Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

A very clearn and practical guide to printmaking, 23 Nov 2006
Jane Stobart has considerable experience of teaching both art students, and keen amateurs, and this shows in the lucid explanations of all the processes, examples of what works best, and the avoidance of pitfalls.
This book is particularly invaluable to anyone working without the full studio presses and equipment (although these are, of course covered) because alternative methods of taking a print are described in full. Alternatives to solvents and oil-based inks are available, and their use explained.
I have used the book for various of my own projects, which, thanks to the information and explanations given, have turned out very well. I am not a professionally trained artist, but thanks to Jane Stobart, I have achieved "professional" results in a number of the different printing methods described.
If you want a practical book with good clear explanations, then this is the one - and it's excellent value!

An inspirational introduction, 08 Sep 2001
I found this to be a wonderfully inspiring volume, with plenty of information so that you can immediately get started, whilst suggesting further reading for greater specialisation. The list of suppliers has also been invaluable. Excellent. I am eagerly awaiting the 'intaglio' book in the same series.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

A very clearn and practical guide to printmaking, 23 Nov 2006
Jane Stobart has considerable experience of teaching both art students, and keen amateurs, and this shows in the lucid explanations of all the processes, examples of what works best, and the avoidance of pitfalls.
This book is particularly invaluable to anyone working without the full studio presses and equipment (although these are, of course covered) because alternative methods of taking a print are described in full. Alternatives to solvents and oil-based inks are available, and their use explained.
I have used the book for various of my own projects, which, thanks to the information and explanations given, have turned out very well. I am not a professionally trained artist, but thanks to Jane Stobart, I have achieved "professional" results in a number of the different printing methods described.
If you want a practical book with good clear explanations, then this is the one - and it's excellent value!

An inspirational introduction, 08 Sep 2001
I found this to be a wonderfully inspiring volume, with plenty of information so that you can immediately get started, whilst suggesting further reading for greater specialisation. The list of suppliers has also been invaluable. Excellent. I am eagerly awaiting the 'intaglio' book in the same series.

A fantastic introduction to printmaking without a press, 11 Nov 2004
This is a really excellent book if you're interested in exploring printmaking but don't have access to lots of expensive equipment. Loads of different techniques, clear instructions, accessible writing and great images make this book indispensible for teachers, workshop leaders and artists alike. Printmaking can often seem quite scary to the beginner and this book gives a thorough but gentle introduction to techniques that you can try at home. However, don't assume that this is a book just for beginners, both the authors are professional printmakers and the standard of many of the examples reflects this - even experienced printmakers may find new ideas and techniques in this book.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

A very clearn and practical guide to printmaking, 23 Nov 2006
Jane Stobart has considerable experience of teaching both art students, and keen amateurs, and this shows in the lucid explanations of all the processes, examples of what works best, and the avoidance of pitfalls.
This book is particularly invaluable to anyone working without the full studio presses and equipment (although these are, of course covered) because alternative methods of taking a print are described in full. Alternatives to solvents and oil-based inks are available, and their use explained.
I have used the book for various of my own projects, which, thanks to the information and explanations given, have turned out very well. I am not a professionally trained artist, but thanks to Jane Stobart, I have achieved "professional" results in a number of the different printing methods described.
If you want a practical book with good clear explanations, then this is the one - and it's excellent value!

An inspirational introduction, 08 Sep 2001
I found this to be a wonderfully inspiring volume, with plenty of information so that you can immediately get started, whilst suggesting further reading for greater specialisation. The list of suppliers has also been invaluable. Excellent. I am eagerly awaiting the 'intaglio' book in the same series.

A fantastic introduction to printmaking without a press, 11 Nov 2004
This is a really excellent book if you're interested in exploring printmaking but don't have access to lots of expensive equipment. Loads of different techniques, clear instructions, accessible writing and great images make this book indispensible for teachers, workshop leaders and artists alike. Printmaking can often seem quite scary to the beginner and this book gives a thorough but gentle introduction to techniques that you can try at home. However, don't assume that this is a book just for beginners, both the authors are professional printmakers and the standard of many of the examples reflects this - even experienced printmakers may find new ideas and techniques in this book.

