Has any comic been as lauded as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns but Watchmen remains the critics' favourite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and recently From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to garner praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterisation is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling, rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the fine pace of the writing and its humanity mean that Watchmen more than stands up--it retains its crown as the best the genre has yet produced. --Mark Thwaite

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.

The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.

The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.

A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.

Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.

It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!

A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.

If any comic has a claim to have truly reinvigorated the genre then The Dark Knight Returns by Frank Miller--known recently for his excellent Sin City series and, previously, for his superb rendering of the blind superhero Daredevil--is probably the supreme contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. In his introduction the great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argues that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.

Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, streetgangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.

The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.

The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.

A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.

Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.

It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!

A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.

The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.

The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.

SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.

The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.

Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.


The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.

DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.

A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.

V for Vendetta is, like its author's later Watchmen, a landmark in comic-book writing. Alan Moore has led the field in intelligent, politically astute (if slightly paranoid), complex adult comic-book writing since the early 1980s. He began V back in 1981 and it constituted one of his first attempts (along with the criminally neglected but equally superb Miracleman) at writing an ongoing series. It is 1998 (which was the future back then!) and a Fascist government has taken over the UK. The only blot on its particular landscape is a lone terrorist who is systematically killing all the government personnel associated with a now destroyed secret concentration camp. Codename V is out for vengeance ... and an awful lot more. V feels slightly dated like all past premonitions do. The original series was black and white and that added to the grittiness of the feel while the colouring here in the graphic novel sometimes blurs David Lloyd's fine drawing. But these are small concerns. Skilfully plotted, V is an essential read for all those who love comics and the freedom, as a medium, they allow a writer as skilled as Moore. The graphic novel contains all the V series plus two additional stories concerning V that were originally considered "interludes". This edition also contains an essay from Moore dating from 1983 explaining the creation process. For any comic fan it's a must-have. --Mark Thwaite

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.

The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.

The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.

A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.

Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.

It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!

A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.

The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.

The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.

SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.

The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.

Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.


The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.

DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.

A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.

Fantastic read, 21 Nov 2008
I watched the film before reading the book and I loved it, I thought the entire thing was brilliant and loved V (Hugo Weaving was fantastic) and I was always intending to read the book. A work colleague told me that the book is a lot different from the film (as is usually the case) so not too long ago I brought the book and had finished it two days later.

Alan Moore has written an amazing piece. The entire idea of England becoming one of the only countries that survived a massive war and the political party that took over are fascist and its basically a Big Brother moment where they watching everything you do. Evey unlike in the film is just a sixteen year old girl who doest have enough money to live so she becomes a prostitute. Unlike in the film Evey is a lot less self reliant and is happy to live out her life in V's shadow gallery but it shows a great deal about her growing up from the scared little girl into what she becomes later.

The book was a great read and didn't disappoint giving you a disturbing outlook to a dark future and I love David Lloyd's little note dedicating the book to people who don't switch off the news and choose not to live in blissful ignorance.

Infinitely preferable to the film, 19 Aug 2008
Great. This deserves the hype but not the butchering it received on film at the hands of the Wachowksi brothers. This is really about Thatcher's Britain and nuclear winters and the social control of 'deviant' minorities and the power of dissent. So it has something to say about today. But don't read it as a proxy for political critique. It is a joy for many a reason, of which its anarchist politics is one, but our present predicaments require something less wedded to Cold War models. V for Vendetta is of its time, by which I mean also that it is a classic.

Good work, but totally spoiled..., 14 Aug 2008
A potentially excellent work of graphic fiction, but totally spoiled by the worst attempt at phonetically transcribing a Scottish accent I've ever read--when you read it out loud it sounds it a bit like Russ Abbott's "See You Jimmy" character. Embarrassing and unnecessary when there are so many great Scottish comic book writers who could have assisted.

