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 Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
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Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
Excellent, worth reading the first book to get to this one, 06 Jan 2009
Great story, highly engaging. I struggled with The Dreaming Void a little as I was in the wrong mindset - I wanted to see what had become of the Commonwealth characters, not this backward Edeard. It was a slow book until the final chapters...
Not so with this one. Edeard's development and a couple of plot twists in the Commonwealth make for a real page-turner.
I have been reading mostly Banks, Reynolds and Hamilton sci-fi in the last few years and its easy to become spoiled... It's only when you go back to reading the truly derivative space opera like the Saga of Seven Suns or The Dread Empire trilogy that you realise what masters the aforementioned gentlemen are.
Let's just hope that Mr Hamilton can resist his trademark deus ex machina ending for what is becoming a thrilling trilogy. I wait with baited breath for the next chapter!
Very, very powerful story..., 05 Jan 2009
This second part of the Void trilogy glides perfectly on from the first. The skill involved in melding sf with fantasy on this hugely expectant level is very brave, but crikey, it's simply, uniquely, fantastic.
Peter keeps the sex to a young adult level in this series, which should make it universally appealing for those 'shyer types'...
I am busting my chops waiting for the final instalment of this deeply moving tale.
Grant
Absolutely brilliant, 16 Nov 2008
I just finished reading the Temporal Void last night, and I would implore anyone who has a mind for imaginative sprawling space operas to buy this book. It is a wonderful addition to Hamilton's established Commonwealth series, beginning chronologically with Pandoras Star and Judas Unchained (known collectively as the Commonwealth saga), and the Void trilogy, of which the Temporal Void is number 2.
The plot picks up directly after the end of Dreaming Void, with Justine escaping Centurion Station, immediately after the Void encroachment is triggered by the Second Dreamer's rejection of the Void entity known as a Skylord. Aaron, the ANA agent, is on Hanko with Inigo and his estranged wife Corrie Lyn, trying to escape before the world implodes from an m-sink which was driven into the planet. The threat of the Ocisen fleet is a constant danger, with a few nostalgic twists that I couldn't help but smile at, in particular the Ocisens very formidable ally, unknown as yet to the Navy. If you've read the Commonwealth saga, you will know what I mean. The book basically kicks off with most of the characters trying to escape certain death, (or capture, in Araminta's case).
There is also another vital aspect of the book which I find very engaging. The story of Edeard the Waterwalker is one of the best concepts I've seen in large scale sci fi such as is fitting to Hamilton's writing style. If you were to take out all the segments entitled "Inigo's Dream", from the first 2 books so far, you would have a thoroughly engaging stand alone fantasy novel. But the way it ties in with the rest of the storyline is a winner, expertly switching from the events in our Universe, and that of the Void.
The closing chapters supplied me with many memorable (and emotional) moments. Edeard's plight as he consolidates Makkrathan and drives out the gangs, amounts to a series of wonderfully fashioned events which I found immensely gripping, paying homage to Hamiliton's development of his characters within the Void.
All in all, I would thoroughly recommend this book, whether you've read Hamilton's books or not (though is you haven't you're going to be very confused). I will let something slip though, which I cannot contain, but it sets up the final installment nicely. If you don't want to know finish reading here. To be honest it was inevitable, but if you're wondering where the hell Ozzie's been all this time, you're guaranteed to pay him a visit in the 3rd book.
Congratulations Peter Hamilton. I cannot wait until the final book.
Adam
Glorious Convolution, 12 Nov 2008
While I agree with one reviewer about the usefulness of a summary of Part I, I also think that you just have to sink yourself into Hamilton's marvellous universe (or universa?) to fully appreciate the wild and convoluted rollercoaster you're about to undergo.
Plus that I think Hamilton is one of the very few to have created a consistent universe, including delightfully contradictions. I'm wondering why others in this region (Iain Banks, Terry Pratchett, Alastair Reynolds, to mention just a few) are all British writers. Mmm... something to do with Empire-building... ;-)
In the meantime, enjoy Hamilton. And now we have to wait about 1 1/2 year for the conclusion...
Magic Realism, 10 Nov 2008
Just superb fiction, up Hamilton's best standard. I just wonder however if some of the other reviewers have got it right describing Edeard's adventures in Makkathran as fantasy. I found that part of the work best savoured rather than rushed as it reminded me of the Magic Realism style (Gabriel Garcia Marquez et al. ) which I think would elevate the work to literary fiction rather than Science Fiction.
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Mechanicum (Horus Heresy)
Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £2.92
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Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
Excellent, worth reading the first book to get to this one, 06 Jan 2009
Great story, highly engaging. I struggled with The Dreaming Void a little as I was in the wrong mindset - I wanted to see what had become of the Commonwealth characters, not this backward Edeard. It was a slow book until the final chapters...
Not so with this one. Edeard's development and a couple of plot twists in the Commonwealth make for a real page-turner.
I have been reading mostly Banks, Reynolds and Hamilton sci-fi in the last few years and its easy to become spoiled... It's only when you go back to reading the truly derivative space opera like the Saga of Seven Suns or The Dread Empire trilogy that you realise what masters the aforementioned gentlemen are.
Let's just hope that Mr Hamilton can resist his trademark deus ex machina ending for what is becoming a thrilling trilogy. I wait with baited breath for the next chapter!
Very, very powerful story..., 05 Jan 2009
This second part of the Void trilogy glides perfectly on from the first. The skill involved in melding sf with fantasy on this hugely expectant level is very brave, but crikey, it's simply, uniquely, fantastic.
Peter keeps the sex to a young adult level in this series, which should make it universally appealing for those 'shyer types'...
I am busting my chops waiting for the final instalment of this deeply moving tale.
Grant
Absolutely brilliant, 16 Nov 2008
I just finished reading the Temporal Void last night, and I would implore anyone who has a mind for imaginative sprawling space operas to buy this book. It is a wonderful addition to Hamilton's established Commonwealth series, beginning chronologically with Pandoras Star and Judas Unchained (known collectively as the Commonwealth saga), and the Void trilogy, of which the Temporal Void is number 2.
The plot picks up directly after the end of Dreaming Void, with Justine escaping Centurion Station, immediately after the Void encroachment is triggered by the Second Dreamer's rejection of the Void entity known as a Skylord. Aaron, the ANA agent, is on Hanko with Inigo and his estranged wife Corrie Lyn, trying to escape before the world implodes from an m-sink which was driven into the planet. The threat of the Ocisen fleet is a constant danger, with a few nostalgic twists that I couldn't help but smile at, in particular the Ocisens very formidable ally, unknown as yet to the Navy. If you've read the Commonwealth saga, you will know what I mean. The book basically kicks off with most of the characters trying to escape certain death, (or capture, in Araminta's case).
