you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

Fascinating book!, 20 Feb 2008
I only just received the book but it is truly amazing! I was immediately taken by it -- full of illustrations of gorgeous art glass and every one is accompanied by an explanation of thetechnique. Will revise this review later on.

This book is a Bible, 27 May 2005
If you are interested in kiln formed glass this book will have you hooked! It explains all the processes and has good examples of other artists work! A must for a glass student!

Excellent comprehensive reference, 02 Nov 2004
As the kiln-formed glass tutor at York College, you may take this with a pinch of salt after reading the previous review, but I find this book an excellent reference for glass students, technicians and tutors alike. Anyone even thinking of working with glass should know that temperatures documented in books such as this are intended as a guide rather than specific as all kilns fire differently and tests should be made every time, for every project undertaken regardless. I constantly use this book as reference in my own lessons and find the detailed instructions for fusing, slumping and all forms of casting very helpful. There are lists of materials and their uses along with large colour photos which not only show the brilliance of the material and the range of techniques, but also give inspiration for ideas and applications. If you are an absolute beginner this book can be rather daunting as the language used is not too friendly and is very in-depth for people who are used to project-based books, but the images and the sheer weight of information make up for this.

If you are looking for a step-by-step guide, or for someone to have done all the research and development work for you, this is not the book for you. If you are really interested in investigation and creativity within kiln-formed glass and using it as an art-form rather than just a means of creating a fancy ashtray, this book is fantastic and I have never found another quite so comprehensive and inspirational.

More than just an update, 05 Sep 2003
This book is described as being a 'new version of Keith Cummings classic book' (from about 1982) with the same title. It is far more than an update.

Both the art forms and the technology have moved on significantly in the past 20 years and this book has captured those developments but maintained the links to the past - so much of what do today is a rediscovery or reinvention of a long lost technique and books such as this provide not only the knowledge but inspiration to take these processes further.

The only downside of the book is the formal nature of its text - my personal preference is for slightly less restrained style. The book is beautifully illustrated with colour plates, black and white photographs and line drawings used to their best effect.

This book has quickly become one of my most loved and it is my constant companion - I always seem to find something new in it.

Innaccurate and misleading, 03 Jul 2001
I am a glass student, who has countlessly had my lecturer tell me to buy this book. I ended up buying it and i must say, it is terrible! This is so frustrating when you see some of the techniques that you like which don't even have temperatures assigned to them, so what's the point? In one instance, the book demonstrates that glass at 550 degrees celcius will bend, but after running my own kiln test this was proved to be not the case. The only piece of infomation that I found useful in this book was the temperature diagram; this should be taken with a pinch of salt since this, too had innaccuracies.

This book does contain some very pretty pictures and describes techniques briefly - but there is certainly no detail to work from. My advice after reading this book or review would be to run your OWN tests first.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

Fascinating book!, 20 Feb 2008
I only just received the book but it is truly amazing! I was immediately taken by it -- full of illustrations of gorgeous art glass and every one is accompanied by an explanation of thetechnique. Will revise this review later on.

This book is a Bible, 27 May 2005
If you are interested in kiln formed glass this book will have you hooked! It explains all the processes and has good examples of other artists work! A must for a glass student!

Excellent comprehensive reference, 02 Nov 2004
As the kiln-formed glass tutor at York College, you may take this with a pinch of salt after reading the previous review, but I find this book an excellent reference for glass students, technicians and tutors alike. Anyone even thinking of working with glass should know that temperatures documented in books such as this are intended as a guide rather than specific as all kilns fire differently and tests should be made every time, for every project undertaken regardless. I constantly use this book as reference in my own lessons and find the detailed instructions for fusing, slumping and all forms of casting very helpful. There are lists of materials and their uses along with large colour photos which not only show the brilliance of the material and the range of techniques, but also give inspiration for ideas and applications. If you are an absolute beginner this book can be rather daunting as the language used is not too friendly and is very in-depth for people who are used to project-based books, but the images and the sheer weight of information make up for this.