The V-effekt of V for Vendetta , 27 Jul 2008
Alan Moore and David Lloyd's aesthetic seems almost Brechtian. With a sci-fi motif it distances the reader from the universal political issues being addressed; amusingly, V for Vendetta could be said to use Brecht's V-effekt. There is a strong dialectic that runs throughout, a sense of determinism layered symbolism. All V's Larkhill targets personify aspects of the state. Science is embodied by Delia Surridge, military and media by Lewis Prothero and religion by Anthony Lilliman. Each takes an attitude of opposition; so Lilliman is the unrepentant leader of an institution of salvation, whilst Surridge seeks repentance from the opposed standpoint of a scientist. Prothero, by representing the military become media, is in himself a synthesis between the power of rhetoric and that of violence, which ultimately spawns a new antithesis resulting in V - anarchy personified.

The secret police are represented by Peter Creedy and the figurehead by Adam Susan; Creedy seeks power as an end in itself, whilst Susan is a deranged idealist who believes in his superiority to the extent that he becomes solipsistic, disconnected from humanity and infatuated with the super computer `fate'. With all of this madness Moore knows how to offer grounding and realism; investigator Eric Finch and orphan Evey Hammond take on the roles of the everyman and everywoman respectively. They offer the audience characters to follow, to empathize with. They are a thread of sanity weaved through this excellent narrative.

Moore's story is also full of intertextual allusion; from Shakespeare to Goethe and from Crowley to Fawkes, this is intelligent writing. The dialogue (replete with convincing phonetic spellings, character ticks and vernacular language) flows beautifully and the absence of thought bubbles or sound bubbles lends this book both a maturity and minimalism. Lloyd is given room by this minimalism to show of his artistic capabilities, which are not at all lacking; this is a gritty, dystopic kind of realism that takes you to the action. Each panel demands your attention.

Overall V for Vendetta is faultless; I love the film as well, but the original is on a different level. This is a comic book that shows you how far the medium can be pushed when it is backed by enough raw creative talent.

Wicked, 22 Jun 2008
I love this graphic novel, I read it a long time before I saw the film, and I still think the novel is better! If you have never read a comic/ graphic novel before, I highly recommend this one.

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.

The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.

The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.

A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.

Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.

It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!

A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.

The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.

The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.

SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.

The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.

Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.


The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.

DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.

A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.

Fantastic read, 21 Nov 2008
I watched the film before reading the book and I loved it, I thought the entire thing was brilliant and loved V (Hugo Weaving was fantastic) and I was always intending to read the book. A work colleague told me that the book is a lot different from the film (as is usually the case) so not too long ago I brought the book and had finished it two days later.

Alan Moore has written an amazing piece. The entire idea of England becoming one of the only countries that survived a massive war and the political party that took over are fascist and its basically a Big Brother moment where they watching everything you do. Evey unlike in the film is just a sixteen year old girl who doest have enough money to live so she becomes a prostitute. Unlike in the film Evey is a lot less self reliant and is happy to live out her life in V's shadow gallery but it shows a great deal about her growing up from the scared little girl into what she becomes later.

The book was a great read and didn't disappoint giving you a disturbing outlook to a dark future and I love David Lloyd's little note dedicating the book to people who don't switch off the news and choose not to live in blissful ignorance.

Infinitely preferable to the film, 19 Aug 2008
Great. This deserves the hype but not the butchering it received on film at the hands of the Wachowksi brothers. This is really about Thatcher's Britain and nuclear winters and the social control of 'deviant' minorities and the power of dissent. So it has something to say about today. But don't read it as a proxy for political critique. It is a joy for many a reason, of which its anarchist politics is one, but our present predicaments require something less wedded to Cold War models. V for Vendetta is of its time, by which I mean also that it is a classic.

Good work, but totally spoiled..., 14 Aug 2008
A potentially excellent work of graphic fiction, but totally spoiled by the worst attempt at phonetically transcribing a Scottish accent I've ever read--when you read it out loud it sounds it a bit like Russ Abbott's "See You Jimmy" character. Embarrassing and unnecessary when there are so many great Scottish comic book writers who could have assisted.