There is also another vital aspect of the book which I find very engaging. The story of Edeard the Waterwalker is one of the best concepts I've seen in large scale sci fi such as is fitting to Hamilton's writing style. If you were to take out all the segments entitled "Inigo's Dream", from the first 2 books so far, you would have a thoroughly engaging stand alone fantasy novel. But the way it ties in with the rest of the storyline is a winner, expertly switching from the events in our Universe, and that of the Void.
The closing chapters supplied me with many memorable (and emotional) moments. Edeard's plight as he consolidates Makkrathan and drives out the gangs, amounts to a series of wonderfully fashioned events which I found immensely gripping, paying homage to Hamiliton's development of his characters within the Void.
All in all, I would thoroughly recommend this book, whether you've read Hamilton's books or not (though is you haven't you're going to be very confused). I will let something slip though, which I cannot contain, but it sets up the final installment nicely. If you don't want to know finish reading here. To be honest it was inevitable, but if you're wondering where the hell Ozzie's been all this time, you're guaranteed to pay him a visit in the 3rd book.
Congratulations Peter Hamilton. I cannot wait until the final book.
Adam
Glorious Convolution, 12 Nov 2008
While I agree with one reviewer about the usefulness of a summary of Part I, I also think that you just have to sink yourself into Hamilton's marvellous universe (or universa?) to fully appreciate the wild and convoluted rollercoaster you're about to undergo.
Plus that I think Hamilton is one of the very few to have created a consistent universe, including delightfully contradictions. I'm wondering why others in this region (Iain Banks, Terry Pratchett, Alastair Reynolds, to mention just a few) are all British writers. Mmm... something to do with Empire-building... ;-)
In the meantime, enjoy Hamilton. And now we have to wait about 1 1/2 year for the conclusion...
Magic Realism, 10 Nov 2008
Just superb fiction, up Hamilton's best standard. I just wonder however if some of the other reviewers have got it right describing Edeard's adventures in Makkathran as fantasy. I found that part of the work best savoured rather than rushed as it reminded me of the Magic Realism style (Gabriel Garcia Marquez et al. ) which I think would elevate the work to literary fiction rather than Science Fiction.
is different really better?, 04 Jan 2009
Having read the numerous positive reviews of mechanicum so far, i feel i should put in my 2 cents. This book was sat on my shelf for about a month before i finally picked it up, which is not something which often happens with horus heresy books as i am always very eager to get straight into them.
I have to admit that for the first 100 or so pages i was actually disappointed with mechanicum. I will say the imagery is great, especially if you are a fan of games workhop from their glory days of 'space marine' and 'titan legions' games, as well as the more modern 'epic 40k'. If you have never played or seen these games it might be difficult to envision yourself the war machines of the adeptus mechanicum - mainly the knights and the titans. I feel it is expected of the reader to just instantly know these things. On the other hand if you do know these things it is a great moment reliving those good old days.
Another complaint of mine is the two-dimensional-ness of the characters. They are all flat as pancakes. They have really great visual descriptions, but not really any inner thoughts that arent super-clichéd. The problem is the templates were there for some great characters to develop, it just never happened. Another small niggle, which is one i carry through all the heresy books, is the problem of throwing too many characters into the story too quickly, and many of the having similar names. There is a reason there is a reference chart in the front.
On the positive side, this book actually does push the timeline forward a bit. Everyone has now accepted the heresy and are choosing sides. Unfortunately it is not really put forward how much of an effect losing mars would have on the outcome of the war other than the loss of supplies for the legions. The fact that having a traitor base within minutes of earth was never discussed.
Other than the mainly boring characters the story is well written and action packed. There are no pointless sections where nothing happens. It is an edge of the seat book where you really ont know if the heroes will live or die.
There is also a nice little map of mars in the front.
Not the greatest book ever, and still not really reaching the standards that the start of the series set, but a worthy read for anyone who is a fan of sci-fi. This is a lot more than the usual 40k universe.
Only 1 Star short of glory, 22 Dec 2008
Mechanicum. A few spoilers. Sorry!
The back blurb promises the genesis of the dark mechanicum. All we get is an idea based on 'knowledge is power', and "the bad guy" wanted more knowledge than others. I agree with another review that says some of the characters in the series switch sides a little too easily, but I can see the argument in this case. He traded loyalty for knowledge (which is the driving force behind the Mech, lets not forget) so its a believable swap. But Adept Zeth got access to all knowledge through her loyalty (morality tale) so how come the leader of the Mech didn;t know this was available?
But thats more of a side line to my main gripe (albeit a small one) with this HH.
WE ONLY MET ON DAM GOD MACHINE AND IT WAS A TRAITOR MACHINE AT THAT!
Warhounds, reavers and knights are all very well, but are we really to believe that with all the mistrust in the Mech and the history of in-fighting and almost-war, the only Legio that didn't send all its God Machines (Imperator) off world was Mortis? When they face off against their (supposedly) most bitter rivals over a comparatively small plain?
Come on guys! Give your older readers just a little more credit?
I know the last part (Zeth's sacrifice which destroyed the Imperator) made it all the more read-able and the noble sacrifice of the knights and reavers that remained loyal is made all the more poignant by the futility of their last fight, but even so, if I was facing off against an old rival and I had 200 years experience of commanding the walking machines of the Legios, I would make sure i could match said rival gun for gun. End of story.
Apart from that great book, couldn't put it down, hammered through it in three days and re-read it a week later.
Not at all bad!, 20 Dec 2008
A generally good HH book. Following some disappointments.. (namely BFTA and Descent of Angels) it was a decent book.
And to other reviews who say that the storyline is silly.. because of the 'Dragon' - it refers to The C'tan - the Void Dragon, not actual dragons...! so theres no reason to shun the storyline because of something which is an established part of 40k lore.!
Pretty average really, 16 Dec 2008
This could have been a lot better, I mean hidden Dragons......
Seems Like the Heresy saga is running out of steam, I hope they don't screw up the capitulation of Prospero.
At last the series is back on track., 15 Dec 2008
Thank the Emperor for this latest book the Mechanicum. This book really does capture the imagination with Characters you can buy into a real feel for the weird and wonderful identity of Mars and its inhabitants.
And finally the best part ........ The Legio Titanicus walk!
