Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

The true craft - and graft - of writing, 08 Aug 2008
This book won't write your novel for you. It won't tell you how to get it published. But what it will do is guide new (and not so new) writers through the essentials.

If you have a great idea for a story and are basically literate, this book is a very good way to turn out an excellent book. It guides writers through the basics of plot and character, point of view and setting, and through to those final elements such as rewriting and editing many writers try to avoid. It is thorough and understandable, and, being written by a wide variety of accomplished professionals rather than just one know-it-all, it provides the best advice available from many sources.

It is often partnered with What If?: Writing Exercises for Fiction Writers, and for good reason. What If adds valuable exercises to this book, and is worth buying alongside it.

This is not a short-cut to getting published. It is a rigorous manual containing many exercises that while maybe not appealing on first glance, are well worth doing. It is a guide to the true craft - and graft - of the writing process. Ironically, it is increasingly apparent that publishers and their editors have little knowledge of these building blocks of good writing. This book can make sure what you present for publication is as good as it should be; whether editors actually recognise that fact is, unfortunately, beyond the scope of even this terrific book.

Beside the point, 20 May 2008
I think some reviews of this book are beside the point - it's more of a course-book for people who go to "Creative Writing" courses at uiversity, or ideas for teachers of same rather than a book about how to improve technique. Neither do I have any quibble with its not being a WRITE FOR PROFIT! piece of puff that hopes to fleece naive hopefuls. That said, it's just not a very good course-book. Most of the "ideas for writing" are flat, flaccid or just plain time-wasting stuff for teachers to use in a crisis ("imagine your bedroom or a pair of shoes" twaddle, while Ali Smith's comparative sentence-matching exercises take "pointless" to a new level). It's not a book about what writing might mean in a wider context either. The whole book is beside the point. The best way to get a serious handle on how to write is to read and read as deeply as you can - genre fiction will not teach you much, except what someone else has worked out as their "formula". Writing well is not success-based, and no book can be a 12-step programme. READ.

two thirds of this book is really useful, 08 Feb 2008
I bought this book quite a while ago and still dip into it now and again for inspiration. Different writers give their advice, and i have earmarked those chapters written by the writers i found the most inspiring/helpful. There are two or three 'advisers' whose advice is a little superior and somewhat irritating, but this is made up for by those whose advice i have gleaned plenty from. I have recommended this book to several writing friends, and was certainly glad to discover it myself. You WILL find this book useful and an ispiration when you are stuck for where to go next in your story. If you read this book with 'your story' in mind, you will end up writing down copious notes for ideas...my copy of this book is full of margin notes!! Certainly worth the money.

Not helpful at all, 11 Jan 2008
This book implies that is is a guide to creative writing. I found it irritating. It's more like a group of people discussing elements of writing from their own particular perspective, with little to no constructive advice.

Yes there are excercises suggested, but the instructions are often badly laid out. There is a certain element of literary 'snobbery' - commercial success appears to be frowned upon by the authors and contributors.

I would not recommend it to anyone who is looking for an introduction to creative writing, especially if their interest lies in popular fiction.

Not actually much use, 17 Dec 2007
Imagine you wanted to learn wood working. But imagine you bought a book full of sentences like, "Wood is as old as the world", or, "To be human is to need wooden furniture...".

You'd feel a little ripped off. You want actual instructions on how to work with wood, not thoughtful aphorisms, no matter how clever.

That's the problem with this book. Need advice on plotting? Well, in the "Plotting and shaping" section you'll read, "We write things in order to make sense of the world". That's true, I guess. Even profound. But not a great deal of use. Where's discussion of narrative arcs? Where are real examples of plots taken from real books, showing how it's been done in the past, complete with expert commentary? In short, where's the substance?

There's a lot more exactly like that. This isn't a book that teaches. It suggests and implies. It waves a hand in the direction of travel but doesn't give actual directions. Sadly, this is all-too common in creative writing literature. Authors can be as secretive as magicians in guarding their techniques and methods. There's a reluctance to closely analyse technique, perhaps for fear of breaking it.

Others reviewers have suggested that this book is "inspiring". That might be true but for that to be the case you'd need to have already learnt the skills this book purports to teach (it is, after all, a "coursebook"). Above all, I keep coming back to the thought that this book teaches its readers to suck eggs... To tread water when you want to learn how to swim.

The book can also be annoyingly patronising and has definite concepts of high and low literature. Of "Bestselling plots", one contributor writes sniffly that they belong to "books sold in dump bins at airports". Thanks for that opinion, but is it helpful? This rather cynical theme runs throughout the book. You're unlikely to find discussion of books by Harold Robbins, or Stephen King, or Frederick Forsyth, or Catherine Cookson (or any other popular author -- the books that people actually buy and enjoy). But you will find mention of Virginia Wolfe. I'd check for more examples like this but the book lacks an index -- another annoyance.

There is some good stuff in this book, and I've given it 3 out of 5 for being so readable and entertaining. But it's perilously close to being a useless frivolity. Reading it is a matter of sifting the silt to find the gold. Worse than that, there's a lot of iron pyrite sprinkled in there, in the form of aphorisms and vague advice that looks valuable, but is actually worthless.

Wherein we discover that many of the "rules" for good writing and good sex are the same: Keep your hand moving, lose control and don't think. Goldberg brings a touch of both Zen and well... *eroticism* to her writing practice, the latter in exercises and anecdotes designed to ease you into your body, your whole spirit, while you create, the former in being where you are, working with what you have, and writing from the moment. --Ali Perry-Gallagher

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

The true craft - and graft - of writing, 08 Aug 2008
This book won't write your novel for you. It won't tell you how to get it published. But what it will do is guide new (and not so new) writers through the essentials.

If you have a great idea for a story and are basically literate, this book is a very good way to turn out an excellent book. It guides writers through the basics of plot and character, point of view and setting, and through to those final elements such as rewriting and editing many writers try to avoid. It is thorough and understandable, and, being written by a wide variety of accomplished professionals rather than just one know-it-all, it provides the best advice available from many sources.

