An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An excellent introduction to photographic theory, 04 Feb 2008
This is an extremely important and interesting introduction to key theoretical texts concerning photography. La Grange presents an impartial and clear synopsis of books and articles that have had wide-reaching impact on photographic practice and theory. The book has prompted me to return to many of the original texts and therefore I assume it must inspire new readers to commit to the texts for the first time. I have not attempted any of the exercises, but as a former teacher I think that they are good starting points for deeper consideration of the texts and will engage students in further analysis of the subjects, thereby encouraging them to have greater confidence in their own opinions. I am particularly excited that La Grange has placed photography within the broader context of the arts through the inclusion of literature and poems, as this is often overlooked by art criticism and theory.

recommended to all those interested in photographic theory.., 06 Oct 2005
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.
Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.
Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.
This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An excellent introduction to photographic theory, 04 Feb 2008
This is an extremely important and interesting introduction to key theoretical texts concerning photography. La Grange presents an impartial and clear synopsis of books and articles that have had wide-reaching impact on photographic practice and theory. The book has prompted me to return to many of the original texts and therefore I assume it must inspire new readers to commit to the texts for the first time. I have not attempted any of the exercises, but as a former teacher I think that they are good starting points for deeper consideration of the texts and will engage students in further analysis of the subjects, thereby encouraging them to have greater confidence in their own opinions. I am particularly excited that La Grange has placed photography within the broader context of the arts through the inclusion of literature and poems, as this is often overlooked by art criticism and theory.

recommended to all those interested in photographic theory.., 06 Oct 2005
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.
Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.
Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.
This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

Very interesting but not an 'how to' book, 18 Nov 2008
This book covers a number of topics relating to photography and is an 'intellectual' book rather than anything about practical photography.

I was particularly interested in the discussion about different angled shots and also about how other cultures don't necessarily regard the sort of projection developed by the Renaissance artists as being the best way of depicting an object.

a gem!, 11 Oct 2007
Anyone interested in the theory of photography can not go wrong with this little book. The author has thorough knowledge of the subject covering all themes from the birth of the camera/photography to the post-modern age including brief discussion of digital photography. As Edwards says in his preface this is not a 'how to' book, it is a discussion of the nature and practice of photograhy, he also writes engagingly. Also contains a very good bibliography.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An excellent introduction to photographic theory, 04 Feb 2008
This is an extremely important and interesting introduction to key theoretical texts concerning photography. La Grange presents an impartial and clear synopsis of books and articles that have had wide-reaching impact on photographic practice and theory. The book has prompted me to return to many of the original texts and therefore I assume it must inspire new readers to commit to the texts for the first time. I have not attempted any of the exercises, but as a former teacher I think that they are good starting points for deeper consideration of the texts and will engage students in further analysis of the subjects, thereby encouraging them to have greater confidence in their own opinions. I am particularly excited that La Grange has placed photography within the broader context of the arts through the inclusion of literature and poems, as this is often overlooked by art criticism and theory.

recommended to all those interested in photographic theory.., 06 Oct 2005
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.
Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.
Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.
This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

Very interesting but not an 'how to' book, 18 Nov 2008
This book covers a number of topics relating to photography and is an 'intellectual' book rather than anything about practical photography.

I was particularly interested in the discussion about different angled shots and also about how other cultures don't necessarily regard the sort of projection developed by the Renaissance artists as being the best way of depicting an object.

a gem!, 11 Oct 2007
Anyone interested in the theory of photography can not go wrong with this little book. The author has thorough knowledge of the subject covering all themes from the birth of the camera/photography to the post-modern age including brief discussion of digital photography. As Edwards says in his preface this is not a 'how to' book, it is a discussion of the nature and practice of photograhy, he also writes engagingly. Also contains a very good bibliography.

london then and now, 25 Jan 2008
london is a city that i really want to visit someday because it is an interesting city and also because i never been to the united kingdom and the big ben is one of the landmarks i really want to see and also the double decker buses. but not just the big ben, i also would like to see the buckingham palace and soho too. a very interesting book.