A classic, 01 May 2008
I do like this book. In fact, having borrowed it from the college library several times, I felt it was time I owned my own copy!

Julia Ayres is probably the most authoritative writer on the history and contemporary work in this method of printmaking. As well as showing her own methods she gives space to work by other artists, describing techniques and materials used and experiments tried using oil, inks and watercolour. Also, the illustrations are large and clear, with work-in-progress shots shown where needed.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

A very clearn and practical guide to printmaking, 23 Nov 2006
Jane Stobart has considerable experience of teaching both art students, and keen amateurs, and this shows in the lucid explanations of all the processes, examples of what works best, and the avoidance of pitfalls.
This book is particularly invaluable to anyone working without the full studio presses and equipment (although these are, of course covered) because alternative methods of taking a print are described in full. Alternatives to solvents and oil-based inks are available, and their use explained.
I have used the book for various of my own projects, which, thanks to the information and explanations given, have turned out very well. I am not a professionally trained artist, but thanks to Jane Stobart, I have achieved "professional" results in a number of the different printing methods described.
If you want a practical book with good clear explanations, then this is the one - and it's excellent value!

An inspirational introduction, 08 Sep 2001
I found this to be a wonderfully inspiring volume, with plenty of information so that you can immediately get started, whilst suggesting further reading for greater specialisation. The list of suppliers has also been invaluable. Excellent. I am eagerly awaiting the 'intaglio' book in the same series.

A fantastic introduction to printmaking without a press, 11 Nov 2004
This is a really excellent book if you're interested in exploring printmaking but don't have access to lots of expensive equipment. Loads of different techniques, clear instructions, accessible writing and great images make this book indispensible for teachers, workshop leaders and artists alike. Printmaking can often seem quite scary to the beginner and this book gives a thorough but gentle introduction to techniques that you can try at home. However, don't assume that this is a book just for beginners, both the authors are professional printmakers and the standard of many of the examples reflects this - even experienced printmakers may find new ideas and techniques in this book.

A classic, 01 May 2008
I do like this book. In fact, having borrowed it from the college library several times, I felt it was time I owned my own copy!

Julia Ayres is probably the most authoritative writer on the history and contemporary work in this method of printmaking. As well as showing her own methods she gives space to work by other artists, describing techniques and materials used and experiments tried using oil, inks and watercolour. Also, the illustrations are large and clear, with work-in-progress shots shown where needed.

A blast from the past!, 26 Jun 2008
If like me you were a film enthusiast in the 80's you will love to flick through and reminisce about all the great films that feature here. The brief introduction highlights the changing culture during the 80's that is reflected in the poster art (I particularly find the 48hrs poster a chuckle). The book also features international versions of some of the posters which are also fascinating and posters to world cinema features, providing something for everyone. To summarise: A great nostalgic read with fantastic photography and groundbreaking artwork very deserving of a place on your shelf.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Valley, its people and Natural History and, of course, the prodigious talents of Thomas Bewick and family.

Outstanding biography, 28 Jul 2008
This is an outstandingly good biography of this amazing engraver whose work I have long admired. It is very easy to read and although he lived to a ripe old age, the story does not drag. Uglow evokes smoky, smelly, cramped Newcastle-upon-Tyne superbly and contrasts this with the wilds of Northumberland where Bewick grew up and where his heart remained. A must for anyone interested in history, art, countryside or just life!

Best book I've read this year, 06 Oct 2007


I had heard of Thomas Bewick, and had seen the occasional woodcut (especially of his rightly-famous birds), so I was delighted when this biography by Jenny Uglow came out From page one, Uglow makes Bewick come alive. Apart from a short, unhappy spell in London as a young man, Bewick lived all his long life in Northumberland, growing up in a small village and first learning, then perfecting , his trade in Newcastle-upon-Tyne. He comes over as a dedicated artist, a devoted family man and a loyal friend. Yet Uglow doesn't sugarcoat him-his faults and weaknesses are here too.