The V-effekt of V for Vendetta , 27 Jul 2008
Alan Moore and David Lloyd's aesthetic seems almost Brechtian. With a sci-fi motif it distances the reader from the universal political issues being addressed; amusingly, V for Vendetta could be said to use Brecht's V-effekt. There is a strong dialectic that runs throughout, a sense of determinism layered symbolism. All V's Larkhill targets personify aspects of the state. Science is embodied by Delia Surridge, military and media by Lewis Prothero and religion by Anthony Lilliman. Each takes an attitude of opposition; so Lilliman is the unrepentant leader of an institution of salvation, whilst Surridge seeks repentance from the opposed standpoint of a scientist. Prothero, by representing the military become media, is in himself a synthesis between the power of rhetoric and that of violence, which ultimately spawns a new antithesis resulting in V - anarchy personified.

The secret police are represented by Peter Creedy and the figurehead by Adam Susan; Creedy seeks power as an end in itself, whilst Susan is a deranged idealist who believes in his superiority to the extent that he becomes solipsistic, disconnected from humanity and infatuated with the super computer `fate'. With all of this madness Moore knows how to offer grounding and realism; investigator Eric Finch and orphan Evey Hammond take on the roles of the everyman and everywoman respectively. They offer the audience characters to follow, to empathize with. They are a thread of sanity weaved through this excellent narrative.

Moore's story is also full of intertextual allusion; from Shakespeare to Goethe and from Crowley to Fawkes, this is intelligent writing. The dialogue (replete with convincing phonetic spellings, character ticks and vernacular language) flows beautifully and the absence of thought bubbles or sound bubbles lends this book both a maturity and minimalism. Lloyd is given room by this minimalism to show of his artistic capabilities, which are not at all lacking; this is a gritty, dystopic kind of realism that takes you to the action. Each panel demands your attention.

Overall V for Vendetta is faultless; I love the film as well, but the original is on a different level. This is a comic book that shows you how far the medium can be pushed when it is backed by enough raw creative talent.

Wicked, 22 Jun 2008
I love this graphic novel, I read it a long time before I saw the film, and I still think the novel is better! If you have never read a comic/ graphic novel before, I highly recommend this one.

First comic ever read, and I liked it!, 24 Jul 2008
First off: This review is only for comic book noobs, like myself!

I was recommended 2 comics to start me off on the road of comic reading, The Watchmen and Batman: Year One (due to the Batman Begins film being loosely based around this book). I read Batman first as it's much shorter, and wow, I feel like I've missed out on another world all these years! I was really suprised that the film was glammed up in comparison to at least this comic. It's very dark and Gotham really is messed up!

I almost couldn't put it down. The art work was great to look at and told a lot of the story that wasn't told in writing. I'm not sure if all comics are this clever, but I was impressed with the subtle story telling of the artwork.

Anyway, I was pretty sure that I'd not like comic books, but having read this one, I'm very excited to start The Watchmen, and have ordered a few more Batman novels to get my teeth sunk into. So well recommended for the first time reader I'd say as it's not too fantastical as some of the stuff I browsed over in the comic book store!

Best batman ever? Could be!, 19 Sep 2007
What do The Dark Night Returns, Tim Burton's Batman movie and Batman Begins have in common?
None of them live up to the hype. No, really.
But this great little comic book whips along at lightening pace, spends as much time developing characters as it does on action and left me wanting more. Miller dumps all his usual 'style over substance' tricks and tells a good story. The art (not by Miller) compliments the writing to tell the story perfectly. What with this being a 'year one' book it's also the most accessible Batman story you will ever read so it's perfect for fans of the movies who are new to the comics or as a gift for somebody you want to get into comics.
The end result is my favourite Batman story, my favourite Frank Miller story and one of my favourite comics.

