|
Browse categories
|
 |
|
|
|
|
 |
|
|
 Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in.
Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards.
|
|
|
 |
|
|
 |
|
|
 |
|
|
 |
|
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in.
Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards.
Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book.
Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise.
Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not!
Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5.
All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book.
|
|
|
 |
|
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in.
Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards.
Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book.
Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise.
Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not!
Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5.
All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book.
Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star
Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money.
Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, what a hard drive is... is this really essential?) and I wonder how many pages would actually be in the book if they were to take out the seemingly useless information.
Basically, I think Pipes has missed his market, I think there is too much text which feels like 'filler', and not enough visuals to whet the appetite and make me enthusiastic and energetic about drawing/sketching.
|
|
|
 |
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in. Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards. Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book. Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise. Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not! Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5. All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book. Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money. Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, what a hard drive is... is this really essential?) and I wonder how many pages would actually be in the book if they were to take out the seemingly useless information.
Basically, I think Pipes has missed his market, I think there is too much text which feels like 'filler', and not enough visuals to whet the appetite and make me enthusiastic and energetic about drawing/sketching.
Good book, 12 Mar 2008
this book is great if you need examples for design.it has concrete to ,steel ,masonry,composite and timber all of them to BS.then it has the same chapters but to Eurocodes.overall a very useful book for practice,not for theory. great book for civil /structural engineers, 09 Nov 2006
This is a brilliant work. Written in a clear and professional manner. It is the most comprehensive coverage in structural analysis and design in 4 different materials (concrete,steel, masonry and timber).
It's clear explanation of the principles and philosophy of design is enlightening. Further treatment of the Codes of Practice (British and Eurocodes) makes it a book for both the old practitioner and the young student engineer. Get it in your shelf. It's worth the money. I know the guy!, 02 Dec 2003
I was his student at UCL and he knows the subject! It is a very good book in terms of general member sizing. It has everything you need to know for day to day detailing but do not expect much in terms of structural analysis. Civil Engineers must have it on their libraries, the students should sleep with it on their sides! It is a 5 star for what it offers!
Essential reading, 03 Sep 2003
For those studying civ eng, this book will get you through your structural element design exams. As part of our core text at Loughborough, it was undoubtedly the most useful book we had. If you buy just one book for your civ eng course. this is the one you need.
A really helpfull guide for engineers and students, 18 Apr 2003
This is a book that represents not only the present, but also the future. The book is divided in two parts, the first part is an analysis of the latest British Standards (Concrete, Steel, Masonry and Timber with a reference to Wind Loads) including many solved examples. The second part is dedicated to the analysis of Eurocodes including examples on structural analysis of different materials (same as the first part)and various structural forms. The author have done a brilliant work in terms of the code's explaination, something that makes the book a unique guide for the students of Civil and Structural Engineering. However, it is poor in structural analysis of foundation members since it covers only the analysis of footing pads (no pilecap or pile analysis included).
|
|
|
 |
The Art of Electronics
|
Paul HorowitzWinfield Hill;
;
|
|
Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
|
*Amazon: £46.71
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in. Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards. Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book. Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise. Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not! Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5. All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book. Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money. Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, what a hard drive is... is this really essential?) and I wonder how many pages would actually be in the book if they were to take out the seemingly useless information.
Basically, I think Pipes has missed his market, I think there is too much text which feels like 'filler', and not enough visuals to whet the appetite and make me enthusiastic and energetic about drawing/sketching.
Good book, 12 Mar 2008
this book is great if you need examples for design.it has concrete to ,steel ,masonry,composite and timber all of them to BS.then it has the same chapters but to Eurocodes.overall a very useful book for practice,not for theory. great book for civil /structural engineers, 09 Nov 2006
This is a brilliant work. Written in a clear and professional manner. It is the most comprehensive coverage in structural analysis and design in 4 different materials (concrete,steel, masonry and timber).
It's clear explanation of the principles and philosophy of design is enlightening. Further treatment of the Codes of Practice (British and Eurocodes) makes it a book for both the old practitioner and the young student engineer. Get it in your shelf. It's worth the money. I know the guy!, 02 Dec 2003
I was his student at UCL and he knows the subject! It is a very good book in terms of general member sizing. It has everything you need to know for day to day detailing but do not expect much in terms of structural analysis. Civil Engineers must have it on their libraries, the students should sleep with it on their sides! It is a 5 star for what it offers!