If you are looking for a step-by-step guide, or for someone to have done all the research and development work for you, this is not the book for you. If you are really interested in investigation and creativity within kiln-formed glass and using it as an art-form rather than just a means of creating a fancy ashtray, this book is fantastic and I have never found another quite so comprehensive and inspirational.

More than just an update, 05 Sep 2003
This book is described as being a 'new version of Keith Cummings classic book' (from about 1982) with the same title. It is far more than an update.

Both the art forms and the technology have moved on significantly in the past 20 years and this book has captured those developments but maintained the links to the past - so much of what do today is a rediscovery or reinvention of a long lost technique and books such as this provide not only the knowledge but inspiration to take these processes further.

The only downside of the book is the formal nature of its text - my personal preference is for slightly less restrained style. The book is beautifully illustrated with colour plates, black and white photographs and line drawings used to their best effect.

This book has quickly become one of my most loved and it is my constant companion - I always seem to find something new in it.

Innaccurate and misleading, 03 Jul 2001
I am a glass student, who has countlessly had my lecturer tell me to buy this book. I ended up buying it and i must say, it is terrible! This is so frustrating when you see some of the techniques that you like which don't even have temperatures assigned to them, so what's the point? In one instance, the book demonstrates that glass at 550 degrees celcius will bend, but after running my own kiln test this was proved to be not the case. The only piece of infomation that I found useful in this book was the temperature diagram; this should be taken with a pinch of salt since this, too had innaccuracies.

This book does contain some very pretty pictures and describes techniques briefly - but there is certainly no detail to work from. My advice after reading this book or review would be to run your OWN tests first.

Must Have, 20 Dec 2007
This is probably the bible for all ceramics students but make sure you get the latest edition (5th at the time of writing) it just gets better...

A "must-have" reference book, 06 Mar 2001
If you had to choose only one book on pottery, this is the one to put on your easy-to-reach shelf. I've had my well-thumbed volume for 16 years, since leaving my other bottomless source of information behind at college (my tutor). Not a book to find inspiration in (there are a 1001 glossy picture-books & magazines about for that), but an invaluable reference to get precise information from. Easy to use, loaded with photos, drawings, diagrams, graphs & tables on everything from A to Zirconium Silicate. If you're a serious pottery maker, professional or amateur, teacher or hobbyist, this is the only "must-have" for answers to your questions, queries & problems.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

Fascinating book!, 20 Feb 2008
I only just received the book but it is truly amazing! I was immediately taken by it -- full of illustrations of gorgeous art glass and every one is accompanied by an explanation of thetechnique. Will revise this review later on.

This book is a Bible, 27 May 2005
If you are interested in kiln formed glass this book will have you hooked! It explains all the processes and has good examples of other artists work! A must for a glass student!

Excellent comprehensive reference, 02 Nov 2004
As the kiln-formed glass tutor at York College, you may take this with a pinch of salt after reading the previous review, but I find this book an excellent reference for glass students, technicians and tutors alike. Anyone even thinking of working with glass should know that temperatures documented in books such as this are intended as a guide rather than specific as all kilns fire differently and tests should be made every time, for every project undertaken regardless. I constantly use this book as reference in my own lessons and find the detailed instructions for fusing, slumping and all forms of casting very helpful. There are lists of materials and their uses along with large colour photos which not only show the brilliance of the material and the range of techniques, but also give inspiration for ideas and applications. If you are an absolute beginner this book can be rather daunting as the language used is not too friendly and is very in-depth for people who are used to project-based books, but the images and the sheer weight of information make up for this.

If you are looking for a step-by-step guide, or for someone to have done all the research and development work for you, this is not the book for you. If you are really interested in investigation and creativity within kiln-formed glass and using it as an art-form rather than just a means of creating a fancy ashtray, this book is fantastic and I have never found another quite so comprehensive and inspirational.

More than just an update, 05 Sep 2003
This book is described as being a 'new version of Keith Cummings classic book' (from about 1982) with the same title. It is far more than an update.

Both the art forms and the technology have moved on significantly in the past 20 years and this book has captured those developments but maintained the links to the past - so much of what do today is a rediscovery or reinvention of a long lost technique and books such as this provide not only the knowledge but inspiration to take these processes further.