It is often partnered with What If?: Writing Exercises for Fiction Writers, and for good reason. What If adds valuable exercises to this book, and is worth buying alongside it.

This is not a short-cut to getting published. It is a rigorous manual containing many exercises that while maybe not appealing on first glance, are well worth doing. It is a guide to the true craft - and graft - of the writing process. Ironically, it is increasingly apparent that publishers and their editors have little knowledge of these building blocks of good writing. This book can make sure what you present for publication is as good as it should be; whether editors actually recognise that fact is, unfortunately, beyond the scope of even this terrific book.

Beside the point, 20 May 2008
I think some reviews of this book are beside the point - it's more of a course-book for people who go to "Creative Writing" courses at uiversity, or ideas for teachers of same rather than a book about how to improve technique. Neither do I have any quibble with its not being a WRITE FOR PROFIT! piece of puff that hopes to fleece naive hopefuls. That said, it's just not a very good course-book. Most of the "ideas for writing" are flat, flaccid or just plain time-wasting stuff for teachers to use in a crisis ("imagine your bedroom or a pair of shoes" twaddle, while Ali Smith's comparative sentence-matching exercises take "pointless" to a new level). It's not a book about what writing might mean in a wider context either. The whole book is beside the point. The best way to get a serious handle on how to write is to read and read as deeply as you can - genre fiction will not teach you much, except what someone else has worked out as their "formula". Writing well is not success-based, and no book can be a 12-step programme. READ.

two thirds of this book is really useful, 08 Feb 2008
I bought this book quite a while ago and still dip into it now and again for inspiration. Different writers give their advice, and i have earmarked those chapters written by the writers i found the most inspiring/helpful. There are two or three 'advisers' whose advice is a little superior and somewhat irritating, but this is made up for by those whose advice i have gleaned plenty from. I have recommended this book to several writing friends, and was certainly glad to discover it myself. You WILL find this book useful and an ispiration when you are stuck for where to go next in your story. If you read this book with 'your story' in mind, you will end up writing down copious notes for ideas...my copy of this book is full of margin notes!! Certainly worth the money.

Not helpful at all, 11 Jan 2008
This book implies that is is a guide to creative writing. I found it irritating. It's more like a group of people discussing elements of writing from their own particular perspective, with little to no constructive advice.

Yes there are excercises suggested, but the instructions are often badly laid out. There is a certain element of literary 'snobbery' - commercial success appears to be frowned upon by the authors and contributors.

I would not recommend it to anyone who is looking for an introduction to creative writing, especially if their interest lies in popular fiction.

Not actually much use, 17 Dec 2007
Imagine you wanted to learn wood working. But imagine you bought a book full of sentences like, "Wood is as old as the world", or, "To be human is to need wooden furniture...".

You'd feel a little ripped off. You want actual instructions on how to work with wood, not thoughtful aphorisms, no matter how clever.

That's the problem with this book. Need advice on plotting? Well, in the "Plotting and shaping" section you'll read, "We write things in order to make sense of the world". That's true, I guess. Even profound. But not a great deal of use. Where's discussion of narrative arcs? Where are real examples of plots taken from real books, showing how it's been done in the past, complete with expert commentary? In short, where's the substance?

There's a lot more exactly like that. This isn't a book that teaches. It suggests and implies. It waves a hand in the direction of travel but doesn't give actual directions. Sadly, this is all-too common in creative writing literature. Authors can be as secretive as magicians in guarding their techniques and methods. There's a reluctance to closely analyse technique, perhaps for fear of breaking it.

Others reviewers have suggested that this book is "inspiring". That might be true but for that to be the case you'd need to have already learnt the skills this book purports to teach (it is, after all, a "coursebook"). Above all, I keep coming back to the thought that this book teaches its readers to suck eggs... To tread water when you want to learn how to swim.

The book can also be annoyingly patronising and has definite concepts of high and low literature. Of "Bestselling plots", one contributor writes sniffly that they belong to "books sold in dump bins at airports". Thanks for that opinion, but is it helpful? This rather cynical theme runs throughout the book. You're unlikely to find discussion of books by Harold Robbins, or Stephen King, or Frederick Forsyth, or Catherine Cookson (or any other popular author -- the books that people actually buy and enjoy). But you will find mention of Virginia Wolfe. I'd check for more examples like this but the book lacks an index -- another annoyance.

There is some good stuff in this book, and I've given it 3 out of 5 for being so readable and entertaining. But it's perilously close to being a useless frivolity. Reading it is a matter of sifting the silt to find the gold. Worse than that, there's a lot of iron pyrite sprinkled in there, in the form of aphorisms and vague advice that looks valuable, but is actually worthless.

Empty inspiration, 30 Sep 2008
I am a published writer. Years ago, when I was still struggling with words, I was recommended this book by a bookseller, who thought it was wonderful. I asked him what he himself wrote, and he looked uneasy and said, 'Nothing, yet.'
All too many readers of this book go away inspired and charged up - and then they never produce anything worthwhile. It's much more of a new-age self-help feel-good-about-yourself book.
For writers? Forget it. Try Ursula leGuin or Stephen King, both of whom REALLY understand writing from their bones.

Inspiring., 16 Feb 2008
I haven't had any creative writing urges for over 8 years. I bought this book with the hope that I would find these urges again. When it arrived I was not hopeful but after reading the first few sections I am truly feeling inspired. I have rekindled my love for literature and writing and it feels fantastic. Not sure i'd use it as a 'how to write' but just for getting you going again it's great!!

a fantastic launch pad, 15 Nov 2006
This is an excellent introduction for anyone who's ever wanted to write fiction or poetry but was afraid to start. Its friendly tone, direct advice and focus on freewriting have an unnerving capacity to get you going and its short chapters also make it ideal for dipping into once you've finished. It's also exceedingly well-written; intriguing flashes of autobiography lift it above the mass of creative writing text books on the market.