Essential reading, 03 Sep 2003
For those studying civ eng, this book will get you through your structural element design exams. As part of our core text at Loughborough, it was undoubtedly the most useful book we had. If you buy just one book for your civ eng course. this is the one you need.
A really helpfull guide for engineers and students, 18 Apr 2003
This is a book that represents not only the present, but also the future. The book is divided in two parts, the first part is an analysis of the latest British Standards (Concrete, Steel, Masonry and Timber with a reference to Wind Loads) including many solved examples. The second part is dedicated to the analysis of Eurocodes including examples on structural analysis of different materials (same as the first part)and various structural forms. The author have done a brilliant work in terms of the code's explaination, something that makes the book a unique guide for the students of Civil and Structural Engineering. However, it is poor in structural analysis of foundation members since it covers only the analysis of footing pads (no pilecap or pile analysis included).
Was a classic but now outdated, 30 Nov 2007
This book is an excellent introduction to electronics and as a practicing engineer I still find this book is useful to dip into as an aide memoir. The book is primarily practical, being at best sketchy on theory. Also much of the device specific information presented is now out of date (I guess H&H's expiry date was around 1985). These days the book would not be out of place in a museum of electronics history.
Good investment for the engineering student, 23 Mar 2007
As an electronic engineering graduate, this is the electronics Bible. It will definitely be useful for post practical reports like it was in my case, and it contains loads of useful references.
However, it's good to have a good book about circuit theory to better understand this book.
Then, It becomes a very good guide to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits.
It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with.
There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others.
If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed.
It's not cheap, but then it's a good investment
A classic! The first serious book about electronics you should buy!, 12 Mar 2007
If you are thinking about buying a book about electronics don't wait any longer. It is the most popular and complete book you can have. You will find everything you may ever want to know about electronics, designing electronics circuits, calculations, etc. It is not a book for beginners, though. There are plenty of mathematics, charts, definitions. It is great as a compendium for engineers and something you should buy if you no longer want to be a beginner.
For real world engineering, 15 Jun 2006
Some of the comments below say that this is not a great undergrads book. Well no, not for coursework (but great for your project work!). But AFTER you graduate you are quite likely to find that this is the only book you ever refer to. I threw my uni textbooks away years ago, I'm now on my third copy of this because people keep stealing it! Just wish someone would update it.
An essential book for electronics enthusiasts, 15 Oct 2002
As an electronics hobbyist, I must say that I can't rate this book highly enough. It is a very good introduction to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits. It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with. There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others. If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed. It's not cheap, but it's the best £45 I've paid out in a long time.
|
|
|
 |
|
|
 |
|
|
 |
|
|
 |
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in. Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards. Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book. Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise. Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not! Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5. All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book. Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money. Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, what a hard drive is... is this really essential?) and I wonder how many pages would actually be in the book if they were to take out the seemingly useless information.
Basically, I think Pipes has missed his market, I think there is too much text which feels like 'filler', and not enough visuals to whet the appetite and make me enthusiastic and energetic about drawing/sketching.
Good book, 12 Mar 2008
this book is great if you need examples for design.it has concrete to ,steel ,masonry,composite and timber all of them to BS.then it has the same chapters but to Eurocodes.overall a very useful book for practice,not for theory. great book for civil /structural engineers, 09 Nov 2006
This is a brilliant work. Written in a clear and professional manner. It is the most comprehensive coverage in structural analysis and design in 4 different materials (concrete,steel, masonry and timber).
It's clear explanation of the principles and philosophy of design is enlightening. Further treatment of the Codes of Practice (British and Eurocodes) makes it a book for both the old practitioner and the young student engineer. Get it in your shelf. It's worth the money. I know the guy!, 02 Dec 2003
I was his student at UCL and he knows the subject! It is a very good book in terms of general member sizing. It has everything you need to know for day to day detailing but do not expect much in terms of structural analysis. Civil Engineers must have it on their libraries, the students should sleep with it on their sides! It is a 5 star for what it offers!