The only downside of the book is the formal nature of its text - my personal preference is for slightly less restrained style. The book is beautifully illustrated with colour plates, black and white photographs and line drawings used to their best effect.

This book has quickly become one of my most loved and it is my constant companion - I always seem to find something new in it.

Innaccurate and misleading, 03 Jul 2001
I am a glass student, who has countlessly had my lecturer tell me to buy this book. I ended up buying it and i must say, it is terrible! This is so frustrating when you see some of the techniques that you like which don't even have temperatures assigned to them, so what's the point? In one instance, the book demonstrates that glass at 550 degrees celcius will bend, but after running my own kiln test this was proved to be not the case. The only piece of infomation that I found useful in this book was the temperature diagram; this should be taken with a pinch of salt since this, too had innaccuracies.

This book does contain some very pretty pictures and describes techniques briefly - but there is certainly no detail to work from. My advice after reading this book or review would be to run your OWN tests first.

Must Have, 20 Dec 2007
This is probably the bible for all ceramics students but make sure you get the latest edition (5th at the time of writing) it just gets better...

A "must-have" reference book, 06 Mar 2001
If you had to choose only one book on pottery, this is the one to put on your easy-to-reach shelf. I've had my well-thumbed volume for 16 years, since leaving my other bottomless source of information behind at college (my tutor). Not a book to find inspiration in (there are a 1001 glossy picture-books & magazines about for that), but an invaluable reference to get precise information from. Easy to use, loaded with photos, drawings, diagrams, graphs & tables on everything from A to Zirconium Silicate. If you're a serious pottery maker, professional or amateur, teacher or hobbyist, this is the only "must-have" for answers to your questions, queries & problems.

Easy to use, inspirational designs, 02 Aug 2007
I got this book out of the library & found it invaluable in my pottery course. It has step by step instructions with great photos, so it really helps you master the different techniques needed. I also thought the projects were simple enough to follow but still managed to produce professional & inspirational looking pieces. I would definitely recommend this book if you are taking up pottery classes.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

Fascinating book!, 20 Feb 2008
I only just received the book but it is truly amazing! I was immediately taken by it -- full of illustrations of gorgeous art glass and every one is accompanied by an explanation of thetechnique. Will revise this review later on.

This book is a Bible, 27 May 2005
If you are interested in kiln formed glass this book will have you hooked! It explains all the processes and has good examples of other artists work! A must for a glass student!

Excellent comprehensive reference, 02 Nov 2004
As the kiln-formed glass tutor at York College, you may take this with a pinch of salt after reading the previous review, but I find this book an excellent reference for glass students, technicians and tutors alike. Anyone even thinking of working with glass should know that temperatures documented in books such as this are intended as a guide rather than specific as all kilns fire differently and tests should be made every time, for every project undertaken regardless. I constantly use this book as reference in my own lessons and find the detailed instructions for fusing, slumping and all forms of casting very helpful. There are lists of materials and their uses along with large colour photos which not only show the brilliance of the material and the range of techniques, but also give inspiration for ideas and applications. If you are an absolute beginner this book can be rather daunting as the language used is not too friendly and is very in-depth for people who are used to project-based books, but the images and the sheer weight of information make up for this.

If you are looking for a step-by-step guide, or for someone to have done all the research and development work for you, this is not the book for you. If you are really interested in investigation and creativity within kiln-formed glass and using it as an art-form rather than just a means of creating a fancy ashtray, this book is fantastic and I have never found another quite so comprehensive and inspirational.

More than just an update, 05 Sep 2003
This book is described as being a 'new version of Keith Cummings classic book' (from about 1982) with the same title. It is far more than an update.

Both the art forms and the technology have moved on significantly in the past 20 years and this book has captured those developments but maintained the links to the past - so much of what do today is a rediscovery or reinvention of a long lost technique and books such as this provide not only the knowledge but inspiration to take these processes further.

The only downside of the book is the formal nature of its text - my personal preference is for slightly less restrained style. The book is beautifully illustrated with colour plates, black and white photographs and line drawings used to their best effect.