Which isn't to say it's perfect: Goldberg's concentration on generating material means that the twin processes of crafting and drafting are rather neglected in favour of producing more and more freewrites. Anyone wishing to produce work of publishable quality as opposed to writing therapeutically for themselves will probably find that they eventually 'outgrow' it.

Nevertheless, as a book for getting started again, and as a pleasurable read, it remains the best of its kind on the market. Well worth a look.

utter drivel, 09 Feb 2006
would have gave it a 0 star rating, but starts at 1.
one of these days i will find a book about how to write written by someone who has written a book of some note. it appears there is a whole industry built round "How to write" that is stuffed full of literary non entities.

Natalie My Guru, 02 May 2005
Warm, witty, fun, and above all, one of the best books on the market for new and not so new writers. Follow Natalie's advice and you won't go wrong - you will fly. A much loved book, one I revisit frequently. It's rather like being with a cherished friend and the writing exercises work. Buy it, you won't have any regrets.

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

The true craft - and graft - of writing, 08 Aug 2008
This book won't write your novel for you. It won't tell you how to get it published. But what it will do is guide new (and not so new) writers through the essentials.

If you have a great idea for a story and are basically literate, this book is a very good way to turn out an excellent book. It guides writers through the basics of plot and character, point of view and setting, and through to those final elements such as rewriting and editing many writers try to avoid. It is thorough and understandable, and, being written by a wide variety of accomplished professionals rather than just one know-it-all, it provides the best advice available from many sources.

It is often partnered with What If?: Writing Exercises for Fiction Writers, and for good reason. What If adds valuable exercises to this book, and is worth buying alongside it.

This is not a short-cut to getting published. It is a rigorous manual containing many exercises that while maybe not appealing on first glance, are well worth doing. It is a guide to the true craft - and graft - of the writing process. Ironically, it is increasingly apparent that publishers and their editors have little knowledge of these building blocks of good writing. This book can make sure what you present for publication is as good as it should be; whether editors actually recognise that fact is, unfortunately, beyond the scope of even this terrific book.

Beside the point, 20 May 2008
I think some reviews of this book are beside the point - it's more of a course-book for people who go to "Creative Writing" courses at uiversity, or ideas for teachers of same rather than a book about how to improve technique. Neither do I have any quibble with its not being a WRITE FOR PROFIT! piece of puff that hopes to fleece naive hopefuls. That said, it's just not a very good course-book. Most of the "ideas for writing" are flat, flaccid or just plain time-wasting stuff for teachers to use in a crisis ("imagine your bedroom or a pair of shoes" twaddle, while Ali Smith's comparative sentence-matching exercises take "pointless" to a new level). It's not a book about what writing might mean in a wider context either. The whole book is beside the point. The best way to get a serious handle on how to write is to read and read as deeply as you can - genre fiction will not teach you much, except what someone else has worked out as their "formula". Writing well is not success-based, and no book can be a 12-step programme. READ.

two thirds of this book is really useful, 08 Feb 2008
I bought this book quite a while ago and still dip into it now and again for inspiration. Different writers give their advice, and i have earmarked those chapters written by the writers i found the most inspiring/helpful. There are two or three 'advisers' whose advice is a little superior and somewhat irritating, but this is made up for by those whose advice i have gleaned plenty from. I have recommended this book to several writing friends, and was certainly glad to discover it myself. You WILL find this book useful and an ispiration when you are stuck for where to go next in your story. If you read this book with 'your story' in mind, you will end up writing down copious notes for ideas...my copy of this book is full of margin notes!! Certainly worth the money.

Not helpful at all, 11 Jan 2008
This book implies that is is a guide to creative writing. I found it irritating. It's more like a group of people discussing elements of writing from their own particular perspective, with little to no constructive advice.

Yes there are excercises suggested, but the instructions are often badly laid out. There is a certain element of literary 'snobbery' - commercial success appears to be frowned upon by the authors and contributors.

I would not recommend it to anyone who is looking for an introduction to creative writing, especially if their interest lies in popular fiction.

Not actually much use, 17 Dec 2007
Imagine you wanted to learn wood working. But imagine you bought a book full of sentences like, "Wood is as old as the world", or, "To be human is to need wooden furniture...".

You'd feel a little ripped off. You want actual instructions on how to work with wood, not thoughtful aphorisms, no matter how clever.

That's the problem with this book. Need advice on plotting? Well, in the "Plotting and shaping" section you'll read, "We write things in order to make sense of the world". That's true, I guess. Even profound. But not a great deal of use. Where's discussion of narrative arcs? Where are real examples of plots taken from real books, showing how it's been done in the past, complete with expert commentary? In short, where's the substance?

There's a lot more exactly like that. This isn't a book that teaches. It suggests and implies. It waves a hand in the direction of travel but doesn't give actual directions. Sadly, this is all-too common in creative writing literature. Authors can be as secretive as magicians in guarding their techniques and methods. There's a reluctance to closely analyse technique, perhaps for fear of breaking it.

Others reviewers have suggested that this book is "inspiring". That might be true but for that to be the case you'd need to have already learnt the skills this book purports to teach (it is, after all, a "coursebook"). Above all, I keep coming back to the thought that this book teaches its readers to suck eggs... To tread water when you want to learn how to swim.

The book can also be annoyingly patronising and has definite concepts of high and low literature. Of "Bestselling plots", one contributor writes sniffly that they belong to "books sold in dump bins at airports". Thanks for that opinion, but is it helpful? This rather cynical theme runs throughout the book. You're unlikely to find discussion of books by Harold Robbins, or Stephen King, or Frederick Forsyth, or Catherine Cookson (or any other popular author -- the books that people actually buy and enjoy). But you will find mention of Virginia Wolfe. I'd check for more examples like this but the book lacks an index -- another annoyance.

There is some good stuff in this book, and I've given it 3 out of 5 for being so readable and entertaining. But it's perilously close to being a useless frivolity. Reading it is a matter of sifting the silt to find the gold. Worse than that, there's a lot of iron pyrite sprinkled in there, in the form of aphorisms and vague advice that looks valuable, but is actually worthless.