Bring on the next book is what I say although i'm going to be pacing up and down when we have to wait until April.
Well done to Graham Mcneill for getting this series back on track
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Product Description
If any comic has a claim to have truly reinvigorated the genre then The Dark Knight Returns by Frank Miller--known recently for his excellent Sin City series and, previously, for his superb rendering of the blind superhero Daredevil--is probably the supreme contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. In his introduction the great Alan Moore ( V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argues that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task. Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, streetgangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
Excellent, worth reading the first book to get to this one, 06 Jan 2009
Great story, highly engaging. I struggled with The Dreaming Void a little as I was in the wrong mindset - I wanted to see what had become of the Commonwealth characters, not this backward Edeard. It was a slow book until the final chapters...
Not so with this one. Edeard's development and a couple of plot twists in the Commonwealth make for a real page-turner.
I have been reading mostly Banks, Reynolds and Hamilton sci-fi in the last few years and its easy to become spoiled... It's only when you go back to reading the truly derivative space opera like the Saga of Seven Suns or The Dread Empire trilogy that you realise what masters the aforementioned gentlemen are.
Let's just hope that Mr Hamilton can resist his trademark deus ex machina ending for what is becoming a thrilling trilogy. I wait with baited breath for the next chapter!
Very, very powerful story..., 05 Jan 2009
This second part of the Void trilogy glides perfectly on from the first. The skill involved in melding sf with fantasy on this hugely expectant level is very brave, but crikey, it's simply, uniquely, fantastic.
Peter keeps the sex to a young adult level in this series, which should make it universally appealing for those 'shyer types'...
I am busting my chops waiting for the final instalment of this deeply moving tale.
Grant
Absolutely brilliant, 16 Nov 2008
I just finished reading the Temporal Void last night, and I would implore anyone who has a mind for imaginative sprawling space operas to buy this book. It is a wonderful addition to Hamilton's established Commonwealth series, beginning chronologically with Pandoras Star and Judas Unchained (known collectively as the Commonwealth saga), and the Void trilogy, of which the Temporal Void is number 2.
The plot picks up directly after the end of Dreaming Void, with Justine escaping Centurion Station, immediately after the Void encroachment is triggered by the Second Dreamer's rejection of the Void entity known as a Skylord. Aaron, the ANA agent, is on Hanko with Inigo and his estranged wife Corrie Lyn, trying to escape before the world implodes from an m-sink which was driven into the planet. The threat of the Ocisen fleet is a constant danger, with a few nostalgic twists that I couldn't help but smile at, in particular the Ocisens very formidable ally, unknown as yet to the Navy. If you've read the Commonwealth saga, you will know what I mean. The book basically kicks off with most of the characters trying to escape certain death, (or capture, in Araminta's case).
There is also another vital aspect of the book which I find very engaging. The story of Edeard the Waterwalker is one of the best concepts I've seen in large scale sci fi such as is fitting to Hamilton's writing style. If you were to take out all the segments entitled "Inigo's Dream", from the first 2 books so far, you would have a thoroughly engaging stand alone fantasy novel. But the way it ties in with the rest of the storyline is a winner, expertly switching from the events in our Universe, and that of the Void.
The closing chapters supplied me with many memorable (and emotional) moments. Edeard's plight as he consolidates Makkrathan and drives out the gangs, amounts to a series of wonderfully fashioned events which I found immensely gripping, paying homage to Hamiliton's development of his characters within the Void.
All in all, I would thoroughly recommend this book, whether you've read Hamilton's books or not (though is you haven't you're going to be very confused). I will let something slip though, which I cannot contain, but it sets up the final installment nicely. If you don't want to know finish reading here. To be honest it was inevitable, but if you're wondering where the hell Ozzie's been all this time, you're guaranteed to pay him a visit in the 3rd book.
Congratulations Peter Hamilton. I cannot wait until the final book.
Adam
Glorious Convolution, 12 Nov 2008
While I agree with one reviewer about the usefulness of a summary of Part I, I also think that you just have to sink yourself into Hamilton's marvellous universe (or universa?) to fully appreciate the wild and convoluted rollercoaster you're about to undergo.
Plus that I think Hamilton is one of the very few to have created a consistent universe, including delightfully contradictions. I'm wondering why others in this region (Iain Banks, Terry Pratchett, Alastair Reynolds, to mention just a few) are all British writers. Mmm... something to do with Empire-building... ;-)
In the meantime, enjoy Hamilton. And now we have to wait about 1 1/2 year for the conclusion...
Magic Realism, 10 Nov 2008
Just superb fiction, up Hamilton's best standard. I just wonder however if some of the other reviewers have got it right describing Edeard's adventures in Makkathran as fantasy. I found that part of the work best savoured rather than rushed as it reminded me of the Magic Realism style (Gabriel Garcia Marquez et al. ) which I think would elevate the work to literary fiction rather than Science Fiction.
is different really better?, 04 Jan 2009
Having read the numerous positive reviews of mechanicum so far, i feel i should put in my 2 cents. This book was sat on my shelf for about a month before i finally picked it up, which is not something which often happens with horus heresy books as i am always very eager to get straight into them.
I have to admit that for the first 100 or so pages i was actually disappointed with mechanicum. I will say the imagery is great, especially if you are a fan of games workhop from their glory days of 'space marine' and 'titan legions' games, as well as the more modern 'epic 40k'. If you have never played or seen these games it might be difficult to envision yourself the war machines of the adeptus mechanicum - mainly the knights and the titans. I feel it is expected of the reader to just instantly know these things. On the other hand if you do know these things it is a great moment reliving those good old days.
Another complaint of mine is the two-dimensional-ness of the characters. They are all flat as pancakes. They have really great visual descriptions, but not really any inner thoughts that arent super-clichéd. The problem is the templates were there for some great characters to develop, it just never happened. Another small niggle, which is one i carry through all the heresy books, is the problem of throwing too many characters into the story too quickly, and many of the having similar names. There is a reason there is a reference chart in the front.
On the positive side, this book actually does push the timeline forward a bit. Everyone has now accepted the heresy and are choosing sides. Unfortunately it is not really put forward how much of an effect losing mars would have on the outcome of the war other than the loss of supplies for the legions. The fact that having a traitor base within minutes of earth was never discussed.
Other than the mainly boring characters the story is well written and action packed. There are no pointless sections where nothing happens. It is an edge of the seat book where you really ont know if the heroes will live or die.
There is also a nice little map of mars in the front.
Not the greatest book ever, and still not really reaching the standards that the start of the series set, but a worthy read for anyone who is a fan of sci-fi. This is a lot more than the usual 40k universe.