Entertaining London, 05 Jun 2004
As a regular visitor to London,I see so many changes everytime I am there.So I was pleased to see that there was a book of London, which shows pictures of the past and the current state the buildings and streets are in.
The book is called"London Then & Now"", and that really sums it up.
What you get is ,on the left page of the book,a black &white photo from the past and on the right page of the book ,a colour photo of the moment.All photos are taken from the same angle,so you can really see how it is developed.
It's a book not only of buildings and tourist stuff, but also of normal streetlife.
With the pictures , there is a comment of how it used to be and how it is now.A good book for everyone who loves London.

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An excellent introduction to photographic theory, 04 Feb 2008
This is an extremely important and interesting introduction to key theoretical texts concerning photography. La Grange presents an impartial and clear synopsis of books and articles that have had wide-reaching impact on photographic practice and theory. The book has prompted me to return to many of the original texts and therefore I assume it must inspire new readers to commit to the texts for the first time. I have not attempted any of the exercises, but as a former teacher I think that they are good starting points for deeper consideration of the texts and will engage students in further analysis of the subjects, thereby encouraging them to have greater confidence in their own opinions. I am particularly excited that La Grange has placed photography within the broader context of the arts through the inclusion of literature and poems, as this is often overlooked by art criticism and theory.

recommended to all those interested in photographic theory.., 06 Oct 2005
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.
Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.
Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.
This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

Very interesting but not an 'how to' book, 18 Nov 2008
This book covers a number of topics relating to photography and is an 'intellectual' book rather than anything about practical photography.

I was particularly interested in the discussion about different angled shots and also about how other cultures don't necessarily regard the sort of projection developed by the Renaissance artists as being the best way of depicting an object.

a gem!, 11 Oct 2007
Anyone interested in the theory of photography can not go wrong with this little book. The author has thorough knowledge of the subject covering all themes from the birth of the camera/photography to the post-modern age including brief discussion of digital photography. As Edwards says in his preface this is not a 'how to' book, it is a discussion of the nature and practice of photograhy, he also writes engagingly. Also contains a very good bibliography.

london then and now, 25 Jan 2008
london is a city that i really want to visit someday because it is an interesting city and also because i never been to the united kingdom and the big ben is one of the landmarks i really want to see and also the double decker buses. but not just the big ben, i also would like to see the buckingham palace and soho too. a very interesting book.

Entertaining London, 05 Jun 2004
As a regular visitor to London,I see so many changes everytime I am there.So I was pleased to see that there was a book of London, which shows pictures of the past and the current state the buildings and streets are in.
The book is called"London Then & Now"", and that really sums it up.
What you get is ,on the left page of the book,a black &white photo from the past and on the right page of the book ,a colour photo of the moment.All photos are taken from the same angle,so you can really see how it is developed.
It's a book not only of buildings and tourist stuff, but also of normal streetlife.
With the pictures , there is a comment of how it used to be and how it is now.A good book for everyone who loves London.

"The eyes are organs for looking", 01 Oct 2007
This book was bought for me for a present, and was left for a while until I began a photography course. I have also done a politics degree and this book is an excellent combination of philosophical musings and political facts. I referenced almost every article in different areas of my course. I particularly love the idea of belief and photography. Can we believe images that are not indexical?

politics, politics and yes photography, 18 Sep 2007
Introduced by Berger whose philosophy and aesthetic is shared by Levi Strauss. Insightful and revealing about the politics behind the photographers featured, a politics that is personal and well as social.

Moving, 22 Jul 2007
I think I was expecting a visual exploration of photography but this book was not what I had expected. It is a collection of essays on human suffering, and how photography has represented it. Strauss is a social and artistic commentator, who can speak beautifully and simply to all of us. It is a beautiful book - but it made me sad...

An ideal approach..., 11 Feb 2005
I used this book as part of a photography module on my degree and found it a very useful and clear cut.

The ideas, advice and conventions in the book will help any photogrophy student as well as many artists on their way to creating well thought out imagery.