Empty inspiration, 30 Sep 2008
I am a published writer. Years ago, when I was still struggling with words, I was recommended this book by a bookseller, who thought it was wonderful. I asked him what he himself wrote, and he looked uneasy and said, 'Nothing, yet.'
All too many readers of this book go away inspired and charged up - and then they never produce anything worthwhile. It's much more of a new-age self-help feel-good-about-yourself book.
For writers? Forget it. Try Ursula leGuin or Stephen King, both of whom REALLY understand writing from their bones.

Inspiring., 16 Feb 2008
I haven't had any creative writing urges for over 8 years. I bought this book with the hope that I would find these urges again. When it arrived I was not hopeful but after reading the first few sections I am truly feeling inspired. I have rekindled my love for literature and writing and it feels fantastic. Not sure i'd use it as a 'how to write' but just for getting you going again it's great!!

a fantastic launch pad, 15 Nov 2006
This is an excellent introduction for anyone who's ever wanted to write fiction or poetry but was afraid to start. Its friendly tone, direct advice and focus on freewriting have an unnerving capacity to get you going and its short chapters also make it ideal for dipping into once you've finished. It's also exceedingly well-written; intriguing flashes of autobiography lift it above the mass of creative writing text books on the market.

Which isn't to say it's perfect: Goldberg's concentration on generating material means that the twin processes of crafting and drafting are rather neglected in favour of producing more and more freewrites. Anyone wishing to produce work of publishable quality as opposed to writing therapeutically for themselves will probably find that they eventually 'outgrow' it.

Nevertheless, as a book for getting started again, and as a pleasurable read, it remains the best of its kind on the market. Well worth a look.

utter drivel, 09 Feb 2006
would have gave it a 0 star rating, but starts at 1.
one of these days i will find a book about how to write written by someone who has written a book of some note. it appears there is a whole industry built round "How to write" that is stuffed full of literary non entities.

Natalie My Guru, 02 May 2005
Warm, witty, fun, and above all, one of the best books on the market for new and not so new writers. Follow Natalie's advice and you won't go wrong - you will fly. A much loved book, one I revisit frequently. It's rather like being with a cherished friend and the writing exercises work. Buy it, you won't have any regrets.

Midwest Book Review, 25 Jan 2006
Writing Children’s Books for Dummies is one of those complete, easy-to-use guides that should be on the shelf of any writer who is serious about writing and publishing children’s books. Having read most of the reference books on this subject on the market today, I can say this is right there among the best and well worth its price.

The structure of the book is clear and easy to handle, the language straight forward and to the point. No matter which aspect of children’s writing or publishing you’re interested in, you only have to look in the table of contents to find it. The authors use interviews and illustrations to present their ideas in a more engaging manner. They also utilize icons to stress important ideas or points. For example, special icons are used for “Tips” (expert advice), “Remember” (important information to store in your brain for later recall), “Warning” (avoiding mistakes), and “Ahead of the Pack” (new and innovative topic). At the end of the book there are five lined pages for note taking, quite practical for those readers who like to take notes as they read.

Everything from formats and genres, understanding the market, setting up your workspace, coming up with ideas, researching, creating compelling characters, the mechanics of writing (conflict, climax, dialogue, setting, point of view, tone, theme, etc.) to editing and formatting, illustrating, finding agents and publishers, the publishing process and much, much more. You’ll even find more than ten great sources for compelling storylines, as well as helpful tips on promoting your work. In short, all the information you’ll need to succeed as a children’s book author.

Whether you choose to read from cover to cover or jump straight to the topic of your choice, Writing Children’s Books for Dummies will prove to be an indispensable reference and amalgam of helpful information for your writing career, as well as a fecund source of ideas for articles. Highly recommended for both fiction and non-fiction writers, students of children’s literature, and writing teachers.

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

The true craft - and graft - of writing, 08 Aug 2008
This book won't write your novel for you. It won't tell you how to get it published. But what it will do is guide new (and not so new) writers through the essentials.

If you have a great idea for a story and are basically literate, this book is a very good way to turn out an excellent book. It guides writers through the basics of plot and character, point of view and setting, and through to those final elements such as rewriting and editing many writers try to avoid. It is thorough and understandable, and, being written by a wide variety of accomplished professionals rather than just one know-it-all, it provides the best advice available from many sources.

It is often partnered with What If?: Writing Exercises for Fiction Writers, and for good reason. What If adds valuable exercises to this book, and is worth buying alongside it.

This is not a short-cut to getting published. It is a rigorous manual containing many exercises that while maybe not appealing on first glance, are well worth doing. It is a guide to the true craft - and graft - of the writing process. Ironically, it is increasingly apparent that publishers and their editors have little knowledge of these building blocks of good writing. This book can make sure what you present for publication is as good as it should be; whether editors actually recognise that fact is, unfortunately, beyond the scope of even this terrific book.

Beside the point, 20 May 2008
I think some reviews of this book are beside the point - it's more of a course-book for people who go to "Creative Writing" courses at uiversity, or ideas for teachers of same rather than a book about how to improve technique. Neither do I have any quibble with its not being a WRITE FOR PROFIT! piece of puff that hopes to fleece naive hopefuls. That said, it's just not a very good course-book. Most of the "ideas for writing" are flat, flaccid or just plain time-wasting stuff for teachers to use in a crisis ("imagine your bedroom or a pair of shoes" twaddle, while Ali Smith's comparative sentence-matching exercises take "pointless" to a new level). It's not a book about what writing might mean in a wider context either. The whole book is beside the point. The best way to get a serious handle on how to write is to read and read as deeply as you can - genre fiction will not teach you much, except what someone else has worked out as their "formula". Writing well is not success-based, and no book can be a 12-step programme. READ.

two thirds of this book is really useful, 08 Feb 2008
I bought this book quite a while ago and still dip into it now and again for inspiration. Different writers give their advice, and i have earmarked those chapters written by the writers i found the most inspiring/helpful. There are two or three 'advisers' whose advice is a little superior and somewhat irritating, but this is made up for by those whose advice i have gleaned plenty from. I have recommended this book to several writing friends, and was certainly glad to discover it myself. You WILL find this book useful and an ispiration when you are stuck for where to go next in your story. If you read this book with 'your story' in mind, you will end up writing down copious notes for ideas...my copy of this book is full of margin notes!! Certainly worth the money.