Only 1 Star short of glory, 22 Dec 2008
Mechanicum. A few spoilers. Sorry!
The back blurb promises the genesis of the dark mechanicum. All we get is an idea based on 'knowledge is power', and "the bad guy" wanted more knowledge than others. I agree with another review that says some of the characters in the series switch sides a little too easily, but I can see the argument in this case. He traded loyalty for knowledge (which is the driving force behind the Mech, lets not forget) so its a believable swap. But Adept Zeth got access to all knowledge through her loyalty (morality tale) so how come the leader of the Mech didn;t know this was available?
But thats more of a side line to my main gripe (albeit a small one) with this HH.
WE ONLY MET ON DAM GOD MACHINE AND IT WAS A TRAITOR MACHINE AT THAT!
Warhounds, reavers and knights are all very well, but are we really to believe that with all the mistrust in the Mech and the history of in-fighting and almost-war, the only Legio that didn't send all its God Machines (Imperator) off world was Mortis? When they face off against their (supposedly) most bitter rivals over a comparatively small plain?
Come on guys! Give your older readers just a little more credit?
I know the last part (Zeth's sacrifice which destroyed the Imperator) made it all the more read-able and the noble sacrifice of the knights and reavers that remained loyal is made all the more poignant by the futility of their last fight, but even so, if I was facing off against an old rival and I had 200 years experience of commanding the walking machines of the Legios, I would make sure i could match said rival gun for gun. End of story.
Apart from that great book, couldn't put it down, hammered through it in three days and re-read it a week later.
Not at all bad!, 20 Dec 2008
A generally good HH book. Following some disappointments.. (namely BFTA and Descent of Angels) it was a decent book.
And to other reviews who say that the storyline is silly.. because of the 'Dragon' - it refers to The C'tan - the Void Dragon, not actual dragons...! so theres no reason to shun the storyline because of something which is an established part of 40k lore.!
Pretty average really, 16 Dec 2008
This could have been a lot better, I mean hidden Dragons......
Seems Like the Heresy saga is running out of steam, I hope they don't screw up the capitulation of Prospero.
At last the series is back on track., 15 Dec 2008
Thank the Emperor for this latest book the Mechanicum. This book really does capture the imagination with Characters you can buy into a real feel for the weird and wonderful identity of Mars and its inhabitants.
And finally the best part ........ The Legio Titanicus walk!
Bring on the next book is what I say although i'm going to be pacing up and down when we have to wait until April.
Well done to Graham Mcneill for getting this series back on track
The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.
The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.
SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.
The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.
Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.
The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.
DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.
A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.
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Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
Excellent, worth reading the first book to get to this one, 06 Jan 2009
Great story, highly engaging. I struggled with The Dreaming Void a little as I was in the wrong mindset - I wanted to see what had become of the Commonwealth characters, not this backward Edeard. It was a slow book until the final chapters...
Not so with this one. Edeard's development and a couple of plot twists in the Commonwealth make for a real page-turner.
I have been reading mostly Banks, Reynolds and Hamilton sci-fi in the last few years and its easy to become spoiled... It's only when you go back to reading the truly derivative space opera like the Saga of Seven Suns or The Dread Empire trilogy that you realise what masters the aforementioned gentlemen are.
Let's just hope that Mr Hamilton can resist his trademark deus ex machina ending for what is becoming a thrilling trilogy. I wait with baited breath for the next chapter!
Very, very powerful story..., 05 Jan 2009
This second part of the Void trilogy glides perfectly on from the first. The skill involved in melding sf with fantasy on this hugely expectant level is very brave, but crikey, it's simply, uniquely, fantastic.
Peter keeps the sex to a young adult level in this series, which should make it universally appealing for those 'shyer types'...
I am busting my chops waiting for the final instalment of this deeply moving tale.
Grant
Absolutely brilliant, 16 Nov 2008
I just finished reading the Temporal Void last night, and I would implore anyone who has a mind for imaginative sprawling space operas to buy this book. It is a wonderful addition to Hamilton's established Commonwealth series, beginning chronologically with Pandoras Star and Judas Unchained (known collectively as the Commonwealth saga), and the Void trilogy, of which the Temporal Void is number 2.
The plot picks up directly after the end of Dreaming Void, with Justine escaping Centurion Station, immediately after the Void encroachment is triggered by the Second Dreamer's rejection of the Void entity known as a Skylord. Aaron, the ANA agent, is on Hanko with Inigo and his estranged wife Corrie Lyn, trying to escape before the world implodes from an m-sink which was driven into the planet. The threat of the Ocisen fleet is a constant danger, with a few nostalgic twists that I couldn't help but smile at, in particular the Ocisens very formidable ally, unknown as yet to the Navy. If you've read the Commonwealth saga, you will know what I mean. The book basically kicks off with most of the characters trying to escape certain death, (or capture, in Araminta's case).
There is also another vital aspect of the book which I find very engaging. The story of Edeard the Waterwalker is one of the best concepts I've seen in large scale sci fi such as is fitting to Hamilton's writing style. If you were to take out all the segments entitled "Inigo's Dream", from the first 2 books so far, you would have a thoroughly engaging stand alone fantasy novel. But the way it ties in with the rest of the storyline is a winner, expertly switching from the events in our Universe, and that of the Void.
The closing chapters supplied me with many memorable (and emotional) moments. Edeard's plight as he consolidates Makkrathan and drives out the gangs, amounts to a series of wonderfully fashioned events which I found immensely gripping, paying homage to Hamiliton's development of his characters within the Void.
All in all, I would thoroughly recommend this book, whether you've read Hamilton's books or not (though is you haven't you're going to be very confused). I will let something slip though, which I cannot contain, but it sets up the final installment nicely. If you don't want to know finish reading here. To be honest it was inevitable, but if you're wondering where the hell Ozzie's been all this time, you're guaranteed to pay him a visit in the 3rd book.
Congratulations Peter Hamilton. I cannot wait until the final book.
Adam
Glorious Convolution, 12 Nov 2008
While I agree with one reviewer about the usefulness of a summary of Part I, I also think that you just have to sink yourself into Hamilton's marvellous universe (or universa?) to fully appreciate the wild and convoluted rollercoaster you're about to undergo.
Plus that I think Hamilton is one of the very few to have created a consistent universe, including delightfully contradictions. I'm wondering why others in this region (Iain Banks, Terry Pratchett, Alastair Reynolds, to mention just a few) are all British writers. Mmm... something to do with Empire-building... ;-)
In the meantime, enjoy Hamilton. And now we have to wait about 1 1/2 year for the conclusion...