I can't imagine how this biography could be bettered. Excellent lively writing, extensive research, fascinating subject living in a fascinating period of history (late C18th-early C19th ). The text is accompanied by engravings and, of course, by some of Bewick's own woodcuts.

the magic of good biography, 08 Aug 2007
I didn't know I'd heard of Thomas Bewick. You have, too, if you have read Jane Eyre. You've seen his influence if you've read Beatrix Potter. Bewick was famous and very influential until technology, in the form of photography, xerox, and the laser printer, rendered his art form obsolete. Imagine how difficult it would be to engrave the image of a lion when one had only ever seen one (1) in a traveling zoo. This is a fascinating book; I learned so much!

Nature's Engraver, 25 May 2007
An enchanting book. I hadn't heard of Bewick, but seeing the lovely illustrations, I bought it. A charming story with most evocative woodcuts by this master engraver.

Excellent book - informative and inspiring, 21 Nov 2008
Having never done printmaking before, I was insired by this book to make Collagraphs my Specialist Project during the 1st year of my A level Graphics and Illustration. I'm an adult and the research for this was entirely self directed. This book was brilliant - techniques explained and wonderful examples for inspiration. I got 100%.

Fantastic book, 07 Jan 2007
I love this book!

It contains loads of helpful advice and inspirational ideas for anyone interested in producing textured collagraph prints. I'm just getting started in printmaking but think that the guidance from this book should enable me to produce my first collagraph. The book is also challenging enough to interest someone with more experience.

excellent printing guide, 15 Apr 2006
A throrough exploration of the varied possibilities of collagraph, this book would be suitable for any artist wishing to extend their range. Not just a pretty book, but informative and detailed with a range of contemporary print examples. Highly recommended read.

DON'T GIVE UP!, 31 Aug 2008
After hunting for a good no-nonsense 'how to' guide to screenprinting I pre-ordered the Print Liberation book, having judged it entirely on the basis of its cover (fair for a book about graphics, no?).

I wasn't disappointed - it's a brilliant and inspirational book, perfect for the guy who's never even seen (let alone burned) a screen. It's heavy on the pictures, light and conversational on the text, covers history of screenprinting and how to turn your hobby into art or business. Although it covers the necessary practicalities regarding screenprinting in a refreshingly craft-free (yet still very professional) way, it's really its passionate, positive and generous tone that has made me an evangelist. The guys who wrote this believe passionately in the sharing and spreading of skills, to the extent that they include transparencies of their graphic work in the back of the book for you to use!

If i had to make a criticism it would be that it's a bit too light on the copy - but that doesn't really matter. This really is a 'primer' : basic no nonsense facts about how to screenprint + healthy dose of inspiration + lots of pretty pictures and graphics. Its goal is to get you printing, and in that it succeeds. Don't give up!

best inspirational book, 21 Dec 2006
This is a book based on natural organism that we rarely see and yet the forms and shapes are amazing it is like seeing the creatures for the deep which exsist but we rarely see, the ones that seem so alien to us when we do get to see pictures of them.
This is one of the books that i have used over and over to inspire me for new projects.
i have also given or recogmended this book to countless amount of people in various craft fields from knitters to embroiders to jewellers and potters.
it is one of the inspiration sources that Antonio Gaudi used for some of his designs.

An indispensible tool for any artist, 27 Dec 2003
I utterly adore this book. It's one that I come back to time and time again for visual inspiration. It is undoubtably beautiful to look at but it's also completely nutty in that delightfully mad Victorian way. People tend to think of this sort of very detailed drawing as being very accurate and as being "real art", yet nothing in nature is as symmetrical or refined as Haeckel drew it. He created an erzatz nature, a nature that is highly sylised to the extent that his forms read not as natural but as profoundly alien. The way he drew was not realism, but an extension of his scientific beliefs. Haeckel was a fervent believer in Darwinism and the essay at the beginning of the book is an interesting exploration of the way in which his belief overrode his scientific objectiveness, to the extent that his scientific research has since been proven totally false. He committed the cardinal sin in the scientific world of falsifying his data to fit his theories. Yet artistically he remains an influential yet little known figure, whose engravings played a huge part in the development of Art Nouveau and continue to inspire artists to this day. His work deserves to be much better known and this book should be on the shelves of every artist, designer and visually literate person.