Not helpful at all, 11 Jan 2008
This book implies that is is a guide to creative writing. I found it irritating. It's more like a group of people discussing elements of writing from their own particular perspective, with little to no constructive advice.

Yes there are excercises suggested, but the instructions are often badly laid out. There is a certain element of literary 'snobbery' - commercial success appears to be frowned upon by the authors and contributors.

I would not recommend it to anyone who is looking for an introduction to creative writing, especially if their interest lies in popular fiction.

Not actually much use, 17 Dec 2007
Imagine you wanted to learn wood working. But imagine you bought a book full of sentences like, "Wood is as old as the world", or, "To be human is to need wooden furniture...".

You'd feel a little ripped off. You want actual instructions on how to work with wood, not thoughtful aphorisms, no matter how clever.

That's the problem with this book. Need advice on plotting? Well, in the "Plotting and shaping" section you'll read, "We write things in order to make sense of the world". That's true, I guess. Even profound. But not a great deal of use. Where's discussion of narrative arcs? Where are real examples of plots taken from real books, showing how it's been done in the past, complete with expert commentary? In short, where's the substance?

There's a lot more exactly like that. This isn't a book that teaches. It suggests and implies. It waves a hand in the direction of travel but doesn't give actual directions. Sadly, this is all-too common in creative writing literature. Authors can be as secretive as magicians in guarding their techniques and methods. There's a reluctance to closely analyse technique, perhaps for fear of breaking it.

Others reviewers have suggested that this book is "inspiring". That might be true but for that to be the case you'd need to have already learnt the skills this book purports to teach (it is, after all, a "coursebook"). Above all, I keep coming back to the thought that this book teaches its readers to suck eggs... To tread water when you want to learn how to swim.

The book can also be annoyingly patronising and has definite concepts of high and low literature. Of "Bestselling plots", one contributor writes sniffly that they belong to "books sold in dump bins at airports". Thanks for that opinion, but is it helpful? This rather cynical theme runs throughout the book. You're unlikely to find discussion of books by Harold Robbins, or Stephen King, or Frederick Forsyth, or Catherine Cookson (or any other popular author -- the books that people actually buy and enjoy). But you will find mention of Virginia Wolfe. I'd check for more examples like this but the book lacks an index -- another annoyance.

There is some good stuff in this book, and I've given it 3 out of 5 for being so readable and entertaining. But it's perilously close to being a useless frivolity. Reading it is a matter of sifting the silt to find the gold. Worse than that, there's a lot of iron pyrite sprinkled in there, in the form of aphorisms and vague advice that looks valuable, but is actually worthless.

Empty inspiration, 30 Sep 2008
I am a published writer. Years ago, when I was still struggling with words, I was recommended this book by a bookseller, who thought it was wonderful. I asked him what he himself wrote, and he looked uneasy and said, 'Nothing, yet.'
All too many readers of this book go away inspired and charged up - and then they never produce anything worthwhile. It's much more of a new-age self-help feel-good-about-yourself book.
For writers? Forget it. Try Ursula leGuin or Stephen King, both of whom REALLY understand writing from their bones.

Inspiring., 16 Feb 2008
I haven't had any creative writing urges for over 8 years. I bought this book with the hope that I would find these urges again. When it arrived I was not hopeful but after reading the first few sections I am truly feeling inspired. I have rekindled my love for literature and writing and it feels fantastic. Not sure i'd use it as a 'how to write' but just for getting you going again it's great!!

a fantastic launch pad, 15 Nov 2006
This is an excellent introduction for anyone who's ever wanted to write fiction or poetry but was afraid to start. Its friendly tone, direct advice and focus on freewriting have an unnerving capacity to get you going and its short chapters also make it ideal for dipping into once you've finished. It's also exceedingly well-written; intriguing flashes of autobiography lift it above the mass of creative writing text books on the market.

Which isn't to say it's perfect: Goldberg's concentration on generating material means that the twin processes of crafting and drafting are rather neglected in favour of producing more and more freewrites. Anyone wishing to produce work of publishable quality as opposed to writing therapeutically for themselves will probably find that they eventually 'outgrow' it.

Nevertheless, as a book for getting started again, and as a pleasurable read, it remains the best of its kind on the market. Well worth a look.

utter drivel, 09 Feb 2006
would have gave it a 0 star rating, but starts at 1.
one of these days i will find a book about how to write written by someone who has written a book of some note. it appears there is a whole industry built round "How to write" that is stuffed full of literary non entities.

Natalie My Guru, 02 May 2005
Warm, witty, fun, and above all, one of the best books on the market for new and not so new writers. Follow Natalie's advice and you won't go wrong - you will fly. A much loved book, one I revisit frequently. It's rather like being with a cherished friend and the writing exercises work. Buy it, you won't have any regrets.

Midwest Book Review, 25 Jan 2006
Writing Children’s Books for Dummies is one of those complete, easy-to-use guides that should be on the shelf of any writer who is serious about writing and publishing children’s books. Having read most of the reference books on this subject on the market today, I can say this is right there among the best and well worth its price.

The structure of the book is clear and easy to handle, the language straight forward and to the point. No matter which aspect of children’s writing or publishing you’re interested in, you only have to look in the table of contents to find it. The authors use interviews and illustrations to present their ideas in a more engaging manner. They also utilize icons to stress important ideas or points. For example, special icons are used for “Tips” (expert advice), “Remember” (important information to store in your brain for later recall), “Warning” (avoiding mistakes), and “Ahead of the Pack” (new and innovative topic). At the end of the book there are five lined pages for note taking, quite practical for those readers who like to take notes as they read.

