conversant with the new technology. It really will give you a good grounding.
That, however, will only work very well if you are already conversant with photography. If you are new to photography altogether and a digital SLR camera is your very first camera, you may have to learn a few basic lessons of, for example, the correlation between film speeds, shutter speeds and aperture settings - which really do need to be understood, before you study this book.
David Busch clearly knows what he is talking about and is able to put that knowledge into an easy-to-follow format for us Dummies to read and, as I say, I wish I had read this book before getting into some of the more technical tomes I also purchased.
NM
A worse dummy than I thought!, 17 Feb 2008
I think I must need a 'Total Idiot's Guide' as this was not what I thought it would be.
Being a complete beginner with dSLR, I thought this book would be a step-by-step guide on 'How To....' I was a bit wide of the mark - although the book says a lot about why you should do this over that, etc it left me lost on how to actually do it. So I'm using my camera on Auto until my Nikon book arrives. Let's hope I'll have more success with that one.
excellent book, 08 Feb 2008
Bought the book on the strength of the previous two reviews as I've not really been keen on the "dummies" books previously.
This one, though, is excellent. If you've spent a chunk of money on a new digital camera (like my EOS 40d!) you really should spend another £10 and read this, and actually start to understand how it all works! (If you're already expert then you won't be needing this, but understanding even how the digital sensor works is really interesting)
It's printed on good quality glossy paper (unlike some of the dummies books) and includes some really nice images.
Well worth it
The best book I've read for DSLR beginners, 09 Jan 2008
A real creative education from a proper photographer. Easy to read, and packed full of tips and tricks. Get this one.
Secrets from a 'shooter', 19 Nov 2008
Not many secrets here, thats just a sales come on. Some usefull beginners info but sadly let down by the appalling print quality, this is a PHOTOGRAPHY book you know, the quality of the images should be much better than this!! May appeal if you want to be a 'shooter' too!
Inspirational and an entertaining read, 18 Nov 2008
Each 2-page spread of this book is divided into three sections: a technical description of how it was done, the photo itself and an entertaining story about it. This approach works extremely well; you get the best of all worlds.
I found it technically informative though not dull, the photos are all very good and sometimes astonishing, and some of the stories are moving or laugh-out-loud funny. They also give an insight into the life of a hard-working travelling photographer. And you get to see a labelled picture of Joe McNally's photographic equipment that he takes around with him.
The language at times was slightly annoying though - after a while you start keeping a mental tally of the number of times a piece of equipment is "that puppy".
Nonetheless, five stars.
Enjoyable read and reference, 06 Nov 2008
Ive read it cover to cover and now read snippets out of it as well as just page through it looking at the images.
Overall it is inspiring, yes it does have some overview instructions, which are not laid out step by step. So don't expect it. If you want a beginners how to do it book there are some great ones around.
Very pleased to have this book in my library, Thank you Joe.
Gems from a Master, 07 Apr 2008
Great read - good anecdotes but definitely not for the beginner looking for technical info.
I couldn't put it down till I'd ploughed through it but I still keep diving in and picking up tips and techniques I can now use in my own (wedding) photography.
The references to how Joe uses the Nikon SB800's as slave units I found particularly useful.
Buy it now - great value for money.
Get inside the photographer's mind..., 10 Mar 2008
... and what a photographer! Joe McNally has a well-deserved reputation as a photographer and is only slightly less well known as a teacher. But for those of us on this side of the pond, attending one of his workshops is, let's face it, financially daunting. No matter. You can buy this book instead!
Here is much photographic wisdom in book form - and (unusually, given the subject matter) a book that can make you laugh out loud and yet teach you at the same time. OK, so some of the shots are ones you'd never get to take yourself as an amateur (hanging out of a helicopter over the Hollywood sign with Michelle Yeoh takes some beating, and as for getting to meet Kermit in the flesh...). But then for others you *can* try and emulate, even if you don't have all of the kit that Joe has available to him. And even if you can't, well, then, as the publisher's own blurb says, this book would look equally good on your coffee table.