Essential reading, 03 Sep 2003
For those studying civ eng, this book will get you through your structural element design exams. As part of our core text at Loughborough, it was undoubtedly the most useful book we had. If you buy just one book for your civ eng course. this is the one you need.
A really helpfull guide for engineers and students, 18 Apr 2003
This is a book that represents not only the present, but also the future. The book is divided in two parts, the first part is an analysis of the latest British Standards (Concrete, Steel, Masonry and Timber with a reference to Wind Loads) including many solved examples. The second part is dedicated to the analysis of Eurocodes including examples on structural analysis of different materials (same as the first part)and various structural forms. The author have done a brilliant work in terms of the code's explaination, something that makes the book a unique guide for the students of Civil and Structural Engineering. However, it is poor in structural analysis of foundation members since it covers only the analysis of footing pads (no pilecap or pile analysis included).
Was a classic but now outdated, 30 Nov 2007
This book is an excellent introduction to electronics and as a practicing engineer I still find this book is useful to dip into as an aide memoir. The book is primarily practical, being at best sketchy on theory. Also much of the device specific information presented is now out of date (I guess H&H's expiry date was around 1985). These days the book would not be out of place in a museum of electronics history.
Good investment for the engineering student, 23 Mar 2007
As an electronic engineering graduate, this is the electronics Bible. It will definitely be useful for post practical reports like it was in my case, and it contains loads of useful references.
However, it's good to have a good book about circuit theory to better understand this book.
Then, It becomes a very good guide to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits.
It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with.
There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others.
If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed.
It's not cheap, but then it's a good investment
A classic! The first serious book about electronics you should buy!, 12 Mar 2007
If you are thinking about buying a book about electronics don't wait any longer. It is the most popular and complete book you can have. You will find everything you may ever want to know about electronics, designing electronics circuits, calculations, etc. It is not a book for beginners, though. There are plenty of mathematics, charts, definitions. It is great as a compendium for engineers and something you should buy if you no longer want to be a beginner.
For real world engineering, 15 Jun 2006
Some of the comments below say that this is not a great undergrads book. Well no, not for coursework (but great for your project work!). But AFTER you graduate you are quite likely to find that this is the only book you ever refer to. I threw my uni textbooks away years ago, I'm now on my third copy of this because people keep stealing it! Just wish someone would update it.
An essential book for electronics enthusiasts, 15 Oct 2002
As an electronics hobbyist, I must say that I can't rate this book highly enough. It is a very good introduction to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits. It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with. There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others. If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed. It's not cheap, but it's the best £45 I've paid out in a long time.
Very, very handy, 29 Aug 2007
I have found this book packed with very useful, practical and pragmatic information. Particularly the sections on contracts and copyright are a must for anyone who does not wish to fall into a trap. The important thing in a contract is often what's not in it!
Written in an easy to understand style and prose, I can only recommend this book to all aspiring artists.
|
|
|
 |
|
Daniel Eatock Imprint
Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
|
*Amazon: £17.28
|
|
|
|
|
|
 |
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in. Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards. Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book. Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise. Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not! Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5. All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book. Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money. Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, what a hard drive is... is this really essential?) and I wonder how many pages would actually be in the book if they were to take out the seemingly useless information.
Basically, I think Pipes has missed his market, I think there is too much text which feels like 'filler', and not enough visuals to whet the appetite and make me enthusiastic and energetic about drawing/sketching.
Good book, 12 Mar 2008
this book is great if you need examples for design.it has concrete to ,steel ,masonry,composite and timber all of them to BS.then it has the same chapters but to Eurocodes.overall a very useful book for practice,not for theory. great book for civil /structural engineers, 09 Nov 2006
This is a brilliant work. Written in a clear and professional manner. It is the most comprehensive coverage in structural analysis and design in 4 different materials (concrete,steel, masonry and timber).
It's clear explanation of the principles and philosophy of design is enlightening. Further treatment of the Codes of Practice (British and Eurocodes) makes it a book for both the old practitioner and the young student engineer. Get it in your shelf. It's worth the money. I know the guy!, 02 Dec 2003
I was his student at UCL and he knows the subject! It is a very good book in terms of general member sizing. It has everything you need to know for day to day detailing but do not expect much in terms of structural analysis. Civil Engineers must have it on their libraries, the students should sleep with it on their sides! It is a 5 star for what it offers!