This book has quickly become one of my most loved and it is my constant companion - I always seem to find something new in it.

Innaccurate and misleading, 03 Jul 2001
I am a glass student, who has countlessly had my lecturer tell me to buy this book. I ended up buying it and i must say, it is terrible! This is so frustrating when you see some of the techniques that you like which don't even have temperatures assigned to them, so what's the point? In one instance, the book demonstrates that glass at 550 degrees celcius will bend, but after running my own kiln test this was proved to be not the case. The only piece of infomation that I found useful in this book was the temperature diagram; this should be taken with a pinch of salt since this, too had innaccuracies.

This book does contain some very pretty pictures and describes techniques briefly - but there is certainly no detail to work from. My advice after reading this book or review would be to run your OWN tests first.

Must Have, 20 Dec 2007
This is probably the bible for all ceramics students but make sure you get the latest edition (5th at the time of writing) it just gets better...

A "must-have" reference book, 06 Mar 2001
If you had to choose only one book on pottery, this is the one to put on your easy-to-reach shelf. I've had my well-thumbed volume for 16 years, since leaving my other bottomless source of information behind at college (my tutor). Not a book to find inspiration in (there are a 1001 glossy picture-books & magazines about for that), but an invaluable reference to get precise information from. Easy to use, loaded with photos, drawings, diagrams, graphs & tables on everything from A to Zirconium Silicate. If you're a serious pottery maker, professional or amateur, teacher or hobbyist, this is the only "must-have" for answers to your questions, queries & problems.

Easy to use, inspirational designs, 02 Aug 2007
I got this book out of the library & found it invaluable in my pottery course. It has step by step instructions with great photos, so it really helps you master the different techniques needed. I also thought the projects were simple enough to follow but still managed to produce professional & inspirational looking pieces. I would definitely recommend this book if you are taking up pottery classes.

Its FANTASTIC, 05 Apr 2005
This book is amazing it is a world of knowledge and inspiration and has easy to follow instructions I'm totally hooked,I've ordered the rest of Maureens books and cant wait for more.Anyone who likes creating with clay will love this book.

Not only for polymer users, 29 Jun 2001
After 12 months of pottery classes I was still having tremendous difficult with faces. I came across the book "Friends and Family in Polymer Clay"by the same author. Why shouldn't the tequniques be used in ordinary clay modelling? Excellent...They can. I was so pleased that I rushed to buy this book next, with the same results. There is a certain amount of overlap between the 2 books but I recommend them both highly...polymer or not.

it will open your eye's, 08 Apr 2001
I used to play with fimo when i was younger now being a mum i wanted to start a hobbie so i turned to clay modeling.After days of pulling my hair out i thought a trip to the libary was a good idea.I took this book home and still had it after 6 months woooops.I couldnt let it go.I have read it more times than i can count.

It explains everything you need to know from all the different types of clay which is about to how to cook it.It explains how to do little characters to life like characters.It also has a trouble shooter chapter at the back incase your models turn out to look a little odd.There are many hints and tips and instruction's are sooo easy to understand.A must for any one looking to get into or already is into modeling. if you dont belive me get it out of the libary you will soon realise you have to buy it.BTW if you ask for it at my libary they will tell you there will be no chance......lol

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in your work by example. her photographs and sketchs are amazing, if you get a chance to meet with her in person and do a workshop you will be amazed at what she will encourage in you. this is a beautiful well thought out book which will inspire any artist who owns it.

A Great Source, 19 Feb 2003
This is not only a great source of inspiration for artists but also a fantastic eye opener and education for those who want to be enthused by every day life. It is a "must have" for anyone who is looking but not seeing what they are looking at.
Personally my favorite part of the book refers to reflections. In every lake, pond, puddle and sink of water I now see the reflections that Carolyn refers to as full of mystery and promise, and understand the atmosphere and moods that are created by the mirror image. How these are then transfered onto the beautiful pots in her work is fascinating.
A clever combination of Carolyn Genders inspiration for her work and also her obvious passion for life makes this book a one off and I would recommend it to anyone from any walk of life.

very useful, 25 Aug 2007
Detailed instructions and step-by-step photos, including very useful cutaway ones, for almost 20 different fairly simple projects. Since I've never liked using the wheel, it's great to find so many more books on handbuilding nowadays.

