making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

One of the most widely read novels from Nigeria's most famous novelist, Things Fall Apart is a gripping study of the problem of European colonialism in Africa. The story relates the cultural collision that occurs when Christian English missionaries arrive among the Ibos of Nigeria, bringing along their European ways of life and religion. In the novel, the Nigerian Okonkwo recognizes the cultural imperialism of the white men and tries to show his own people how their own society will fall apart if they exchange their own cultural core for that of the English.

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

One of the most widely read novels from Nigeria's most famous novelist, Things Fall Apart is a gripping study of the problem of European colonialism in Africa. The story relates the cultural collision that occurs when Christian English missionaries arrive among the Ibos of Nigeria, bringing along their European ways of life and religion. In the novel, the Nigerian Okonkwo recognizes the cultural imperialism of the white men and tries to show his own people how their own society will fall apart if they exchange their own cultural core for that of the English.

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

One of the most widely read novels from Nigeria's most famous novelist, Things Fall Apart is a gripping study of the problem of European colonialism in Africa. The story relates the cultural collision that occurs when Christian English missionaries arrive among the Ibos of Nigeria, bringing along their European ways of life and religion. In the novel, the Nigerian Okonkwo recognizes the cultural imperialism of the white men and tries to show his own people how their own society will fall apart if they exchange their own cultural core for that of the English.

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

Achebe raises a number of issues in this story, 26 Nov 2002
This is an excellently told story of three friends who grow up to lead the state of Kangan. The story shifts narration between the main characters (the head of state, the minister of informationa ndthe head of the natioanl newspaper) and slowly gives the reader an impression of what post-colonial life is like in an African state of both developing ciites and incredicle rural poverty. Via the central characters, you learnn of the incredible influence that the English bourgeiose have had (an continue to have) on the logic and thinking of many African leaders as they continue to look to their immediate pasts (under colonial rule) for a guide as to how to rule. The story of these three friends really lets one feel that the post-colonial African state is a hugely complex issue. Despite all that you learn from the text, it never becomes didactic and is first and foremost an enjoyable read. This is the second Achebe novel I have read (the other being Things Fall Apart) and I thought this one was more accessible and more enjoyable.

Thought provoking look at the nature of power and corruption, 29 Oct 2000
I would recommend this novel to anybody. I became completely wrapped up in it and read the whole book in one sitting. It is about highest level society in a post colonial African state and focuses on five characters, three of whom are the "green bottles" who control the state. The multi narrative structure works very much to the novel's advantage, drawing the reader in and allowing us to discover different character's motives and prerogatives. This structure could have been confusing and unnecessary, but Achebe controls it so skilfully through use of the third person throughout, that it enhances, not detracts from the reading experience. Achebe also manages to show us the effects of the corruption on the state (Kangan), without painting any of the characters in absolute, black and white terms. We are shown all the characters in a measured and unbiased way, allowing us to form our own judgements. The skilful characterisation fully supports this. However at the same time the reader is also aware of Achebe's own political message. All in all, a thoroughly entralling, enjoyable novel, which educates without ever slipping into a boring,dull style.

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

Achebe raises a number of issues in this story, 26 Nov 2002
This is an excellently told story of three friends who grow up to lead the state of Kangan. The story shifts narration between the main characters (the head of state, the minister of informationa ndthe head of the natioanl newspaper) and slowly gives the reader an impression of what post-colonial life is like in an African state of both developing ciites and incredicle rural poverty. Via the central characters, you learnn of the incredible influence that the English bourgeiose have had (an continue to have) on the logic and thinking of many African leaders as they continue to look to their immediate pasts (under colonial rule) for a guide as to how to rule. The story of these three friends really lets one feel that the post-colonial African state is a hugely complex issue. Despite all that you learn from the text, it never becomes didactic and is first and foremost an enjoyable read. This is the second Achebe novel I have read (the other being Things Fall Apart) and I thought this one was more accessible and more enjoyable.

Thought provoking look at the nature of power and corruption, 29 Oct 2000
I would recommend this novel to anybody. I became completely wrapped up in it and read the whole book in one sitting. It is about highest level society in a post colonial African state and focuses on five characters, three of whom are the "green bottles" who control the state. The multi narrative structure works very much to the novel's advantage, drawing the reader in and allowing us to discover different character's motives and prerogatives. This structure could have been confusing and unnecessary, but Achebe controls it so skilfully through use of the third person throughout, that it enhances, not detracts from the reading experience. Achebe also manages to show us the effects of the corruption on the state (Kangan), without painting any of the characters in absolute, black and white terms. We are shown all the characters in a measured and unbiased way, allowing us to form our own judgements. The skilful characterisation fully supports this. However at the same time the reader is also aware of Achebe's own political message. All in all, a thoroughly entralling, enjoyable novel, which educates without ever slipping into a boring,dull style.

A CLASSIC, 16 Feb 2006
Achebe's Arrow of God is no doubt the best novel written by an African and one of the best novels in the world. It gives me an inferiority complex and makes me believe there are writers and there are talented writers. Achebe is a talented writer. He's a god. And his pen is an arrow.

Absolutely wonderful, 22 Jul 2005
ARROW OF GOD is just as good as THINGS FALL APART, if not better. The story is based on the exotic traditional village culture of the Igbo nation in Western Nigeria. It is one of the African best literary works I have read. Achebe took us into Ezeulu's changing world and did what few writers can do- make us understand it all. It reminded me of other traditional African stories such as USURPER AND OTHER STORIES, MATIGARI, and OUR SISTER KILLJOY. I enjoyed all of these stories and recommend them to lovers of African literature.