Essential reading, 03 Sep 2003
For those studying civ eng, this book will get you through your structural element design exams. As part of our core text at Loughborough, it was undoubtedly the most useful book we had. If you buy just one book for your civ eng course. this is the one you need.
A really helpfull guide for engineers and students, 18 Apr 2003
This is a book that represents not only the present, but also the future. The book is divided in two parts, the first part is an analysis of the latest British Standards (Concrete, Steel, Masonry and Timber with a reference to Wind Loads) including many solved examples. The second part is dedicated to the analysis of Eurocodes including examples on structural analysis of different materials (same as the first part)and various structural forms. The author have done a brilliant work in terms of the code's explaination, something that makes the book a unique guide for the students of Civil and Structural Engineering. However, it is poor in structural analysis of foundation members since it covers only the analysis of footing pads (no pilecap or pile analysis included).
Was a classic but now outdated, 30 Nov 2007
This book is an excellent introduction to electronics and as a practicing engineer I still find this book is useful to dip into as an aide memoir. The book is primarily practical, being at best sketchy on theory. Also much of the device specific information presented is now out of date (I guess H&H's expiry date was around 1985). These days the book would not be out of place in a museum of electronics history.
Good investment for the engineering student, 23 Mar 2007
As an electronic engineering graduate, this is the electronics Bible. It will definitely be useful for post practical reports like it was in my case, and it contains loads of useful references.
However, it's good to have a good book about circuit theory to better understand this book.
Then, It becomes a very good guide to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits.
It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with.
There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others.
If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed.
It's not cheap, but then it's a good investment
A classic! The first serious book about electronics you should buy!, 12 Mar 2007
If you are thinking about buying a book about electronics don't wait any longer. It is the most popular and complete book you can have. You will find everything you may ever want to know about electronics, designing electronics circuits, calculations, etc. It is not a book for beginners, though. There are plenty of mathematics, charts, definitions. It is great as a compendium for engineers and something you should buy if you no longer want to be a beginner.
For real world engineering, 15 Jun 2006
Some of the comments below say that this is not a great undergrads book. Well no, not for coursework (but great for your project work!). But AFTER you graduate you are quite likely to find that this is the only book you ever refer to. I threw my uni textbooks away years ago, I'm now on my third copy of this because people keep stealing it! Just wish someone would update it.
An essential book for electronics enthusiasts, 15 Oct 2002
As an electronics hobbyist, I must say that I can't rate this book highly enough. It is a very good introduction to the fundamentals of electronics, such as how transistors behave, as well as having a large number of "cookbook" examples of good and bad circuits. It is written in a nice, easy, informal style, without heavy emphasis on mathematics. Although it is the kind of book you can dip into, it is actually readable enough to sit down with and read whole chapters - and there are precious few reference books you can do that with. There are sections on transistors, FETs, discrete analogue circuits, timers, op-amps, how DACs and ADCs work (essential if you are doing any serious work with them), how to drive logic signals over large distances and why you need special line drivers, RS232 and UART operation, address decoding for peripherals, driving multiplexed displays, and many others. If there is a downside to this book, it is that the specific information in the microprocessor section is a little dated. (The reference design uses a 68008, for example, although it does list the 68040 and 80486 as available.) However, the general principles of logic-driven designs are still sound, even if some of the actual specific devices have changed. It's not cheap, but it's the best £45 I've paid out in a long time.
Very, very handy, 29 Aug 2007
I have found this book packed with very useful, practical and pragmatic information. Particularly the sections on contracts and copyright are a must for anyone who does not wish to fall into a trap. The important thing in a contract is often what's not in it!
Written in an easy to understand style and prose, I can only recommend this book to all aspiring artists.
A poor example to follow, 20 Nov 2006
The back cover claims that this is "The definitive guide to draughting to the latest ISO Standards, incorporating BS 8888". I cannot agree. This book seems to be a partial revision of a school or undergraduate drawing textbook. The authors might have achieved their objective if they had started from scratch. As it is, it would be better to call it a Rough Guide. It will be useful to beginners, but it is certainly not "definitive".