Everything from formats and genres, understanding the market, setting up your workspace, coming up with ideas, researching, creating compelling characters, the mechanics of writing (conflict, climax, dialogue, setting, point of view, tone, theme, etc.) to editing and formatting, illustrating, finding agents and publishers, the publishing process and much, much more. You’ll even find more than ten great sources for compelling storylines, as well as helpful tips on promoting your work. In short, all the information you’ll need to succeed as a children’s book author.

Whether you choose to read from cover to cover or jump straight to the topic of your choice, Writing Children’s Books for Dummies will prove to be an indispensable reference and amalgam of helpful information for your writing career, as well as a fecund source of ideas for articles. Highly recommended for both fiction and non-fiction writers, students of children’s literature, and writing teachers.

You will need a PhD to read this, 12 Jun 2008
If you're looking for an easy to read guide to authoring a PhD, this book is not for you. The author seems more interested in using fancy and complicated sentences than actually clearly stating what he means. I picked a line at random,here is a typical sentence; "For Oaskeshott and other traditionalists my enterprise here will seem no more than another brick in the wall, a further step toward the bureaucratization of modern society forseen by Max Weber. " When your at the start of your PhD, this book is not what you want to read. I felt like telling the author; yes I know you're very clever, but can you explain things clearly rather than showing off how complicated and confusing you can make a sentence. I've already stopped reading this, and have bought a more clear easy to read text.

A good book, but don't rely upon it as your sole guide, 16 Feb 2008
This book is written by a political scientist and I think this shows through quite clearly in the focus and content of the book. Although there is no specification of it in the title, the book is probably excellent for PhD students in disciplines similar to his, the usefulness is very much more limited for students in, for example, science.

The content of the book is detailed and reasonably comprehensive in many aspects of PhD authorship but I would be wary of blindly following his advice too closely without consideration of whether it is strictly appropriate for you. There are numerous passages in which his personal likes and dislikes in terms of PhD content are stressed but without sufficient acknowledgement that other examiners - and particularly those in other disciplines - might have contrasting, but equally strongly held, convictions. Examples given of thesis structure are less appropriate for natural scientists and medics than for those studying humanities.

In its favour, the book is particularly geared to those studying in the UK. While the differences between the UK PhD system and those of continental Europe and the US are mentioned, the emphasis remains on the UK, in contrast to much of the information available on the internet, for example.

In summary, this is a good, and generally well written, book but I would strongly recommend consulting at least one other on the same topic in order to gain a more balanced range of opinions rather than relying on one person's personal slant.

Excellent and not limited for use by PhD Students. It can help us all..., 22 Jan 2007
I found this book to provide fundamental guidance to anybody looking for assistance to carry out a constructive research on any subject, be it management, science, technology or art. I found it useful for writing essays/articles in technology areas.

Must have!, 31 Aug 2006
The book is written in a pleasant style. The author supervised more than 30 doctoral students at the University of London. If you are from the United Kingdom of Great Britain, then I suggest you buy this book as the PhD programmes in the United States of America differ slightly.

A practical and high value-added guide, 11 Mar 2005
I strongly recommend this book to other Ph.D. students. It is practical and contains useful and very specific advice. The author stays clear of general and obvious comments of the type 'communication with your supervisor is important'.
A particular focus of the book is on the structure of the thesis and the organization of chapters. There are tips on clear writing (but this is not a style-book). Further, the book contains: how to draft and remodel text; how figures of different types ought to be integrated; tips on finishing the thesis (first and laster chapters, abstract); and getting published.

Excellent guide - informative and comprehensive, 14 Oct 2008
"The Writers' and Artist's Yearbook" (W&AY), published by A&C Black, has a long-standing reputation as a 'must-have' for any writer looking to get into publication. While a number of similar books now exist - including "The Writer's Handbook" (TWH), published by Macmillan, and "Writer's Market" (WM), published by David & Charles Ltd - W&AY remains the original font of knowledge, and for me, the premier choice.

All of these books contain roughly the same extensive listings of publishers, agents, print media, producers etc, and in truth there is little to choose between them. Indeed the competition is gradually catching up, and it is notable that TWH has undergone a major facelift for this year. Of course a lot will come down to personal preference regarding the layout of the different books, and so if you can get the chance to compare them before you buy, all the better.

What makes the W&AY stand out is the wealth of advice it contains (nearly 200 pages' worth) from professional writers, publishers, agents and producers. In separate articles, famous authors such as Joanna Trollope, Terry Pratchett, Bernard Cornwell and J.K. Rowling address various aspects of the writing process and discuss a wide variety of genres. Many other highly informative pieces cover diverse issues such as self-publishing, marketing your book, writing for TV, radio and theatre, the electronic world of websites and e-publishing, and financial aspects such as tax. This makes the W&AY more than simply a listings book - it is, in effect, an introduction to the entire world of writing. Much overlooked is of course the fact that this is a yearbook for artists too. Correspondingly there are sections for the budding illustrator and photographer in the W&AY which are not to be found in the other guides.

There is much that is new for 2009, too. Although a couple of articles have been dropped, 7 new ones have been added, as well as a fresh foreword by Kate Mosse (author of "Labyrinth" and "Sepulchre", among other works). These new articles cover a range of topics, including: mind, body and spirit writing; e-books; and books published from blogs. There are also new pieces from Neil Gaiman, celebrated poet Benjamin Zephaniah, and Radio 4's The Archers scriptwriter Mary Cutler. Is it worth upgrading to the 2009 edition, then? For the articles alone - fascinating though they are - probably not. On the other hand, the advantage of having fully up-to-date listings counts for a great deal, especially if you are already looking for an agent or publisher. And at the price it is currently being offered by Amazon, it is surely a worthwhile investment.

All in all, this is an excellent and comprehensive guide. Definitely recommended for the aspiring writer or artist.