The greatest artwork in a comic book ever?, 18 Sep 2007
This collection is possibly the perfect way to appreciate the opulent warmth which the artwork and the colours emit. I read this collection in one night and I would recommend it to anyone, especially those whom feel they are new to the Batman universe. For those who felt that Miller's Dark Knight Returns and especially its successor Dark Knight Strikes Again were to arch and complex the plot to Year One strips back the pretense to introduce us to a world which is characterised by violence and corruption. The main aim of the narrative is to introduce us to Batman and his beginnings, but I feel it works more as a breakdown of the character of James Gordon, and the difficulty he has with accepting Batman as both a vigilante and a crimefighter.

I feel that the comic really shines through the intricacy, but also the edgy and unfinished nature of the artwork, and the way in which the colours compliment Mazzuchelli's gripping use of a pencil.


Gordon: Year One, 16 Jul 2006
This is a great book. But I didn't think it was enough about Batman. The stuff with Bruce's parents is good.

But Gordon is the character who's interesting here. Just a well-told story with a lot of depth. Flask is a nasty Detective Gordon's paired with and it's from that the majority of the drama comes from; and Gordon's relationship with his pregnant wife.

It's a enjoyable read, with such luxurious art. I think, in this edition, the colours have been tweaked. They're saturated and vibrant. There's something of the Adam West and Animated Series captured in them. I found the art to be better than the story in this case.

It's a really nice edition and a great way to get into Batman, this book is the reason I got into comics again.

The best Batman story ever., 29 Mar 2006
Although Frank Miller is better known for the like of comic book classics like Sin City or The Dark Knight Returns, Batman: Year One has got to be his best. Miller completely redefined Batman for a new generation, and yet again completely de-camped the character to being so grim and gritty that it is hard to imagine that he was ever treated like a joke. The story follows Bruce Wayne returning to Gotham after a 12 year abscence, and Jim Gordon arriving there as a Lieutenant. Gotham city has become a place owned by crime, depression, and corruption. While Jim Gordon discovers that he is one of the only honest cops around, Bruce Wayne realises that he is one of the only honest citiznes around. After as distarous first attempt to fight crime, Bruce learns that he must use fear in a city like this, and so becomes the Batman.
Although Batman: Year One could be considered more a Gordon book than a Batman one, when Batman appears every time it is amazing. Miller manages to once again take Batman, change him, and make him so much better. An absolute classic.

Proving that mainstream comics could be infused with past literary/cultural ideals and still be best sellers, the America's Best Comics imprint took the dilapidated superhero genre and created three vastly entertaining hybrids with Tom Strong, Promethea and Top Ten. Now, a stunning coup de grace is delivered with this masterful pairing of Victorian adventure fiction's greatest characters and the old war-horse of the super-group. With the stunning The League of Extraordinary Gentlemen, it would be no exaggeration to say that Alan Moore has produced a near-perfect piece of adventure fiction that is clever, literate, rich with excitement and hard to put down.

It's 1898 and at the behest of M, the mysterious head of the secret Service, Campion Bond is dispatched to procure the services of Miss Mina Murray (nee Harker), adventurer Allan Quartermain, "Science-Pirate" Captain Nemo, Henry Jekyll (and his monstrous alter ego) and Hawley Griffin (aka The Invisible Man). Together, they must combat an insidious threat that will decide supremacy of the London skies, but their success may unleash a far greater threat. With no shortage of action, Moore and O' Neill sustain a high level of suspense, intrigue, mystery and terrific wit that all contribute to an indispensable read. O'Neill's art, so memorable in Marshal Law, produces a London filled with vivid, magnificent architecture and a malevolent atmosphere ripe with thrills and danger. An unmitigated triumph, the sequel cannot come soon enough, with such a glorious past showing what the future can hold for comics. Magnificent--pure and simple. --Danny Graydon

Iconic, influential, inimitable... and intermittently irritating, 31 Dec 2008
First off, "Watchmen" is an awesome product. Chapter 1, especially the opening two pages (closing with "That's quite a drop") have definite wow factor. Throughout, the multitextured storyline by Alan Moore and the terrific artwork by Dave Gibbons surprise, intrigue and entertain. The ambitious concept of trying to give the comic heroes of the 1940s both a back story and a future comes off pretty well. The characterisation and the sombre mood are both exquisite.