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Customer Reviews
Easy read, 22 Nov 2008
great value for money at the price that I picked it up for. Not sure about the humour but if you can see past this then well worth a read. If like me you're trying to a bit more than just a point and click shooter then this will give you some good, and easily accessible, tips.
Best photography book ever, 14 Nov 2008
This is the best photography book I have ever purchased.
Self contained pages telling you how to get the shot.
No nonsense, no complications, no need to understand intricate instructions.
A word of caution. It has cost me a fortune! Because all of Scott's suggestions about how to get better images are actually very sensible but once you start buying better hardware - tripod, mount, lenses, printers, software, filters, flashes....you have spent a lot of extra money.
However, it is all great advice and it pays off.
I have many more really good shots on my computer after reading Scott's book/s (actually you will eventually buy the second book so you might as well get it straight away)
I have recommended this book to everybody I know who is interested on photography from beginner to interested amateur. Most have purchased and everybody is very pleased with the advice.
It makes ordinary people into much better photographers.
Phil Gordon
Newcastle upon Tyne
Fantastic!, 08 Oct 2008
I have just bought this book and only really to get my free postage on my order - but what a great book! I only have a passing inerest in photography but often wondered how people got shots like they do. This book is presented in an easy to understand format and don't take any notice about the negative remarks about humour - it's there for a reason, to fix the ideas in your memory. I'm going to order the second volume as well.
A Groan A Minute, 30 Sep 2008
However useful this book may be the so-called humour is so thoroughly irritating that I ended up hurling across the room into the waste basket!
Highly recommended, 16 Sep 2008
Purchased this and the follow-up volume 2 and I have to say, I've read many books on the subject and all follow a similar path. These two books however are amazing. I have learned so much just reading volume one, that I can highly recommend these two books to anyone, who is wanting to improve their technique and produce not just good photo's but Great photo's. Scott has a very unique style which is easy to follow and along with his quirky humour (which I find actually helps get the message across) has produced two of the most amazing guides to the world of digital photography, I have had the pleasure of reading.
Great Book Even For Pro's, 05 Oct 2008
I've been a wedding photographer for 25 years. I thought this was going to be another "how to take photos book". I've liked other Scott Kelby books so whilst in a bookstore picked it up just for a quick glance, but was suprised to see how much detail he went into. Each page being a new subject, it gave a detailed taster of each subject without all the waffle many books have, and then gave links to websites where you could read more or get equipement that is hard to find. To me it was worth it just for those hard to find links.
Should have stopped at volume 1, 04 Oct 2008
I like Scott Kelby, I really do.
OK he's from the other side of the Atlantic and totally over the top - but he is totally infectious in his love of photography and, in particular Photshop
However, this one doesn't do it for me.
It is just a re-hash of voulme one. The content is very weak and I gained very little from it.
Buy volume one by all means - and certainly buy his photshop books Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)....
but I suggest you think long and hard before buying this one
Buy a highlighter pen..., 21 Apr 2008
Please, don't take any notice of the tripe you will read in these reviews about stupid humour. It is only in a half dozen intro pages and even then, it's not enough to worry about and stop you learning from these wonderful books.
Buy this book, buy volume one too and a good highlighter pen, because you will learn an awful lot (unless you are a seasoned pro). The tips are quick, precise and have made my photography much better in the week it has taken me to read (and cover in highlighter!) both volumes.
Volume two has a great section on studio work with simple and inexpensive equipment that is worth the cover price alone. Don't listen to the silly moans about his sense of humour, buy these and learn lots!
An amazing book, 07 Apr 2008
As an amateur photographer I found the book to be compelling reading, being written in an engaging fashion and giving information in doses small enough to absorb with pleasure.
In addition to basic techniques and tips, you will also learn what equipment you require in order to improve your photography.
This is an excellent book which has helped me advance in my photography and which I have read from cover to cover at least twice.
This book is a must for anyone new to photography!
Don't buy it...., 15 Feb 2008
.....if you are a seasoned pro or utterly humourless. If you think your photographs are generally OK, but are missing that little something extra that makes them good enough to be proud of; then buy it instantly.
This isn't a technical photography manual that will spin your head out with more terms than a consolidation loan contract. Neither is it an artsy Bauhaus analysis of photography design. No, it is actually useful.