A very clearn and practical guide to printmaking, 23 Nov 2006
Jane Stobart has considerable experience of teaching both art students, and keen amateurs, and this shows in the lucid explanations of all the processes, examples of what works best, and the avoidance of pitfalls.
This book is particularly invaluable to anyone working without the full studio presses and equipment (although these are, of course covered) because alternative methods of taking a print are described in full. Alternatives to solvents and oil-based inks are available, and their use explained.
I have used the book for various of my own projects, which, thanks to the information and explanations given, have turned out very well. I am not a professionally trained artist, but thanks to Jane Stobart, I have achieved "professional" results in a number of the different printing methods described.
If you want a practical book with good clear explanations, then this is the one - and it's excellent value!

An inspirational introduction, 08 Sep 2001
I found this to be a wonderfully inspiring volume, with plenty of information so that you can immediately get started, whilst suggesting further reading for greater specialisation. The list of suppliers has also been invaluable. Excellent. I am eagerly awaiting the 'intaglio' book in the same series.

A fantastic introduction to printmaking without a press, 11 Nov 2004
This is a really excellent book if you're interested in exploring printmaking but don't have access to lots of expensive equipment. Loads of different techniques, clear instructions, accessible writing and great images make this book indispensible for teachers, workshop leaders and artists alike. Printmaking can often seem quite scary to the beginner and this book gives a thorough but gentle introduction to techniques that you can try at home. However, don't assume that this is a book just for beginners, both the authors are professional printmakers and the standard of many of the examples reflects this - even experienced printmakers may find new ideas and techniques in this book.

A classic, 01 May 2008
I do like this book. In fact, having borrowed it from the college library several times, I felt it was time I owned my own copy!

Julia Ayres is probably the most authoritative writer on the history and contemporary work in this method of printmaking. As well as showing her own methods she gives space to work by other artists, describing techniques and materials used and experiments tried using oil, inks and watercolour. Also, the illustrations are large and clear, with work-in-progress shots shown where needed.

A blast from the past!, 26 Jun 2008
If like me you were a film enthusiast in the 80's you will love to flick through and reminisce about all the great films that feature here. The brief introduction highlights the changing culture during the 80's that is reflected in the poster art (I particularly find the 48hrs poster a chuckle). The book also features international versions of some of the posters which are also fascinating and posters to world cinema features, providing something for everyone. To summarise: A great nostalgic read with fantastic photography and groundbreaking artwork very deserving of a place on your shelf.

great, 31 May 2007
excellent book which covers more than i could have imagined, good illustrations of results, clear instructions too. Only problem is obtaining some of the chemicals which are neccessary.

Nicely presented and technically explained, 30 Nov 2004
The book is a show case and apart from that is technically very well done.
It is clearly oriented at the artist as few of the processes explained would be industrial feasible. It has a very nice index of perfectly photographed plate samples which represent the effect you will have after successfully following the recipe. It is fairly comprehensive and covers hundreds of different patinas with their exact recipe, chemicals and application methods. The recipes are grouped into 6 main sections: cast bronze, cast yellow brass, copper and copper-plate, gilding metal, yellow brass, silver and silver plate. Sadly enough there are lots of more metals. Some of the patinas may not be feasible to the common artist, the products are very specific and at times very hard to get hold of.

The Colouring, Bronzing and Patination of Metals: A Manual f, 31 Jul 2004
Lovely book, both in content and presentation
but
Only Copper and copper alloys -- no Iron, Lead, Pewter or aluminium.
Pity, but I do expect to be reffering back to it over the years.

This is the bible of patination, 31 Oct 2000
Covers all aspects of patination, for both layman and specialist.

An excellent collection of recipes for colouring metals., 21 Oct 2000
This book contains hundreds of recipes for the colouration of metals using chemicals, of which jewellers and sculptors alike should be able to make full use. Colour plates show examples of what can be achieved, and the various techniques are explained clearly. Interestingly, the author also gives details of recipes that have failed to give satisfactory results. This is a very well researched book and provides a huge bibliography of other sources of related information. Sadly, no indication of where the reader might obtain the chemicals is provided. They are not carried by your local chemist's shop or drug-store.

Ars Gratia Artis, 28 Aug 2008
This book is a joy. It is a joy to touch, to hold, to read and to study the most excellent reproductions of Bewick's tiny works. I live close to Bewick's birthplace and this book has inspired me with a new ardour for the Tyne Vall