Good for beginner or intermediate!, 31 Dec 2006
I received this book for Christmas, and by New Year I had already read it cover to cover twice plus completed 2 of the suggested projects! Its totally absorbing, with very easy to follow diagrams, clear instructions and some great ideas on what to make by moulding, slabbing, pinching and coiling. I was a complete beginner at handbuilt techniques(although have thrown pots on the wheel), but still managed to produce some half decent results.

Mosaic Magic, 08 Sep 2008
A brilliant book! It has a range of projects from very simple, to more complex and caters for everyone from the novice to the more experienced mosaic artist.
Really good photos and step-by-step guides with templates in the back of the book to photocopy.
I'm looking forward to trying the projects in Angie's second book. In summary, an absolute must for anyone interested in making mosaics.

Essential Book for Collectors or Dealers, 05 Sep 2007
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.

A superb reference work for anyone interested in Pottery, 12 Mar 2001
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.

Just what I expected !, 04 Jan 2001
The designs are great and exactly what I wanted - complicated and elaborate! Though it's supposed to be a colouring book I did not colour the actual book as I bought the book more for the patterns rather than for colouring. The lines on the designs being quite thick make it easy for children to colour, also the material of the paper being thick tracing paper allows the light to come in through the paper making this book not a simple ordinary colouring book but one with a difference. When I came to using one of the designs what I did was to photocopy the design several times and then I experimented with colours on the copies I made until I got what I wanted. I then transferred the design on to a window pane with a special pencil, painted it with glass painting colours and voila! I had a beautiful Tiffany window pane.

A good book to have, 02 May 2008
A friend helped me use this book at university and it is a lovely cook book for glazes. very straight forward and easy to use. It is american based I believe, so there is sometimes a need to know the english version of a specific chemical glaze, but on the whole I just walked around the tubs of glaze scooping away. My friend Allen is excellent with ceramic glazes and he recommends it.

Fascinating book!, 20 Feb 2008
I only just received the book but it is truly amazing! I was immediately taken by it -- full of illustrations of gorgeous art glass and every one is accompanied by an explanation of thetechnique. Will revise this review later on.

This book is a Bible, 27 May 2005
If you are interested in kiln formed glass this book will have you hooked! It explains all the processes and has good examples of other artists work! A must for a glass student!

Excellent comprehensive reference, 02 Nov 2004
As the kiln-formed glass tutor at York College, you may take this with a pinch of salt after reading the previous review, but I find this book an excellent reference for glass students, technicians and tutors alike. Anyone even thinking of working with glass should know that temperatures documented in books such as this are intended as a guide rather than specific as all kilns fire differently and tests should be made every time, for every project undertaken regardless. I constantly use this book as reference in my own lessons and find the detailed instructions for fusing, slumping and all forms of casting very helpful. There are lists of materials and their uses along with large colour photos which not only show the brilliance of the material and the range of techniques, but also give inspiration for ideas and applications. If you are an absolute beginner this book can be rather daunting as the language used is not too friendly and is very in-depth for people who are used to project-based books, but the images and the sheer weight of information make up for this.

If you are looking for a step-by-step guide, or for someone to have done all the research and development work for you, this is not the book for you. If you are really interested in investigation and creativity within kiln-formed glass and using it as an art-form rather than just a means of creating a fancy ashtray, this book is fantastic and I have never found another quite so comprehensive and inspirational.

More than just an update, 05 Sep 2003
This book is described as being a 'new version of Keith Cummings classic book' (from about 1982) with the same title. It is far more than an update.

Both the art forms and the technology have moved on significantly in the past 20 years and this book has captured those developments but maintained the links to the past - so much of what do today is a rediscovery or reinvention of a long lost technique and books such as this provide not only the knowledge but inspiration to take these processes further.