The description of CAD systems in chapter 3 is heavily biased towards AutoCad, even when describing 3D programmes, in which they have never been dominant. The screenshot examples shown, over five pages, are taken as much from architecture as engineering, and are poorly reproduced. Captions are minimal, and the relevance to engineering of a dragonfly flying over a pond is hard to see. Two potentially informative screenshots of drawings in progress seem to have been printed in soot. The clarity and sharpness of a screen image is entirely lost. The authors appear to have shares in Mechsoft and the inclusion of two pages of AutoCad publicity material do little to advance the subject. The space would have been better used to illustrate the working methods of CAD programmes, particularly showing the difference between 2D and 3D work, and explaining the significance of Surface and Solid modelling, leading on to Hybrid programmes. The further use of 3D models for stress, heat flow, or fluid dynamics could have been illustrated.
After pointing out on page 6 that the comma is to be the decimal marker, it is odd that the majority of drawings shown use the full stop, or point. The diameter symbol shown in the text does not agree with that shown in some illustrations, but the use is inconsistent. In both cases the symbol is incorrect. The section on drawing nuts and bolts continues a method which has been a poor approximation for more than fifty years, but makes no mention of using stencils, or CAD libraries, which would give an accurate representation. Chapters 20 to 23 reproduce the symbols for geometrical tolerancing as provided by AutoCad, including the errors. It would have been better to show them proportioned correctly to the standard. Several examples seem to have abandoned the correct use of line thickness. Chapter 26 shows welding symbols to BS 499. The authors should be aware that this was superseded in 1995 by BS EN 22553. Some explanation of the previous ways of working may be needed, but the emphasis should be on the current standard. The engineering diagrams in chapter 27 give a small selection of symbols to current standards, but far more space is given over to poor or non standard examples. The symbols used are inconsistent and no account has been taken of Reference Designations as specified in BS EN 61346. The section on Heating and Ventilation diagrams drifts into design techniques, which would be better covered in a Design textbook. The chapter on bearings similarly becomes a design manual, but the one illustration of the representation of bearings on a drawing is badly printed and incorrect. To add insult to injury, the text states that the drawing is wrong, but it has not been corrected! The final chapter deals with designing with adhesives. No examples of drawings showing assembly with adhesives are given, and we are completely in the world of design, not draughting, techniques.
None of the finished drawings shown would be acceptable in my drawing office.
The authors need to decide whether they are producing a Draughting or a Design Manual. The illustrations should ALL be up to date with the latest standards they claim to be presenting, and comply in every detail. They should represent the best of the draughtsman's art, not the typical products of those who have not kept up to date with the standards.
A must have reference manual for students and the workplace., 04 Nov 2003
Very well written, clear and concise manual for Engineering Drawing to British Standards. It does exactly what it says on the cover. And it's in English too!!!!!! It's an important point to make that this book is written to British Standards, in metric, not ANSI or other, in imperial. Many similar titles are written to ANSI or have included imperial or older standards and will have all the references to feet and inches or American standards. It is very difficult to find a technical drawing / drafting book in plain English. Perfect for students to learn from and (in my case) a brilliant reference guide in the workplace. My only negative issue is how long I've waited for this book to come out, it has been on back order for over a year now!
A useful handbook, 10 Dec 2002
This is a good reference book for anyone who needs to create engineering drawings. The emphasis is mainly on mechanical components, although there are sections on electronic and automotive circuit diagrams and heating and ventilation layouts. There is little if anything on civil, structural or architectural drawings however. References to relevant british and ISO standards are guiven throughout, and the book is well written, conscise and well laid out.
|
|
|
 |
|
|
 |
|
|
 |
|
|
|
Customer Reviews
the perfect balance, 23 Oct 2008
what more could you want from a book about manufacturing...its perfect not too much text but loads of really good info... a must for any design student :) really easy to flick through and take in.
Essential for product designers., 18 Aug 2007
I've recently purchased this book, and am so impressed with the amount of information packed into this attractive handbook. The book made up part of my reading list for the start of my course in September, and I know it's going to be the ultimate resource when it comes to choosing suitable materials and processes in relation to a breif. A must for anyone serious about design, suitable from As level and upwards.