I wrote a glowing review of the first volume, and the second volume is just as good. The only downside is that I now am going to spend more money on photography kit. I really think that addiction to narcotics or alcohol would have been much cheaper and far less damaging to my marriage.
The author, to me anyway, comes across as a thoroughly nice bloke who obviously loves what he does. The style is informal and friendly and I enjoy reading both volumes again and again. If, like some reviewers, you find this off-putting I think that says far more about you than it does Scott.
In conclusion: my photographs are better after reading this book, thanks Scott.
Brilliant, 22 Oct 2008
This is brilliant book on design and composition taking the reader on a tour through graphic elements, colour, contrasts etc.
A lot of photography, but independent of technology: It's not the camera that takes the photo, it's the photographer. And this book introduces the reader to all the decisions a photographer makes, whether concious or not, when taking the photo.
The word "digital" should be dropped from the title, only four pages discuss techniques particular to digital photography, and then not.
This makes the book perfect for any one with a desire to improve their photographic skills - or eyes.
My best photography book ever, 13 Oct 2008
I keep returning to this book over and over again for inspiration and it has completely transformet the way I take pictures.
Perhaps the best book regarding photographic composition, 07 Jul 2008
I have always been skeptical about buying books that deal with photography either because there exist too many online tutorials which cover many aspects in detail or simply because the techniques each book covers are more or less the same rewritten in a different format.
This book by Michael Freeman though is trully a gem and a "must-have" in the library of every photographer.
It covers most photographic composition aspects in a great detail with perhaps images of excellence regarding composition, including schematic figures outlining and justifying the choice of the composition which exactly hit the point the writer is trying to make. It is printed in premium, relatively thick, paper with high quality images.
- The book is well structured in 6 main chapters beginning with the usage of the image frame, the positioning within the viewfinder of the camera and generally the placement of a scenery and objects within the frame
- Chapter 2 explains the objective principles of design and why certain photographs pop up from the lot if thinking is allocated to aspects such as Gestalt theory, Dynamic tension, patterns, visual weight etc.
- Chapter 3 walks us through the elements that compose photographs such as lines, shapes, focus, motion exposure and others.
- Chapter 4 highlights the importance of light needed in composition and its association with color.
- Chapter 5 analyzes the intent in composition, that is the purpose the photograph was taken in order to please aesthetically by teaching and explaining among others, planning, ahead thinking and reactiveness, simplicity and complexity in photographs, ambiguity etc.
- The book finishes with chapter 6 which in detail explains why process is so necessary prior to composing and shooting a photograph.
This draft description only outlines a few of the topics covered and by no means it can show the true depth of the book.
A small word of advice though. This book is not purely intended to teach basic rules of photography (although the writer explains topics such as the rule of thirds and HDR) but it rather builds and expands on some existing knowledge and fine granulates the art of photography through composition and design with the utmost intent to help the user develop the skills to shoot great images.
The book helps !, 07 Jul 2008
I bought this book after reading the reviews as I'm not into too technical stuff...
It's a very handy book which nicely and in easy terms (I'm not an native English speaker) explains about composition, what our eyes see or focus on and therefor why we better take a photo this or that way.
The book contains many example photographs which makes it even easier to see what the author means.
more design than composition, 27 Feb 2008
i was looking for a book to help with my photo composition and was recommended this, so perhaps i was expecting something a little 'less formal'
for me, its quite formal and concentrates on design aspects rather than composition itself in which i would think of things such as framing subjects etc, but perhaps i was just expecting more along the lines of "rules of thirds", "bottom heavy images" etc.
with that said, its a good book for ppl who have already familiarity with general composition rules.
Much better than expected, 08 Nov 2008
The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)
Excellent book that I have learned more from in a week than I did from Rob Sheppard's Lightroom 1 book in several months. I know that some people find Scott's casual style a bit irritating, but it is not at all intrusive in this book. In fact I think it helps me to remember things. Screen shots linked directly to the "stepped" approach, provide both a readable book and a reference work. The practical "real life" approach suits me and I would think many other photographers - Thoroughly recommended!