The only downside of the book is the formal nature of its text - my personal preference is for slightly less restrained style. The book is beautifully illustrated with colour plates, black and white photographs and line drawings used to their best effect.

This book has quickly become one of my most loved and it is my constant companion - I always seem to find something new in it.

Innaccurate and misleading, 03 Jul 2001
I am a glass student, who has countlessly had my lecturer tell me to buy this book. I ended up buying it and i must say, it is terrible! This is so frustrating when you see some of the techniques that you like which don't even have temperatures assigned to them, so what's the point? In one instance, the book demonstrates that glass at 550 degrees celcius will bend, but after running my own kiln test this was proved to be not the case. The only piece of infomation that I found useful in this book was the temperature diagram; this should be taken with a pinch of salt since this, too had innaccuracies.

This book does contain some very pretty pictures and describes techniques briefly - but there is certainly no detail to work from. My advice after reading this book or review would be to run your OWN tests first.

Must Have, 20 Dec 2007
This is probably the bible for all ceramics students but make sure you get the latest edition (5th at the time of writing) it just gets better...

A "must-have" reference book, 06 Mar 2001
If you had to choose only one book on pottery, this is the one to put on your easy-to-reach shelf. I've had my well-thumbed volume for 16 years, since leaving my other bottomless source of information behind at college (my tutor). Not a book to find inspiration in (there are a 1001 glossy picture-books & magazines about for that), but an invaluable reference to get precise information from. Easy to use, loaded with photos, drawings, diagrams, graphs & tables on everything from A to Zirconium Silicate. If you're a serious pottery maker, professional or amateur, teacher or hobbyist, this is the only "must-have" for answers to your questions, queries & problems.

Easy to use, inspirational designs, 02 Aug 2007
I got this book out of the library & found it invaluable in my pottery course. It has step by step instructions with great photos, so it really helps you master the different techniques needed. I also thought the projects were simple enough to follow but still managed to produce professional & inspirational looking pieces. I would definitely recommend this book if you are taking up pottery classes.

Its FANTASTIC, 05 Apr 2005
This book is amazing it is a world of knowledge and inspiration and has easy to follow instructions I'm totally hooked,I've ordered the rest of Maureens books and cant wait for more.Anyone who likes creating with clay will love this book.

Not only for polymer users, 29 Jun 2001
After 12 months of pottery classes I was still having tremendous difficult with faces. I came across the book "Friends and Family in Polymer Clay"by the same author. Why shouldn't the tequniques be used in ordinary clay modelling? Excellent...They can. I was so pleased that I rushed to buy this book next, with the same results. There is a certain amount of overlap between the 2 books but I recommend them both highly...polymer or not.

it will open your eye's, 08 Apr 2001
I used to play with fimo when i was younger now being a mum i wanted to start a hobbie so i turned to clay modeling.After days of pulling my hair out i thought a trip to the libary was a good idea.I took this book home and still had it after 6 months woooops.I couldnt let it go.I have read it more times than i can count.

It explains everything you need to know from all the different types of clay which is about to how to cook it.It explains how to do little characters to life like characters.It also has a trouble shooter chapter at the back incase your models turn out to look a little odd.There are many hints and tips and instruction's are sooo easy to understand.A must for any one looking to get into or already is into modeling. if you dont belive me get it out of the libary you will soon realise you have to buy it.BTW if you ask for it at my libary they will tell you there will be no chance......lol

Your only restriction in pottery now, is your Immagination, 22 Jan 2002
Having seen a brief referance to paper clay in another book I was fasinated to find out more.
This book is a must for any potter. Paper clay is not cheating, it just makes your craft so much more enjoyable as nothing is impossible.
The book is easy to read and understand without making the reader feel they are being taught to 'suck eggs'. My only dismay was that I finished reading it too soon and was hungry for more idea's.

you need to own this book, 14 Sep 2007
I have been fortunate enough to meet with Carolyn Genders and watch her work, she is an inspiration and loves sharing her way of working. Carolyn's book is simply a must have for anyone interested in making ceramics it encourages you to look at things around you in a different way, and by documenting anything that takes your fancy or catches your eye carolyn's book shows how to use that in yo