Clarkes accessable masterpiece!, 10 May 2000
Graham Clarke has given the kind of theoratical advice which will help any Photography student through the hard times a marvelous read which is easy to follow and explains the codes and conventions in which we are all governed by.. A must for all photographers!

Excellent introduction, 15 Aug 2006
This book is an excellent introduction to contemporary photographic themes and practitioners, it's well-written, up-to-date and great value for money.

Unfortunately, because so much ground is covered in such a small space, it's hard to get a true appreciation of some photographers' work when it is summarised down to one or two sentences. Similarly, virtually all photographers are represented by a single image which, due to the format of the book, is often too small for practical purposes. Many of the phographers work demands to be seen as a series if it is to be understood.

These failings are unfortunate but, given the size and price of the book, inevitable. After reading this you will certainly find yourself seeking out more detailed information on many of the artists featured, but you will at least have a clear overall picture of the contemporary art-photographic scene.

superb, 18 Mar 2006
This is a truly brilliant introduction to the themes and issues in contemporary art photography; very well-written and accessible, it touches on the work of an interesting and truly international selection of current photographers and artists who use this medium. Using a collection of broad and interlocking themes, it provides an indispensible scaffolding upon which those unfamiliar with current "art-think" can make sense of this demanding and constantly changing discipline. This book is amazingly unpretentious, with language which is engaging, clear and concise. It is impressively up to date, and (especially for the price) the choice, number and quality of reproductions is remarkable; a must for all students of art and design. Charlotte Cotton should be congratulated and commissioned to re-write this book every five years.

An excellent introduction to the subject., 10 Mar 2005
This book gives an excellent introduction to photography as a contemporary art form. Arranged in clear sections dealing with aspects of art photography, such as the deadpan approach, or photography of, and as, an artistic act, the book gives a brief description of each approach discussing its key photographers in turn. The pictures, though small, are well chosen and fascinating. If you've ever felt there is more to photography read this book.

Valuable addition to any photography students bookshelf, 24 Apr 2005
I purchased this book as I am hoping to start a degree in photography in September 2005 and wanted to start "reading around" my subject. Although I haven't read this entire book, it is all ready proving its worth as the chapters' reference many other critical and theoretical works on photography that I have now started reading to widen my knowledge. It seems then that this book is ideal for dipping in and out of every now and then in order to push intriguing minds into other areas of the subject of photography. Therefore I'm sure it will prove a valuable addition to my bookshelf for my remaining years as a photography student.

Great Book, 26 Aug 2004
Although this book is perhaps on the short side and you'll finish it very quickly, it is still a very good book. It gives an insight into what H C-B himself thinks of photography and his views on it. He also describes the places he went to and how he went about taking photos in different situations.

Although you will finish it quickly, I found it a great read and I highly recommend it for those who have an interest in photography and photojournalism.

A treasure trove of definitions, examples, and ideas..., 25 Mar 1999
A diversity of critical voices and photographic approaches is explored, giving the reader access to a rich world of creative thought`Barrett defines criticism as "informed discourse about art to increase understanding and appreciation of art." He organizes his treatment of the four major activities of criticism9describing, interpreting, evaluation, and theorizing9which in turn address four basic questions: What is here? What is it about? How good is it? Is it art? `The book provides in two short appendixes, practical advice on writing about photographs and on conducting casual and directed discussion of photographs` Monterey Peninsula College, Anne Canright

An excellent book with wider appeal than might be expected, 25 Mar 1999
Teachers of art and design, specialists in the fields of media studies, cross-cultural education, social anthropology, and literary criticism will find fertile ground here for both personal study and teaching`It is documented with extracts from critical writings, biographical details of trends and movements in the history of photography, anecdotes about individual photographers, and a telling section of visuals, most of which are commented on in length`This is no dry academic exercise; here is a probing exploration of the links between theory and practice in the aesthetics of criticism`Journal of Art and Design Education, Michael Rawding

Thought provoking, 24 May 2008
I found this book totally engrossing. Having read Davids first book, "Landscape Within" I was eager to hear thoughts from one of the UK's finest photographers. David offers opinions on what he considers to be the most important aspects of a sucessful photograph.