Three strikes in one attempt.., 06 Jun 2008
If the authors knew anything /at all/ about usability, increasing appeal or design decisions, they would've come up with a significantly shorter title.
I would never consider buying this book.
Design with reason, 22 May 2007
A fantastic book that serves as an introducer to governing theories and principles in all aspects of design, from Gesalt to Fitt's Law laid out in a way that means the information is immediately accessible within seconds without the need to read a tome of text. If you want to add more reason to your work and feel like your skills are without depth of knowledge, this book will help you justify those decisions where 'you just did it because it looks right (but cant explain why, to yourself or your peers)' and help you understand why other solutions you come up with don't receive the same praise.
Simple and direct, 07 Mar 2007
Altough the aesthetics of this book are on the "cold" side and in may ways not in keeping with the information, I think that this is a super book. Any designer should read this book and consider the information, too many books are more interested in the "look" rather than the content. It makes you look more deeply into why some things work and why other don't. Simple to read and understand. I do know what another read said by it being like a school book, but look past that and you will have learned, which is the whole point of a book like this, is it not!
Fantastic Book, 13 Dec 2006
This book is fantastic for all people who are either studying some kind of design subject at University (like myself) or even if you are already a designer.
The books simple layout, easy to understand text and references to popular culture and popular products/companies (such as Google, Yamaha and Lionhead Studios).
This book also presents design ideas that you would not have otherwise thought of. Such as the 80/20 rule and Ockham's Razor.
Overall, I give this book 5/5.
All the concepts you'll ever refer to, 27 Sep 2006
This is a compendium of concepts, ideas, movements, buzzwords, that cover an enormous range - from Occam's Razor to the 80/20 rule - but which all contribute to design thinking. Depending on where you're coming from you'll find some of the content very familiar and obvious, but other parts will have you saying "Ah, so that's where that comes from" while others will be concepts you've never come across before. The joy of it is that everyone will find different principles familar, interesting, new, relevant, etc.
The book is beautifully produced, easy to refer back to and a pleasure to read.
It would be fun to see a linked web site that solicited ideas for inclusion in a second volume. My personal vote would go to Pattern Languages, inexplicably missing from the original. This is my only point of argument with this lovely book.
Mixed up, 15 Sep 2008
Being a professional design teacher for new design students I think this book lacks structure and depth in the topics it treats. There are many inspirational pictures and examples of mixed techniques the may inspire, and the book is well made and presented therefore an extra star
Excellent introduction to contemporary design methods, 10 Aug 2008
This book works, not because it shows one how to master any particular technique in detail, but, because it shows how a vast array of contemporary design tools and techniques can be bought together to communicate design intent. Alan Pipes has sourced some astounding examples of modern technical illustration and has put together some very revealing case studies.
I do agree with the previous reviewer that some techniques are not covered in enough detail to develop mastery and that there are sections where it is a little hard to understand who exactly the author is thinking of when he wrote them. However the book's real value is showing how traditional skills as well as computer based methods an be used with equal value. How a sketch with a bic biro, a conventional orthographic drawing, a ray traced 3d solid model and a photoshop manipulated image all have value in the product design process. The only notable omission for me was any real investigation of Computer Aided Manufacturing, one might be left with the impression that the only value of a cad model was to produce hyper realistic illustrations.
This said Alan Pipes should be congratulated on this and excellent reference volume and at the amazon price suberb value for money.
Not sure what it's aim is..., 02 Apr 2008
As a fussy professional designer I am forever trying to improve all of my skills, and although a competent and descriptive sketcher, I thought buying this book might have some more indications as to areas I can do exercises in to improve my sketching even further; please note this is not the case, this is NOT a 'tutorials' book.
I'm a bit confused by this book, I'm not sure what it's aiming to do! It was a toss up between this book and 'Sketching: Drawing Techniques for Product Designers' (yes, I realise sketching is different to drawing). Too much text, not enough visuals which I wasn't really expecting. What was/is interesting is seeing the difference of drawing from the Italian designers (i.e. Perry King) and current American designers (Michael DiTullo). I feel the information sometimes goes way off course (i.e. describing what a computer is, what RAM is, wh | | |