So what's not to like? First, the resolution is, compared with the complexity of most of the storyline, daft. Villains (or heroes) who say: "If we do X, Y will happen" are always suspect. Veidt's big play, and the world's simplistic reaction, don't live up to the rest of the book. I also found some of the side stories illustrating the horrors of the world a bit too discursive. So only four stars.

Pros: drop-dead brilliant product. Cons: a bit dated and occasionally long-winded.

Mind Blowing, 25 Dec 2008
Couldn't help myself getting immersed into Watchmen, it's absolutly compelling, the way it's written and the way it looks is mind blowing, I can understand this is an acquired taste and its a real shame if you don't get into it like I and so many others have.

Be sure to get this 5 star item before the world ends.

Watchmen forever!, 17 Nov 2008
I have always been a graphic novel buff ever since buying Hitman & Preacher in my late teens. And now in my early 30's I came across an old box containing my old graphic novels, I felt that I struck gold! I loved the V for Vendetta movie and decided to purchase the V for Vendetta graphic novel and found it gripping, intense and incredible (not that I'm a non-conformist!). Thus leading me to Watchmen. What can I say, WOW! This is my second read of Watchmen within a month. It's definately better reading it again & again! It is imperative to read Watchmen before the movie. So, what are you waiting for.....go & buy it!!!!!

!!!!!!GREAT!!!!!!!!, 15 Nov 2008
I didn't really know what to expect from this book.I bought V for Vendeta {by the same author Alan Moore} because of it's positive feedback but after reading it for a couple of hous I knew that I would be giving it negative.So as you can imagine I was a little bit wary of buying Watchmen but boy am I glad I did.Right away from the fdirst page I was hooked by its compelling story and often had to fight with myself to put it down.The characters are ingaging (Rosoach especially) and are all totaly different.The art (Dave Gibbons) is amsing and fits so well with Moores story tellig.I could go on for hours about all the good things this book has to over but basiclliy !!!JUST BY IT!!!!!

Surprisingly great, 30 Oct 2008
Recently, I have reached a part in my life in which I have gone back to reading comics. This is not a comic.

This is one of the finist pieces of literature I have ever read.

Alan Moore is is a very good writer, getting across the themes of this book, and has defined how good books should be written in the graphic novel form.

A very good book. NOT A COMIC.

Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.

The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.

The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.

A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.

Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.

It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!

A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.

The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.

The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.

SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.

The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.

Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.


The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.

DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.

A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.

Fantastic read, 21 Nov 2008
I watched the film before reading the book and I loved it, I thought the entire thing was brilliant and loved V (Hugo Weaving was fantastic) and I was always intending to read the book. A work colleague told me that the book is a lot different from the film (as is usually the case) so not too long ago I brought the book and had finished it two days later.

Alan Moore has written an amazing piece. The entire idea of England becoming one of the only countries that survived a massive war and the political party that took over are fascist and its basically a Big Brother moment where they watching everything you do. Evey unlike in the film is just a sixteen year old girl who doest have enough money to live so she becomes a prostitute. Unlike in the film Evey is a lot less self reliant and is happy to live out her life in V's shadow gallery but it shows a great deal about her growing up from the scared little girl into what she becomes later.

The book was a great read and didn't disappoint giving you a disturbing outlook to a dark future and I love David Lloyd's little note dedicating the book to people who don't switch off the news and choose not to live in blissful ignorance.

Infinitely preferable to the film, 19 Aug 2008
Great. This deserves the hype but not the butchering it received on film at the hands of the Wachowksi brothers. This is really about Thatcher's Britain and nuclear winters and the social control of 'deviant' minorities and the power of dissent. So it has something to say about today. But don't read it as a proxy for political critique. It is a joy for many a reason, of which its anarchist politics is one, but our present predicaments require something less wedded to Cold War models. V for Vendetta is of its time, by which I mean also that it is a classic.