A lot more to Lightroom than the obvious, 08 Oct 2008
Mr. Kelby always does a good job with all his books, but this is his best yet.Written in a clear, and concise manner, and the screen captures this time are readable without the aid of a magnifying glass. The book follows a good workflow throughout, and proves what a comprehensive programme Lightroom is. This is not evident at first or even second glance, and yet Mr. Kelby makes it all appear so easy, which few writers manage to attain with so called technical books, this is his big secret.
The book is also a valuable reference.
I never knew there was so much in it!, 02 Oct 2008
With the beta release of Lightroom 2, I decided to see what all the fuss was about and try it. Once Adobe released it to manufacturing, I was happy to switch my workflow from CaptureOne + Adobe Bridge + Photoshop to Lightroom 2 + Photoshop. I was up-and-running very quickly, but I knew I was just scratching the surface. Obviously, there's a lot in Lightroom 2 and I wasn't exploiting very much of it.
I was rather pleased, then, to see that Scott Kelby was releasing this new volume and pre-ordering it was a no-brainer. I particularly like Scott's informal, conversational style of writing. I expect some may find it irritating, but for me, it makes his books more pleasant to read. Consequently, it makes it easier to retain the knowledge that he imparts.
I'm reading this one from cover-to-cover, as Scott recommends, and it's certainly working. Within the first few pages, I found useful ways to incorporate Lightroom facilities that I simply hadn't encountered. As I continue to work through, there's more and more that is helping improve my workflow considerably.
I sometimes wonder if Scott's books are a little lightweight. They certainly don't tax your brain too much. I guess that's because most of the books I read tend to be detailed technical references where there's a vast amount of information to impart in a limited space. The way Scott writes, it seems too easy. But then, that's the point, isn't it? When you're working with hundreds or even thousands of photographs at a time, it really does need to be easy. So, thumbs up to Mr Kelby for helping me find new ways to improve the efficiency of my workflow, yet again.
DSLR made easy, 25 Oct 2008
This is a book for those who do not have an idea what is aperture (Av), shutter speed (Tv) or ISO. So if you have a compact point-and-shoot camera you know what these are. But it is a book that I bought before I even bought the DSLR camera. THe photos though in colour may not be the best but it is written to be read in a weekend.
D. Busch knows his stuff. At less than 10 quids it will sparkle your imagination and get your camera to go out an experiment.
Recommended.
Book, Camera, Action!, 14 Oct 2008
The big attraction of this series of "for Dummies" books is that we who buy these products have little respect for our own knowledge and plenty of respect for those who do and are able to write books like this.
I am currently converting from film photography to digital photography and some aspects are quite daunting. I have, therefore, purchased several books and tutorial DVDs on the subject and am working my way through them all. The title of this product suggests it is the right place to start and, on reflection, is exactly where I should have started. For those of you, who like me, are converting to digital for the first time, grab your camera and a copy of this book and work your way through from cover to cover until you are conversant with the new technology. It really will give you a good grounding.
That, however, will only work very well if you are already conversant with photography. If you are new to photography altogether and a digital SLR camera is your very first camera, you may have to learn a few basic lessons of, for example, the correlation between film speeds, shutter speeds and aperture settings - which really do need to be understood, before you study this book.
David Busch clearly knows what he is talking about and is able to put that knowledge into an easy-to-follow format for us Dummies to read and, as I say, I wish I had read this book before getting into some of the more technical tomes I also purchased.
NM
A worse dummy than I thought!, 17 Feb 2008
I think I must need a 'Total Idiot's Guide' as this was not what I thought it would be.
Being a complete beginner with dSLR, I thought this book would be a step-by-step guide on 'How To....' I was a bit wide of the mark - although the book says a lot about why you should do this over that, etc it left me lost on how to actually do it. So I'm using my camera on Auto until my Nikon book arrives. Let's hope I'll have more success with that one.
excellent book, 08 Feb 2008
Bought the book on the strength of the previous two reviews as I've not really been keen on the "dummies" books previously.
This one, though, is excellent. If you've spent a chunk of money on a new digital camera (like my EOS 40d!) you really should spend another £10 and read this, and actually start to understand how it all works! (If you're already expert then you won't be needing this, but understanding even how the digital sensor works is really interesting)
It's printed on good quality glossy paper (unlike some of the dummies books) and includes some really nice images.