Magic Realism, 10 Nov 2008
Just superb fiction, up Hamilton's best standard. I just wonder however if some of the other reviewers have got it right describing Edeard's adventures in Makkathran as fantasy. I found that part of the work best savoured rather than rushed as it reminded me of the Magic Realism style (Gabriel Garcia Marquez et al. ) which I think would elevate the work to literary fiction rather than Science Fiction.
is different really better?, 04 Jan 2009
Having read the numerous positive reviews of mechanicum so far, i feel i should put in my 2 cents. This book was sat on my shelf for about a month before i finally picked it up, which is not something which often happens with horus heresy books as i am always very eager to get straight into them.
I have to admit that for the first 100 or so pages i was actually disappointed with mechanicum. I will say the imagery is great, especially if you are a fan of games workhop from their glory days of 'space marine' and 'titan legions' games, as well as the more modern 'epic 40k'. If you have never played or seen these games it might be difficult to envision yourself the war machines of the adeptus mechanicum - mainly the knights and the titans. I feel it is expected of the reader to just instantly know these things. On the other hand if you do know these things it is a great moment reliving those good old days.
Another complaint of mine is the two-dimensional-ness of the characters. They are all flat as pancakes. They have really great visual descriptions, but not really any inner thoughts that arent super-clichéd. The problem is the templates were there for some great characters to develop, it just never happened. Another small niggle, which is one i carry through all the heresy books, is the problem of throwing too many characters into the story too quickly, and many of the having similar names. There is a reason there is a reference chart in the front.
On the positive side, this book actually does push the timeline forward a bit. Everyone has now accepted the heresy and are choosing sides. Unfortunately it is not really put forward how much of an effect losing mars would have on the outcome of the war other than the loss of supplies for the legions. The fact that having a traitor base within minutes of earth was never discussed.
Other than the mainly boring characters the story is well written and action packed. There are no pointless sections where nothing happens. It is an edge of the seat book where you really ont know if the heroes will live or die.
There is also a nice little map of mars in the front.
Not the greatest book ever, and still not really reaching the standards that the start of the series set, but a worthy read for anyone who is a fan of sci-fi. This is a lot more than the usual 40k universe.
Only 1 Star short of glory, 22 Dec 2008
Mechanicum. A few spoilers. Sorry!
The back blurb promises the genesis of the dark mechanicum. All we get is an idea based on 'knowledge is power', and "the bad guy" wanted more knowledge than others. I agree with another review that says some of the characters in the series switch sides a little too easily, but I can see the argument in this case. He traded loyalty for knowledge (which is the driving force behind the Mech, lets not forget) so its a believable swap. But Adept Zeth got access to all knowledge through her loyalty (morality tale) so how come the leader of the Mech didn;t know this was available?
But thats more of a side line to my main gripe (albeit a small one) with this HH.
WE ONLY MET ON DAM GOD MACHINE AND IT WAS A TRAITOR MACHINE AT THAT!
Warhounds, reavers and knights are all very well, but are we really to believe that with all the mistrust in the Mech and the history of in-fighting and almost-war, the only Legio that didn't send all its God Machines (Imperator) off world was Mortis? When they face off against their (supposedly) most bitter rivals over a comparatively small plain?
Come on guys! Give your older readers just a little more credit?
I know the last part (Zeth's sacrifice which destroyed the Imperator) made it all the more read-able and the noble sacrifice of the knights and reavers that remained loyal is made all the more poignant by the futility of their last fight, but even so, if I was facing off against an old rival and I had 200 years experience of commanding the walking machines of the Legios, I would make sure i could match said rival gun for gun. End of story.
Apart from that great book, couldn't put it down, hammered through it in three days and re-read it a week later.
Not at all bad!, 20 Dec 2008
A generally good HH book. Following some disappointments.. (namely BFTA and Descent of Angels) it was a decent book.
And to other reviews who say that the storyline is silly.. because of the 'Dragon' - it refers to The C'tan - the Void Dragon, not actual dragons...! so theres no reason to shun the storyline because of something which is an established part of 40k lore.!
Pretty average really, 16 Dec 2008
This could have been a lot better, I mean hidden Dragons......
Seems Like the Heresy saga is running out of steam, I hope they don't screw up the capitulation of Prospero.
At last the series is back on track., 15 Dec 2008
Thank the Emperor for this latest book the Mechanicum. This book really does capture the imagination with Characters you can buy into a real feel for the weird and wonderful identity of Mars and its inhabitants.
And finally the best part ........ The Legio Titanicus walk!
Bring on the next book is what I say although i'm going to be pacing up and down when we have to wait until April.
Well done to Graham Mcneill for getting this series back on track
The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.
The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.
SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.
The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.
Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.
The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.
DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.
A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.
Excellent read, but not as involving as Pandora's Star/Judas Unchained, 05 Jan 2009
I picked this book up after rattling through the Pandora's Star/Judas unchained series, which I loved.
This book is written in a very similar manner, and is similarly entertaining.
There are 2 differing strand styles, one being high tech, set in the commonwealth 1500 years after the events of the books mentioned above. The other strand is more fantasy style, which I actually really enjoyed - when I hit the first chapter like this, I thought I would struggle with it, but it was pretty good.
Like his other work Hamilton does an excellent job of painting interesting characters that you care about - I feel this is one of his main strengths, and it comes through strongly here.
The single star I've taken off is that the overall story isn't quite as gripping as the Pandora's Star one, and therefore the book doesn't quite grab you in the same way. however, this being a trilogy, it may well develop more in the later books.
In summary, an excellent read. If you enjoyed the Pandora's Star saga, you will definitely enjoy this. If you haven't read the Pandora's Star books, go and read them first!
A personal void, 13 Nov 2008
I read about 20 pages then skipped to 50 and then gave up. This type of sci-fi epic is not for me...or perhaps it is because I very much like Iain Banks but this one left me cold.
I think it was the relentless gadget name-dropping that did it eg x took the anti-grav hopper to the sun-port, not forgetting his zero-g hank'..shut up shut up..arrrghhh
the thought of 500+ pages of this made me put it swiftly aside.
Hamilton back to his best!, 05 Nov 2008
There's already too many large reviews regarding this book, so I'm only going to say that this book is "Hamilton back to his best"! Easily on a par with the Nights Dawn trilogy - I might even buy the Temporal Void hard-cover version as I can't wait for the paperback!!