If you're looking for a book to help with creative writing, buy this first, 25 Aug 2008
I was one of those people who said for years that they wanted to write, but never quite got round to it. In January of this year, I decided to stop procrastinating and DO something about it. I bought lots and lots of books on writing, and I have to say that of the seven or eight I bought, ''Your Writing Coach'' is by far the best (with Stephen King's ''On Writing'' coming a close second.)

First of all, it's immensely readable. Like one of the other reviewers of this book, I read it from cover to cover, rather than just dipping into it, though now I am writing regularly, I refer to sections of it again and again.

It is very well laid out, with an overview of each chapter, and a summary of the key points, along with exercises to help you. There are also bonus features, in the form of an internet link, at the end of each section. These links will take you to interviews and advice from writing and marketing experts.

If you are planning on writing for publication, this book is an invaluable guide which will answer most of your questions. I cannot recommend it highly enough!

Amanda Barry-Hirst, 19 Aug 2007
I found Jurgen Wolff's book absorbing and inspiring. Your Writing Coach is destined to become an instant classic. Jurgen's treasure trove of advice and insider secrets I'm sure will prove to be an indispensable friend to all those who aspire to the writing life.

Clear, practical, inspiring, 19 Aug 2007
So many "help" books are little or no help, meandering about, but giving no real practical advice, just dangling carrots. Jurgen's book gives clear, inspiring, encouraging advice. His web link is invaluable - often I find I am reading books he has recommended, or following ideas he has suggested. And if you can get along to one of his workshops, in person he is just as friendly and helpful and encouraging. For beginners, get reading. And for every other writer this book offers new ideas, new ways of thinking. A jolly good read!

What I was looking for, 06 Aug 2007
Being a great believer in coaching techniques and NLP, I was delighted to find a book that encompasses these with a focus on writing, along with many many practical hints and tips to get this flowing and focused.

I've attended two of Jurgen's workshops and this book is a great summary of his techniques and style.

Highly recommended, particularly for those just starting out like me!

Much More Than A How To Write Book, 20 May 2007
Your Writing Coach is a cut above other writing books because it not only guides you to writing successfully but also to being a successful writer.

I've used the practical and holistic strategies from the book/website to turn a niche teen novel into the basis of a mulit-media project. More importantly I know that I will continue to use it as that project develops or mutates into something different.

It came as no surprise that Your Writing Coach delivers on a great concept. I used Wolff's (with Kerry Cox) Successful Screenwriting book to shape a project that was subsequently accepted by a prestigious EU Media Training Programme.

Your Writing Coach is also a good read (with a couple of laugh out loud moments) and the concept is both creative and generous.

The true craft - and graft - of writing, 08 Aug 2008
This book won't write your novel for you. It won't tell you how to get it published. But what it will do is guide new (and not so new) writers through the essentials.

If you have a great idea for a story and are basically literate, this book is a very good way to turn out an excellent book. It guides writers through the basics of plot and character, point of view and setting, and through to those final elements such as rewriting and editing many writers try to avoid. It is thorough and understandable, and, being written by a wide variety of accomplished professionals rather than just one know-it-all, it provides the best advice available from many sources.

It is often partnered with What If?: Writing Exercises for Fiction Writers, and for good reason. What If adds valuable exercises to this book, and is worth buying alongside it.

This is not a short-cut to getting published. It is a rigorous manual containing many exercises that while maybe not appealing on first glance, are well worth doing. It is a guide to the true craft - and graft - of the writing process. Ironically, it is increasingly apparent that publishers and their editors have little knowledge of these building blocks of good writing. This book can make sure what you present for publication is as good as it should be; whether editors actually recognise that fact is, unfortunately, beyond the scope of even this terrific book.

Beside the point, 20 May 2008
I think some reviews of this book are beside the point - it's more of a course-book for people who go to "Creative Writing" courses at uiversity, or ideas for teachers of same rather than a book about how to improve technique. Neither do I have any quibble with its not being a WRITE FOR PROFIT! piece of puff that hopes to fleece naive hopefuls. That said, it's just not a very good course-book. Most of the "ideas for writing" are flat, flaccid or just plain time-wasting stuff for teachers to use in a crisis ("imagine your bedroom or a pair of shoes" twaddle, while Ali Smith's comparative sentence-matching exercises take "pointless" to a new level). It's not a book about what writing might mean in a wider context either. The whole book is beside the point. The best way to get a serious handle on how to write is to read and read as deeply as you can - genre fiction will not teach you much, except what someone else has worked out as their "formula". Writing well is not success-based, and no book can be a 12-step programme. READ.

two thirds of this book is really useful, 08 Feb 2008
I bought this book quite a while ago and still dip into it now and again for inspiration. Different writers give their advice, and i have earmarked those chapters written by the writers i found the most inspiring/helpful. There are two or three 'advisers' whose advice is a little superior and somewhat irritating, but this is made up for by those whose advice i have gleaned plenty from. I have recommended this book to several writing friends, and was certainly glad to discover it myself. You WILL find this book useful and an ispiration when you are stuck for where to go next in your story. If you read this book with 'your story' in mind, you will end up writing down copious notes for ideas...my copy of this book is full of margin notes!! Certainly worth the money.

Not helpful at all, 11 Jan 2008
This book implies that is is a guide to creative writing. I found it irritating. It's more like a group of people discussing elements of writing from their own particular perspective, with little to no constructive advice.

Yes there are excercises suggested, but the instructions are often badly laid out. There is a certain element of literary 'snobbery' - commercial success appears to be frowned upon by the authors and contributors.

I would not recommend it to anyone who is looking for an introduction to creative writing, especially if their interest lies in popular fiction.

Not actually much use, 17 Dec 2007
Imagine you wanted to learn wood working. But imagine you bought a book full of sentences like, "Wood is as old as the world", or, "To be human is to need wooden furniture...".

You'd feel a little ripped off. You want actual instructions on how to work with wood, not thoughtful aphorisms, no matter how clever.