Well worth it
The best book I've read for DSLR beginners, 09 Jan 2008
A real creative education from a proper photographer. Easy to read, and packed full of tips and tricks. Get this one.
Secrets from a 'shooter', 19 Nov 2008
Not many secrets here, thats just a sales come on. Some usefull beginners info but sadly let down by the appalling print quality, this is a PHOTOGRAPHY book you know, the quality of the images should be much better than this!! May appeal if you want to be a 'shooter' too!
Inspirational and an entertaining read, 18 Nov 2008
Each 2-page spread of this book is divided into three sections: a technical description of how it was done, the photo itself and an entertaining story about it. This approach works extremely well; you get the best of all worlds.
I found it technically informative though not dull, the photos are all very good and sometimes astonishing, and some of the stories are moving or laugh-out-loud funny. They also give an insight into the life of a hard-working travelling photographer. And you get to see a labelled picture of Joe McNally's photographic equipment that he takes around with him.
The language at times was slightly annoying though - after a while you start keeping a mental tally of the number of times a piece of equipment is "that puppy".
Nonetheless, five stars.
Enjoyable read and reference, 06 Nov 2008
Ive read it cover to cover and now read snippets out of it as well as just page through it looking at the images.
Overall it is inspiring, yes it does have some overview instructions, which are not laid out step by step. So don't expect it. If you want a beginners how to do it book there are some great ones around.
Very pleased to have this book in my library, Thank you Joe.
Gems from a Master, 07 Apr 2008
Great read - good anecdotes but definitely not for the beginner looking for technical info.
I couldn't put it down till I'd ploughed through it but I still keep diving in and picking up tips and techniques I can now use in my own (wedding) photography.
The references to how Joe uses the Nikon SB800's as slave units I found particularly useful.
Buy it now - great value for money.
Get inside the photographer's mind..., 10 Mar 2008
... and what a photographer! Joe McNally has a well-deserved reputation as a photographer and is only slightly less well known as a teacher. But for those of us on this side of the pond, attending one of his workshops is, let's face it, financially daunting. No matter. You can buy this book instead!
Here is much photographic wisdom in book form - and (unusually, given the subject matter) a book that can make you laugh out loud and yet teach you at the same time. OK, so some of the shots are ones you'd never get to take yourself as an amateur (hanging out of a helicopter over the Hollywood sign with Michelle Yeoh takes some beating, and as for getting to meet Kermit in the flesh...). But then for others you *can* try and emulate, even if you don't have all of the kit that Joe has available to him. And even if you can't, well, then, as the publisher's own blurb says, this book would look equally good on your coffee table.
Very Comprehensive, 31 Oct 2008
Nice to find a book that strips away the jargon and really lets you get into the gut of the program. Highly recommended
The wrong approach for me, 30 Sep 2008
Having bought and enjoyed the Scott Kelby Lightroom 1 book I thought, variety being the spice of life, that for Lightroom 2 I would buy the Martin Evening book.
Having seen the Evening LR1 book in shops I was surprised to see that the pages in the LR2 book are smaller but to compensate the book is about 50% thicker. For me this has a handling disadvantage but more importantly the screen shots have to be smaller. This means that with many examples I struggle to see what the screen shot is trying to convey. Indeed the text on many of the screenshots is unreadable.
There is also a big difference in styles and approaches between the two authors. Evening tells you at length what every module, button and slider is for. Kelby tells you how to use Lightroom.
So If you want a reference book then this is the book for you. If you want a book that tells you when and how to use the controls to improve your photos then buy Kelby's books. My preference is for the latter.
Note: Although the Evening book purports to offer free online access to the electronic version you will find when you sign up to the offer that access is only free for the first 45 days. Not recommended.
The Best Book on Digital Capture Processing & Workflow, 18 Sep 2008
A fantastic book for Anyone, from serious enthusiasts to Semi-Pro's, or Old Pro's looking to finally go digital and leave the Titanic that Traditional Analogue photography has finally become.
Out of all the books I have checked out, this is | | |