Great start to a new trilogy, 04 Oct 2008
This is a really good first book in the new series. Its good to have some continuity from the previous trilogy as those that read the Commonwealth trilogy can immediately relate. At the same time thigs are different enought to allow new avenues to be explored. Wheras the first book in some of Peter Hamilton's series can be a bit slow, this one gets of to a flying start and keeps you interested all of the way.
A very good read - can't wait until the next two are available in paperback.
Great fun, gripping read, can't wait for the next one!, 26 Sep 2008
Surprised by the number of low ratings the book has received.
Yes the book is telling two stories, one low tech tale of child-to adult 'fantasy' genre type and another a high tech futuristic mystery thriller.
The tales are intertwined and both are exciting. Can't wait for the next book, already on order!
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Customer Reviews
Beautifully drawn, twisted and dark..., 05 Dec 2008
The reviews on here are pretty mixed, but I got this anyway (being a bit of a Joker fangirl) and I'm really glad I did. I've read it twice so far, and although perhaps the story is weaker than, say, The Long Halloween, the art is incredible and the Joker himself is fantastic - as sick and psychotic as he should be. In fact, the whole thing is truly dark (I would strongly recommend not to give this to anyone under 12 or 13), which is the only real way to portray Batman and the Joker.
The story also gives a twist to the character of the Joker, giving him an origin that actually makes you feel sympathy for him, which is something that you'll probably find hard to do until you read this.
The only complaint I have about this is the slightly anti-climactic ending, which left me feeling a bit confused the first time I read it; but overall it's a great book. I highly recommend it.
A beautifully drawn, but very dark, tale., 24 Oct 2008
This was my first introduction to more "adult orientated" graphic novels (as opposed to comics). I bought it on a whim after seeing the cover featured in a TV programme hyping the 1989 Tim Burton Batman movie, and it was a real eye-opener. The tone is certainly much darker than the image of Batman which I'd grown up with (ie Adam West in all his campness) and provides a fascinating origin for the Joker. He comes across as an ordinary man driven beyond his capacity for reason, instead of the stereotypical insane clown of lazier Batman stories. (In fact the entire story is based around his "one bad day is all it takes" philosophy...)
The story itself is short but all the more effective for it, with some beautifully - if chillingly - drawn characters. The Joker is especially well rendered, with several large and extremely detailed frames - which is hardly surprising given that much of the book focuses on him and his "past life".
All in all, "A Killing Joke" is a worthy complement to "Batman: Year One" and "Dark Knight Returns", as it gives the reader a solid - and believable - origin to Batman's most enigmatic adversary. Highly recommended.
Return of a classic, 24 Oct 2008
This was the first comic i ever bought,twenty or so years ago and it is still one of my favourites.The story is probably the best Joker tale and the art is un-paralled.This edition is if anything an improvement on the original having Brian Bolland's own colours which are a delight in themselves.This book might be the definitive version of this seminal graphic novel.
It was OK., 01 Sep 2008
I was really looking forward to this, having heard so much praise. I guess I missed something, but I was expecting a really deep, complex story, like so many reviews and articles had described, and didn't find anything of the sort. The artwork's flawless, but the story really did nothing for me, especially the Joker's back story, which seems to be the most raved about part. I felt no attachment to any characters, and having only recently read Watchmen for the first time, and being so blown away by that, I couldn't see how this was the same writer. I also found it shockingly short, which I don't expect from a graphic novel. As I said before though, awesome artwork. I still love that cover!
A Feast for the Eyes; A Drain On the Mind, 29 Aug 2008
Okay, let's keep this brief and informal lest I start taking myself far too seriously. After all, it is only a comic book to which I am referring regardless of how good or bad this particular one may be.
As an addition to the Batman Legend, 'The Killing Joke' is something of a let down, and not least due to the 1980's "think outside of the box" storyline. In my opinion it will warp your perception of the Caped Crusader and Smiles-McGee as it did mine with it's painting of the pair as something of an old married couple who may fight but deep down are the best of friends (and thankfully like an old married couple they are not sexually attracted to each other either). It has to be said though that The Joker's crimes depicted here are less master-criminal and more sick-bastard. Whilst inventive, they lack the subtlety and genius you'd expect from the character. It would be far too easy to confuse his antics with that of 'Lord Pumpkin' in his origin one-shot as the freaky carnival setting and deformed minions are not Joker-like in my mind. I'd also suggest that the "definitive origin story" for the Joker is an ideal that should have died long ago, way before the 80's ever hit, and it's inclusion here makes the Joker seem weak and unjustified (in some senses) in his madness. Basically, as in the short version, Alan Moore's story is cleverly gimmicky at best with scripting that is just plain awful. Sorry to all the fans of the piece out there, but it reads more like a romance comic with Batman being the hysterical woman moreover Dark Knight.
What you will take away from reading this (and despite what I just said, you must buy and read this!) is that Brian Bolland is highly revered for a reason. The artwork is simply phenomenal, and the newly revamped colouring is stunning. You may never see a depiction of classic Batman or Joker looking this good anywhere else again. With the added bonus of Bolland's 'Innocent Man' (which he also wrote) sitting quietly at the back, this package must adorn your bookcase. I would recommend this to anyone.
Excellent, worth reading the first book to get to this one, 06 Jan 2009
Great story, highly engaging. I struggled with The Dreaming Void a little as I was in the wrong mindset - I wanted to see what had become of the Commonwealth characters, not this backward Edeard. It was a slow book until the final chapters...
Not so with this one. Edeard's development and a couple of plot twists in the Commonwealth make for a real page-turner.
I have been reading mostly Banks, Reynolds and Hamilton sci-fi in the last few years and its easy to become spoiled... It's only when you go back to reading the truly derivative space opera like the Saga of Seven Suns or The Dread Empire trilogy that you realise what masters the aforementioned gentlemen are.
Let's just hope that Mr Hamilton can resist his trademark deus ex machina ending for what is becoming a thrilling trilogy. I wait with baited breath for the next chapter!
Very, very powerful story..., 05 Jan 2009
This second part of the Void trilogy glides perfectly on from the first. The skill involved in melding sf with fantasy on this hugely expectant level is very brave, but crikey, it's simply, uniquely, fantastic.
Peter keeps the sex to a young adult level in this series, which should make it universally appealing for those 'shyer types'...
I am busting my chops waiting for the final instalment of this deeply moving tale.