An epic tale of colonialism, power and tradition., 03 Mar 2002
Arrow of God, the second of Achebe's novels of colonialism, takes place in the 1920's Nigeria - after the establishment of British presence. The "arrow of god" is Ezeulu, the chief priest of the god Ulu who is the patron deity of an Ibo village. Hence Ezeulu holds the role of initiating the rituals that structure village life, a postition vested with a great deal of power and trust. After his village rejects his advice to avoid war with a neighboring village, Ezeulu finds himself at odds with his own people and praised by the British administrators. The British, seeking a candidate to install as village chieftain, make him an offer, which he refuses. Caught in the middle with no allies, Ezeulu slowly loses his grip on reality and slips into senility. Through Ezeulu, Achebe was able to present a study in the loss of power. Indeed, this is a well written educational literature and probably one of the best books I have ever read. I truly recommend it!!!

making sense of africa, 24 Sep 2008
I have always been fascinated by Africa. My parents met there as vso volunteers in the 70s and that was how the author first experienced Africa. My parents talked often about their time there but they had such mixed views - love and hate. I bought this because of review and knew I was travelling to Australia so had time to read it. I have not been disappointed. It is passionately written yet highly informed. Above all it makes sense of something I never quite understood. It will be my parents' Christmas present! I must now go to Africa.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power would have understood or given it credit for. It is also a novel about change and adapting to it and the insignificance of the little man in the face of this change.

A most enchanting book, 30 Apr 2008
The story in this book takes place in the countryside of Nigeria during the reign of Queen Victoria. The central character - Okonkwo, is a man who despises his father and aspires to be the total opposite. He is ambitious and wishes to live in such a way that will lead to status and respect. In particular he wishes to be awarded a number of titles which could ultimately see him as the chief of the tribe. He shows very little outward love towards his family, especially towards his children, because he wants to make sure that none of become a wastrel like his father. Also he wants to appear to be tough so that his ambitions can be achieved.

As the story unfolds Okonkwo makes a number of mistakes - probably the most serious one where he accidently kills another and has to go into exile in a neighbouring village for 7 years. While he is away things go very badly for his home village. A white commuinity and their church start taking control of the region - very difficult to stop, because some of the villagers are members of the church.

When Okonkwo returns, and later attends a meeting to stop the power of the white colonizers, things continue to fall apart for both Okonkwo and the village as a whole. The ending is a surprise and is in a way depressing. Okonkwo acts rashly again decapitating one of the messengers sent by the while colonisers. He then disappears and is later found hanged - apparently suicide.

This is a wonderful book to read, not just because of the central theme, but also because of the details of African society, that people like myself are totally ignorant of. There are many different things that you can learn by reading this story.

Highly recommended

A disappointing read!, 20 Apr 2008
Achebe's feeble and disengaging characterisation is surpassed only by patronising simplicity. In attempting to depict the primal authenticity of pre-colonial African culture he has created a book that not only fails to do full justice to the tribe's struggle against Western imperialism but wholly relies on plot driven devices leaving in its wake a shallow and superficial tribute to one of history's most tragic struggles.

An acknowledged classic., 02 Apr 2008
For once the hype is deserved. This is a very rich book, the characters leaping out of the prose and connecting with the reader on a one-to-one basis. Fundamentally the book is about the clash of cultures and the dangers that this brings. An important message, given the current climate. Readers who enjoyed this book will also like: One Love Two Colours: The unlikely marriage of a Punk Rocker & his African Queen, by Margaret Oshindele. Another book that looks at culture clash, but from the modern perspectives of a Yoruba woman and an Englishman.

The first authentic African voice is a loud whisper, 15 Jul 2008
Chinua Achebe's acclaimed novel starts out as a thoughtful invocation of the culture and values of the Igbo people in pre-colonial Nigeria at a time when advice is sought from oracles and medicine-men, justice despatched through blood feuds and human sacrifice, and where the manly virtues of the warrior remain the defining quality sought by all self-respecting men. Embarrassed by his weak father Okonkwo sets out to be become a clan leader through steely determination, hard work and plain bullying. A lot of good it does him, though. A fatal accident - not in any way his fault - results in flight from his clan and a humiliating seven year exile. On his return, the missionaries had arrived in his village and we all know what happened next: the end of civilisation as they knew it.
This is an important book inasmuch as it was one of the first authentic African voices to portray the effects of colonialism on a traditional African society, and it came at a time when the British Empire had run its course and was on the verge of disintegration. However, it is an immature work written in a style so concise as to appear almost light, and is not the masterwork that it is claimed to be despite its undoubted virtues of accuracy and honesty. The author - as I'm sure he would admit - was to compose better works.


Wonderful prose and an eye opener, 27 Jun 2008
This seminal work of modern African literature tells the story of tribal civilisation in Nigeria just at the point where the British first arrive. The central character Okonkwo is a proud and feared tribal warrior. The wrestling exploits of his youth are legend and established him as an alpha male in the region. He is also a breed apart from his fellow villagers. He is ruthless, hugely ambitious, hard working and acquisitive. Okonkwo's steady path to advancement in the village is cut short however when he is implicated in the death of a villager and sent in to exile for seven years. This is the falling apart of Okonkwo's world and he finds it very difficult to adapt to his new circumstances. But more than this, the civilisation that Okonkwo inhabits is about to fall apart, as it meets the first wave of British imperialism. The new colonial master is depicted dispassionately by Achebe, almost as if he is merely reporting on events - there is no overt judgement of the British. (When you consider Achebe's journalistic training and background this is less surprising). Indeed, though they are alien to each other, Okonkwo understands only too well that the brutal logic of the encroaching imperialist power dictates that might must prevail. As a bully and a strongman, it is the code that he has understood and followed all his life. We also see that many of the changes that the British bring are more readily welcomed than you would expect - religion and western education for example - and that people are lured to what is new and different. This novel depicts a complex tribal society - far more complex than the imperialist power