Good work, but totally spoiled..., 14 Aug 2008
A potentially excellent work of graphic fiction, but totally spoiled by the worst attempt at phonetically transcribing a Scottish accent I've ever read--when you read it out loud it sounds it a bit like Russ Abbott's "See You Jimmy" character. Embarrassing and unnecessary when there are so many great Scottish comic book writers who could have assisted.

The V-effekt of V for Vendetta , 27 Jul 2008
Alan Moore and David Lloyd's aesthetic seems almost Brechtian. With a sci-fi motif it distances the reader from the universal political issues being addressed; amusingly, V for Vendetta could be said to use Brecht's V-effekt. There is a strong dialectic that runs throughout, a sense of determinism layered symbolism. All V's Larkhill targets personify aspects of the state. Science is embodied by Delia Surridge, military and media by Lewis Prothero and religion by Anthony Lilliman. Each takes an attitude of opposition; so Lilliman is the unrepentant leader of an institution of salvation, whilst Surridge seeks repentance from the opposed standpoint of a scientist. Prothero, by representing the military become media, is in himself a synthesis between the power of rhetoric and that of violence, which ultimately spawns a new antithesis resulting in V - anarchy personified.

The secret police are represented by Peter Creedy and the figurehead by Adam Susan; Creedy seeks power as an end in itself, whilst Susan is a deranged idealist who believes in his superiority to the extent that he becomes solipsistic, disconnected from humanity and infatuated with the super computer `fate'. With all of this madness Moore knows how to offer grounding and realism; investigator Eric Finch and orphan Evey Hammond take on the roles of the everyman and everywoman respectively. They offer the audience characters to follow, to empathize with. They are a thread of sanity weaved through this excellent narrative.

Moore's story is also full of intertextual allusion; from Shakespeare to Goethe and from Crowley to Fawkes, this is intelligent writing. The dialogue (replete with convincing phonetic spellings, character ticks and vernacular language) flows beautifully and the absence of thought bubbles or sound bubbles lends this book both a maturity and minimalism. Lloyd is given room by this minimalism to show of his artistic capabilities, which are not at all lacking; this is a gritty, dystopic kind of realism that takes you to the action. Each panel demands your attention.

Overall V for Vendetta is faultless; I love the film as well, but the original is on a different level. This is a comic book that shows you how far the medium can be pushed when it is backed by enough raw creative talent.

Wicked, 22 Jun 2008
I love this graphic novel, I read it a long time before I saw the film, and I still think the novel is better! If you have never read a comic/ graphic novel before, I highly recommend this one.

First comic ever read, and I liked it!, 24 Jul 2008
First off: This review is only for comic book noobs, like myself!

I was recommended 2 comics to start me off on the road of comic reading, The Watchmen and Batman: Year One (due to the Batman Begins film being loosely based around this book). I read Batman first as it's much shorter, and wow, I feel like I've missed out on another world all these years! I was really suprised that the film was glammed up in comparison to at least this comic. It's very dark and Gotham really is messed up!

I almost couldn't put it down. The art work was great to look at and told a lot of the story that wasn't told in writing. I'm not sure if all comics are this clever, but I was impressed with the subtle story telling of the artwork.

Anyway, I was pretty sure that I'd not like comic books, but having read this one, I'm very excited to start The Watchmen, and have ordered a few more Batman novels to get my teeth sunk into. So well recommended for the first time reader I'd say as it's not too fantastical as some of the stuff I browsed over in the comic book store!

Best batman ever? Could be!, 19 Sep 2007
What do The Dark Night Returns, Tim Burton's Batman movie and Batman Begins have in common?
None of them live up to the hype. No, really.
But this great little comic book whips along at lightening pace, spends as much time developing characters as it does on action and left me wanting more. Miller dumps all his usual 'style over substance' tricks and tells a good story. The art (not by Miller) compliments the writing to tell the story perfectly. What with this being a 'year one' book it's also the most accessible Batman story you will ever read so it's perfect for fans of the movies who are new to the comics or as a gift for somebody you want to get into comics.
The end result is my favourite Batman story, my favourite Frank Miller story and one of my favourite comics.