The images presented with the text are second to none and are every bit as captivating as the text. So many of the shots are of "ordinary" subjects that most of us might pass by, David's insight toward these subjects is absolutely second to none and it seems he is the best proponent of the "inner landscape"

The print quality is excellent, the writing style is attractive and I am sure this will be a book I read many times.


Who is the Author, 24 Apr 2008
This title comes up on Amazon as "by Joe Cornish" which is very misleading, as he has only written the short Foreword. The vast majority of the words (all the content) are by David Ward who is shown on the front of the book as author. David gives some excellent food for thought, though I felt that it was beneath him to demean other photographic authors.

An excellent introduction to photographic theory, 04 Feb 2008
This is an extremely important and interesting introduction to key theoretical texts concerning photography. La Grange presents an impartial and clear synopsis of books and articles that have had wide-reaching impact on photographic practice and theory. The book has prompted me to return to many of the original texts and therefore I assume it must inspire new readers to commit to the texts for the first time. I have not attempted any of the exercises, but as a former teacher I think that they are good starting points for deeper consideration of the texts and will engage students in further analysis of the subjects, thereby encouraging them to have greater confidence in their own opinions. I am particularly excited that La Grange has placed photography within the broader context of the arts through the inclusion of literature and poems, as this is often overlooked by art criticism and theory.

recommended to all those interested in photographic theory.., 06 Oct 2005
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.
Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.
Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.
This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

Very interesting but not an 'how to' book, 18 Nov 2008
This book covers a number of topics relating to photography and is an 'intellectual' book rather than anything about practical photography.

I was particularly interested in the discussion about different angled shots and also about how other cultures don't necessarily regard the sort of projection developed by the Renaissance artists as being the best way of depicting an object.

a gem!, 11 Oct 2007
Anyone interested in the theory of photography can not go wrong with this little book. The author has thorough knowledge of the subject covering all themes from the birth of the camera/photography to the post-modern age including brief discussion of digital photography. As Edwards says in his preface this is not a 'how to' book, it is a discussion of the nature and practice of photograhy, he also writes engagingly. Also contains a very good bibliography.

london then and now, 25 Jan 2008
london is a city that i really want to visit someday because it is an interesting city and also because i never been to the united kingdom and the big ben is one of the landmarks i really want to see and also the double decker buses. but not just the big ben, i also would like to see the buckingham palace and soho too. a very interesting book.

Entertaining London, 05 Jun 2004
As a regular visitor to London,I see so many changes everytime I am there.So I was pleased to see that there was a book of London, which shows pictures of the past and the current state the buildings and streets are in.
The book is called"London Then & Now"", and that really sums it up.
What you get is ,on the left page of the book,a black &white photo from the past and on the right page of the book ,a colour photo of the moment.All photos are taken from the same angle,so you can really see how it is developed.
It's a book not only of buildings and tourist stuff, but also of normal streetlife.
With the pictures , there is a comment of how it used to be and how it is now.A good book for everyone who loves London.

"The eyes are organs for looking", 01 Oct 2007
This book was bought for me for a present, and was left for a while until I began a photography course. I have also done a politics degree and this book is an excellent combination of philosophical musings and political facts. I referenced almost every article in different areas of my course. I particularly love the idea of belief and photography. Can we believe images that are not indexical?

politics, politics and yes photography, 18 Sep 2007
Introduced by Berger whose philosophy and aesthetic is shared by Levi Strauss. Insightful and revealing about the politics behind the photographers featured, a politics that is personal and well as social.

Moving, 22 Jul 2007
I think I was expecting a visual exploration of photography but this book was not what I had expected. It is a collection of essays on human suffering, and how photography has represented it. Strauss is a social and artistic commentator, who can speak beautifully and simply to all of us. It is a beautiful book - but it made me sad...

Magnum Stories, 07 Jun 20