Grant
Absolutely brilliant, 16 Nov 2008
I just finished reading the Temporal Void last night, and I would implore anyone who has a mind for imaginative sprawling space operas to buy this book. It is a wonderful addition to Hamilton's established Commonwealth series, beginning chronologically with Pandoras Star and Judas Unchained (known collectively as the Commonwealth saga), and the Void trilogy, of which the Temporal Void is number 2.
The plot picks up directly after the end of Dreaming Void, with Justine escaping Centurion Station, immediately after the Void encroachment is triggered by the Second Dreamer's rejection of the Void entity known as a Skylord. Aaron, the ANA agent, is on Hanko with Inigo and his estranged wife Corrie Lyn, trying to escape before the world implodes from an m-sink which was driven into the planet. The threat of the Ocisen fleet is a constant danger, with a few nostalgic twists that I couldn't help but smile at, in particular the Ocisens very formidable ally, unknown as yet to the Navy. If you've read the Commonwealth saga, you will know what I mean. The book basically kicks off with most of the characters trying to escape certain death, (or capture, in Araminta's case).
There is also another vital aspect of the book which I find very engaging. The story of Edeard the Waterwalker is one of the best concepts I've seen in large scale sci fi such as is fitting to Hamilton's writing style. If you were to take out all the segments entitled "Inigo's Dream", from the first 2 books so far, you would have a thoroughly engaging stand alone fantasy novel. But the way it ties in with the rest of the storyline is a winner, expertly switching from the events in our Universe, and that of the Void.
The closing chapters supplied me with many memorable (and emotional) moments. Edeard's plight as he consolidates Makkrathan and drives out the gangs, amounts to a series of wonderfully fashioned events which I found immensely gripping, paying homage to Hamiliton's development of his characters within the Void.
All in all, I would thoroughly recommend this book, whether you've read Hamilton's books or not (though is you haven't you're going to be very confused). I will let something slip though, which I cannot contain, but it sets up the final installment nicely. If you don't want to know finish reading here. To be honest it was inevitable, but if you're wondering where the hell Ozzie's been all this time, you're guaranteed to pay him a visit in the 3rd book.
Congratulations Peter Hamilton. I cannot wait until the final book.
Adam
Glorious Convolution, 12 Nov 2008
While I agree with one reviewer about the usefulness of a summary of Part I, I also think that you just have to sink yourself into Hamilton's marvellous universe (or universa?) to fully appreciate the wild and convoluted rollercoaster you're about to undergo.
Plus that I think Hamilton is one of the very few to have created a consistent universe, including delightfully contradictions. I'm wondering why others in this region (Iain Banks, Terry Pratchett, Alastair Reynolds, to mention just a few) are all British writers. Mmm... something to do with Empire-building... ;-)
In the meantime, enjoy Hamilton. And now we have to wait about 1 1/2 year for the conclusion...
Magic Realism, 10 Nov 2008
Just superb fiction, up Hamilton's best standard. I just wonder however if some of the other reviewers have got it right describing Edeard's adventures in Makkathran as fantasy. I found that part of the work best savoured rather than rushed as it reminded me of the Magic Realism style (Gabriel Garcia Marquez et al. ) which I think would elevate the work to literary fiction rather than Science Fiction.
is different really better?, 04 Jan 2009
Having read the numerous positive reviews of mechanicum so far, i feel i should put in my 2 cents. This book was sat on my shelf for about a month before i finally picked it up, which is not something which often happens with horus heresy books as i am always very eager to get straight into them.
I have to admit that for the first 100 or so pages i was actually disappointed with mechanicum. I will say the imagery is great, especially if you are a fan of games workhop from their glory days of 'space marine' and 'titan legions' games, as well as the more modern 'epic 40k'. If you have never played or seen these games it might be difficult to envision yourself the war machines of the adeptus mechanicum - mainly the knights and the titans. I feel it is expected of the reader to just instantly know these things. On the other hand if you do know these things it is a great moment reliving those good old days.
Another complaint of mine is the two-dimensional-ness of the characters. They are all flat as pancakes. They have really great visual descriptions, but not really any inner thoughts that arent super-clichéd. The problem is the templates were there for some great characters to develop, it just never happened. Another small niggle, which is one i carry through all the heresy books, is the problem of throwing too many characters into the story too quickly, and many of the having similar names. There is a reason there is a reference chart in the front.
On the positive side, this book actually does push the timeline forward a bit. Everyone has now accepted the heresy and are choosing sides. Unfortunately it is not really put forward how much of an effect losing mars would have on the outcome of the war other than the loss of supplies for the legions. The fact that having a traitor base within minutes of earth was never discussed.
Other than the mainly boring characters the story is well written and action packed. There are no pointless sections where nothing happens. It is an edge of the seat book where you really ont know if the heroes will live or die.
There is also a nice little map of mars in the front.
Not the greatest book ever, and still not really reaching the standards that the start of the series set, but a worthy read for anyone who is a fan of sci-fi. This is a lot more than the usual 40k universe.
Only 1 Star short of glory, 22 Dec 2008
Mechanicum. A few spoilers. Sorry!
The back blurb promises the genesis of the dark mechanicum. All we get is an idea based on 'knowledge is power', and "the bad guy" wanted more knowledge than others. I agree with another review that says some of the characters in the series switch sides a little too easily, but I can see the argument in this case. He traded loyalty for knowledge (which is the driving force behind the Mech, lets not forget) so its a believable swap. But Adept Zeth got access to all knowledge through her loyalty (morality tale) so how come the leader of the Mech didn;t know this was available?
But thats more of a side line to my main gripe (albeit a small one) with this HH.
WE ONLY MET ON DAM GOD MACHINE AND IT WAS A TRAITOR MACHINE AT THAT!
Warhounds, reavers and knights are all very well, but are we really to believe that with all the mistrust in the Mech and the history of in-fighting and almost-war, the only Legio that didn't send all its God Machines (Imperator) off world was Mortis? When they face off against their (supposedly) most bitter rivals over a comparatively small plain?
Come on guys! Give your older readers just a little more credit?
I know the last part (Zeth's sacrifice which destroyed the Imperator) made it all the more read-able and the noble sacrifice of the knights and reavers that remained loyal is made all the more poignant by the futility of their last fight, but even so, if I was facing off against an old rival and I had 200 years experience of commanding the walking machines of the Legios, I would make sure i could match said rival gun for gun. End of story.
Apart from that great book, couldn't put it down, hammered through it in three days and re-read it a week later.
Not at all bad!, 20 Dec 2008
A generally good HH book. Following some disappointments.. (namely BFTA and Descent of Angels) it was a decent book.