The greatest artwork in a comic book ever?, 18 Sep 2007
This collection is possibly the perfect way to appreciate the opulent warmth which the artwork and the colours emit. I read this collection in one night and I would recommend it to anyone, especially those whom feel they are new to the Batman universe. For those who felt that Miller's Dark Knight Returns and especially its successor Dark Knight Strikes Again were to arch and complex the plot to Year One strips back the pretense to introduce us to a world which is characterised by violence and corruption. The main aim of the narrative is to introduce us to Batman and his beginnings, but I feel it works more as a breakdown of the character of James Gordon, and the difficulty he has with accepting Batman as both a vigilante and a crimefighter.

I feel that the comic really shines through the intricacy, but also the edgy and unfinished nature of the artwork, and the way in which the colours compliment Mazzuchelli's gripping use of a pencil.


Gordon: Year One, 16 Jul 2006
This is a great book. But I didn't think it was enough about Batman. The stuff with Bruce's parents is good.

But Gordon is the character who's interesting here. Just a well-told story with a lot of depth. Flask is a nasty Detective Gordon's paired with and it's from that the majority of the drama comes from; and Gordon's relationship with his pregnant wife.

It's a enjoyable read, with such luxurious art. I think, in this edition, the colours have been tweaked. They're saturated and vibrant. There's something of the Adam West and Animated Series captured in them. I found the art to be better than the story in this case.

It's a really nice edition and a great way to get into Batman, this book is the reason I got into comics again.

The best Batman story ever., 29 Mar 2006
Although Frank Miller is better known for the like of comic book classics like Sin City or The Dark Knight Returns, Batman: Year One has got to be his best. Miller completely redefined Batman for a new generation, and yet again completely de-camped the character to being so grim and gritty that it is hard to imagine that he was ever treated like a joke. The story follows Bruce Wayne returning to Gotham after a 12 year abscence, and Jim Gordon arriving there as a Lieutenant. Gotham city has become a place owned by crime, depression, and corruption. While Jim Gordon discovers that he is one of the only honest cops around, Bruce Wayne realises that he is one of the only honest citiznes around. After as distarous first attempt to fight crime, Bruce learns that he must use fear in a city like this, and so becomes the Batman.
Although Batman: Year One could be considered more a Gordon book than a Batman one, when Batman appears every time it is amazing. Miller manages to once again take Batman, change him, and make him so much better. An absolute classic.

Strange, literary and brill!, 29 Apr 2008
Alan Moore is a creative genius. Yes, he does the superhero thing with Watchmen and his DC and Marvel forays, but this is a whole new spin on it! This graphic novel will make you want to re-read all those classics gathering dust on your shelves, because all of the major characters are torn from Victorian masterpieces. Allan Quartemain, Captain Nemo, The Invisible Man, Mina Murray (formerly Harker), Dr Jekyll and of course Mr Hyde are summoned to form the League of Extraordinary Gentlemen. All the characters are well portrayed, especially Mr Hyde. But they all have flaws and dark sides. The Invisible Man is a rapist for instance, not your jolly scientist. You have all these classics in a James Bond-esque plot, spying for the Empire to save the world from a devious villain so foul, dear reader, I shudder at the thought of his very name! You'd be surprised at the humour too. The artwork is fantastically detailed and fits the story perfectly. You get a bonus Quartemain story at the end and a fab collection of cover artwork from the original comics. There is always something new to notice when you re-read it. This is unlike anything you have read and I highly recommend it! Can't wait to read Black Dossier! Utterly marvelous!

Rainbow in the Comic Book Land, 25 Jul 2007
This comic is a magical exploration into the world of Alan Moore. It's a masterpiece fraught with adventure & intelligence. Moore creates so many different layers in his work it's hard to fully comprehend. The illustration