That's the problem with this book. Need advice on plotting? Well, in the "Plotting and shaping" section you'll read, "We write things in order to make sense of the world". That's true, I guess. Even profound. But not a great deal of use. Where's discussion of narrative arcs? Where are real examples of plots taken from real books, showing how it's been done in the past, complete with expert commentary? In short, where's the substance?

There's a lot more exactly like that. This isn't a book that teaches. It suggests and implies. It waves a hand in the direction of travel but doesn't give actual directions. Sadly, this is all-too common in creative writing literature. Authors can be as secretive as magicians in guarding their techniques and methods. There's a reluctance to closely analyse technique, perhaps for fear of breaking it.

Others reviewers have suggested that this book is "inspiring". That might be true but for that to be the case you'd need to have already learnt the skills this book purports to teach (it is, after all, a "coursebook"). Above all, I keep coming back to the thought that this book teaches its readers to suck eggs... To tread water when you want to learn how to swim.

The book can also be annoyingly patronising and has definite concepts of high and low literature. Of "Bestselling plots", one contributor writes sniffly that they belong to "books sold in dump bins at airports". Thanks for that opinion, but is it helpful? This rather cynical theme runs throughout the book. You're unlikely to find discussion of books by Harold Robbins, or Stephen King, or Frederick Forsyth, or Catherine Cookson (or any other popular author -- the books that people actually buy and enjoy). But you will find mention of Virginia Wolfe. I'd check for more examples like this but the book lacks an index -- another annoyance.

There is some good stuff in this book, and I've given it 3 out of 5 for being so readable and entertaining. But it's perilously close to being a useless frivolity. Reading it is a matter of sifting the silt to find the gold. Worse than that, there's a lot of iron pyrite sprinkled in there, in the form of aphorisms and vague advice that looks valuable, but is actually worthless.

Empty inspiration, 30 Sep 2008
I am a published writer. Years ago, when I was still struggling with words, I was recommended this book by a bookseller, who thought it was wonderful. I asked him what he himself wrote, and he looked uneasy and said, 'Nothing, yet.'
All too many readers of this book go away inspired and charged up - and then they never produce anything worthwhile. It's much more of a new-age self-help feel-good-about-yourself book.
For writers? Forget it. Try Ursula leGuin or Stephen King, both of whom REALLY understand writing from their bones.

Inspiring., 16 Feb 2008
I haven't had any creative writing urges for over 8 years. I bought this book with the hope that I would find these urges again. When it arrived I was not hopeful but after reading the first few sections I am truly feeling inspired. I have rekindled my love for literature and writing and it feels fantastic. Not sure i'd use it as a 'how to write' but just for getting you going again it's great!!

a fantastic launch pad, 15 Nov 2006
This is an excellent introduction for anyone who's ever wanted to write fiction or poetry but was afraid to start. Its friendly tone, direct advice and focus on freewriting have an unnerving capacity to get you going and its short chapters also make it ideal for dipping into once you've finished. It's also exceedingly well-written; intriguing flashes of autobiography lift it above the mass of creative writing text books on the market.

Which isn't to say it's perfect: Goldberg's concentration on generating material means that the twin processes of crafting and drafting are rather neglected in favour of producing more and more freewrites. Anyone wishing to produce work of publishable quality as opposed to writing therapeutically for themselves will probably find that they eventually 'outgrow' it.

Nevertheless, as a book for getting started again, and as a pleasurable read, it remains the best of its kind on the market. Well worth a look.

utter drivel, 09 Feb 2006
would have gave it a 0 star rating, but starts at 1.
one of these days i will find a book about how to write written by someone who has written a book of some note. it appears there is a whole industry built round "How to write" that is stuffed full of literary non entities.

Natalie My Guru, 02 May 2005
Warm, witty, fun, and above all, one of the best books on the market for new and not so new writers. Follow Natalie's advice and you won't go wrong - you will fly. A much loved book, one I revisit frequently. It's rather like being with a cherished friend and the writing exercises work. Buy it, you won't have any regrets.

Midwest Book Review, 25 Jan 2006
Writing Children’s Books for Dummies is one of those complete, easy-to-use guides that should be on the shelf of any writer who is serious about writing and publishing children’s books. Having read most of the reference books on this subject on the market today, I can say this is right there among the best and well worth its price.

The structure of the book is clear and easy to handle, the language straight forward and to the point. No matter which aspect of children’s writing or publishing you’re interested in, you only have to look in the table of contents to find it. The authors use interviews and illustrations to present their ideas in a more engaging manner. They also utilize icons to stress important ideas or points. For example, special icons are used for “Tips” (expert advice), “Remember” (important information to store in your brain for later recall), “Warning” (avoiding mistakes), and “Ahead of the Pack” (new and innovative topic). At the end of the book there are five lined pages for note taking, quite practical for those readers who like to take notes as they read.

Everything from formats and genres, understanding the market, setting up your workspace, coming up with ideas, researching, creating compelling characters, the mechanics of writing (conflict, climax, dialogue, setting, point of view, tone, theme, etc.) to editing and formatting, illustrating, finding agents and publishers, the publishing process and much, much more. You’ll even find more than ten great sources for compelling storylines, as well as helpful tips on promoting your work. In short, all the information you’ll need to succeed as a children’s book author.

Whether you choose to read from cover to cover or jump straight to the topic of your choice, Writing Children’s Books for Dummies will prove to be an indispensable reference and amalgam of helpful information for your writing career, as well as a fecund source of ideas for articles. Highly recommended for both fiction and non-fiction writers, students of children’s literature, and writing teachers.

You will need a PhD to read this, 12 Jun 2008
If you're looking for an easy to read guide to authoring a PhD, this book is not for you. The author seems more interested in using fancy and complicated sentences than actually clearly stating what he means. I picked a line at random,here is a typical sentence; "For Oaskeshott and other traditionalists my enterprise here will seem no more than another brick in the wall, a further step toward the bureaucratization of modern society forseen by Max Weber. "