And to other reviews who say that the storyline is silly.. because of the 'Dragon' - it refers to The C'tan - the Void Dragon, not actual dragons...! so theres no reason to shun the storyline because of something which is an established part of 40k lore.!
Pretty average really, 16 Dec 2008
This could have been a lot better, I mean hidden Dragons......
Seems Like the Heresy saga is running out of steam, I hope they don't screw up the capitulation of Prospero.
At last the series is back on track., 15 Dec 2008
Thank the Emperor for this latest book the Mechanicum. This book really does capture the imagination with Characters you can buy into a real feel for the weird and wonderful identity of Mars and its inhabitants.
And finally the best part ........ The Legio Titanicus walk!
Bring on the next book is what I say although i'm going to be pacing up and down when we have to wait until April.
Well done to Graham Mcneill for getting this series back on track
The Dark Knight Stuns!, 22 Oct 2008
Starting off with anarchy approaching Gotham, Batman as an older man finds himself pulled back into vigilante activities with a variety of mean, ugly threats to be dealt with.
The art & the writing in this are excellent & this is a really gripping read. This is recommended even if you aren't a big graphic novel fan, as the action pulls you in and the story is very compelling. A great read.
SUPERB!, 28 Sep 2008
Only a few comics such as Watchmen can be considered to be as good as Batman: The Dark Night Returns. However, where Watchmen had a myriad of different characters, The Dark Night Returns with its single protagonist is better able to create characters the reader can emphasise with.
The reader is introduced to an ageing Bruce Wayne who has come out of retirement to continue his vengeful fight against crime. This dark, disturbed and sad character is pitted against those he once considered allies, new enemies that are stronger than him and an all too familiar nemesis. The story is wonderfully written, well paced with a few twists and turns that keep the story interesting and a surprise shock ending with a man in tights. The artwork is brilliant, quick loose drawings capturing the action and suspense of a dark brooding story in a way some comics are unable to achieve.
Batman: The Dark Night Returns is a must own and a must read. The story is brilliantly told and features a damaged, weary character that draws you in to his own one man war.
The Greatest...., 24 Jul 2008
In all types of history there are defining moments. A moment that is so extraordinary that you have to see it again to believe what you have just seen. It sometimes takes time for the dust to settle to appreciate such a moment.
This comic is one of those moments.
The Dark Knight Returns took a tired out superhero genre and re-injected it with the modern paced style we see today. A comic that in fact saved the superhero himself. The multi-layering of story lines in this epic tale is almost cinematic in its construction.
Maybe a little dated now, but at the time it re-defined everything in comics and the way superheroes where percieved. If you are a fan of Batman, this should be the cornerstone to your collection.
DARK KNIGHT RETURNS, 23 Jul 2008
If you are used to the slick, photo-realistic art of some modern Graphic Novels/Comics, then the look of this book may take some getting used to... but get passed that, and it's one of the best comics you'll ever read.
A very good read., 05 Jun 2008
If I had to choose one word to describe this, I would choose the word epic. Why? Because its an interesting look on how Bruce Wayne would handle himself in his later years with excellent action sequences and crisp dialogue. There's really only one thing bad about this, and that is the lack of Joker. Sure he's in it, but he's not really as important to the plot as he should have been. And he's camper than ever. But aside from that, buy it. It should tickle your fetish.
Excellent read, but not as involving as Pandora's Star/Judas Unchained, 05 Jan 2009
I picked this book up after rattling through the Pandora's Star/Judas unchained series, which I loved.
This book is written in a very similar manner, and is similarly entertaining.
There are 2 differing strand styles, one being high tech, set in the commonwealth 1500 years after the events of the books mentioned above. The other strand is more fantasy style, which I actually really enjoyed - when I hit the first chapter like this, I thought I would struggle with it, but it was pretty good.
Like his other work Hamilton does an excellent job of painting interesting characters that you care about - I feel this is one of his main strengths, and it comes through strongly here.
The single star I've taken off is that the overall story isn't quite as gripping as the Pandora's Star one, and therefore the book doesn't quite grab you in the same way. however, this being a trilogy, it may well develop more in the later books.
In summary, an excellent read. If you enjoyed the Pandora's Star saga, you will definitely enjoy this. If you haven't read the Pandora's Star books, go and read them first!
A personal void, 13 Nov 2008
I read about 20 pages then skipped to 50 and then gave up. This type of sci-fi epic is not for me...or perhaps it is because I very much like Iain Banks but this one left me cold.
I think it was the relentless gadget name-dropping that did it eg x took the anti-grav hopper to the sun-port, not forgetting his zero-g hank'..shut up shut up..arrrghhh
the thought of 500+ pages of this made me put it swiftly aside.
Hamilton back to his best!, 05 Nov 2008
There's already too many large reviews regarding this book, so I'm only going to say that this book is "Hamilton back to his best"! Easily on a par with the Nights Dawn trilogy - I might even buy the Temporal Void hard-cover version as I can't wait for the paperback!!
Great start to a new trilogy, 04 Oct 2008
This is a really good first book in the new series. Its good to have some continuity from the previous trilogy as those that read the Commonwealth trilogy can immediately relate. At the same time thigs are different enought to allow new avenues to be explored. Wheras the first book in some of Peter Hamilton's series can be a bit slow, this one gets of to a flying start and keeps you interested all of the way.
A very good read - can't wait until the next two are available in paperback.
Great fun, gripping read, can't wait for the next one!, 26 Sep 2008
Surprised by the number of low ratings the book has received.
Yes the book is telling two stories, one low tech tale of child-to adult 'fantasy' genre type and another a high tech futuristic mystery thriller.
The tales are intertwined and both are exciting. Can't wait for the next book, already on order!
Exciting!, 28 Dec 2008
So far its a really exciting book because I'm just waiting to see what happens as I am very nearly at the end. Its very good the book, everyone should read it. My mummy reads it very well to me. I really like it because its fascinating to think that you can go back in time. Its full of magic in the garden and my favourite character is Hatty because she's sort of like me (tom-boy). by Eloise Aged 8.
a story for all time, all ages, 20 Jul 2008
This is a classic story for children, set in the 50's, it is about time, memory and friendship.
Tom, lonely and isolated as he is in quarantine, finds his way back in time, at night (when the hall clock strikes 13), to a wonderful old garden and a little girl called Hattie, who, to his curiosity, is dressed in old fashioned clothes. The two lonely children become friends and I don't want to give away the beautifully devoloped plot, but Tom slowly realises that Hattie is growing up, while he remains the sam | | |