Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

My favourite read of the year, 30 Sep 2008
There are some writers who just create seamless prose that reads like it's always been there on the page and they just traced over the words. Well, for me, this was one of those books. I loved it from beginning to end. It tells the story of Lev, an "economic migrant" from the East, and his search for work, and life. It is probably a little too rose tinted to be real, and I doubt there are many migrants so lucky as Lev, but I so wanted him to succeed.

Ok it's a fairy tale but a life affirming one, 30 Sep 2008
In language serious, studied, courtly and old-fashioned RT takes us straight into the mind of our melancholy hero Lev - not Olev - cleverly written, carefully researched and up to the minute subject.
Through a haze of cigarettes, the smoking of each one has to be respectfully described, swigs of his darling vodka lisch, all vital to him despite the poverty of his circumstances. Christy and Rudi also sharing his crutches of nicotine and alcohol until they learn that they live more happily without them..

Auror, Glic, Yarbyl, Baryn, Jor are all unrecognised as actual place names so Lev comes from an unknown to us Eastern European country, of grey trade and grey money, arriving by bus and ferry to London. Journeying with the tidy figure of Lydia beside him.
Threading through the story the memory of Marina his lost loved wife, who was a strong mother, daughter in law, friend and colleague. Looking at London and Londoners through the eyes of a new comer with only his language structure to describe it. "Sucking on bottles like anxious babies"..

A clear and effective narrative - Rudi's voice is always in Lev's head, a powerful influence on him. Although later Lev overtakes Rudi and turns his life around for him. The homespun wisdom of Lev's family pushing through his thoughts. Homesickness constantly threatening to overwhelm him. Thoughts of Rudi and his Tschevi (almost a person) Lev's innocence, naivety and simplicity is appealing. Rudi's character is attractive and impressive. When he eventually becomes "The Face Of The Place' all seems right with the world.

Ina, the grim and difficult mother/grandmother/widow whose God is asleep never reacts quite as we'd hope and is like a belligerent donkey who will not be led. I felt she was an excellently drawn person, quite believable.

The themes of food and diet running through are interesting and touching. This chocolate `reminds me of sleep' says Ina grudgingly at the end in the restaurant at no. 43 Podorsky Street. Food horizons opening up with the experience of GKAshe, I remember the same when I worked in restaurant kitchens. Detailed descriptions of meals all so different, from hardboiled eggs, greasy grey goat meat kebabs onward all affected Lev and awoke his senses. Although I am amazed that Lev's taste buds actually worked after so much abuse from the tobacco and spirits. In fact Lev falls in love with food and cooking. Even in the uninspiring atmosphere of the nursing home kitchen. Food becomes his life even after the forty two years of not thinking about it. The kitchen suppers at GKAshe have a comforting reassuring feel, the crostini so delicious you can almost smell it.

As a poignant thoughtful touch RT includes characters from her other stories at least I recognised Ruby Constad from Letters to Sister Benedicta.

Truly felicitous meetings unfold through Lev's progress from his doomed home. His path is smoothed in a fairy tale way mostly by kind ladies and people who are pleased to repay the kindness of others to them. Lydia, Sulima at the first B+B, Ahmed the kebab man, hospitable Tom and Larissa (yoga aficionado). Christy Slane is far deeper and more of a character than he first appears and like all pantomime stories, his ends happily thankfully. Sophie, Sam the mad hatter, Vitas, the Ming's.

Throughout the tale we always understand what is being said to Lev but because of his limited English he only gets part of the conversations along the way especially with GKAshe (Gordon Ramsey) whose kitchen is run like an orchestra or an operating theatre. Christy talking away, his ex wife,snapping, Sophie the lover. It all gives the reader another view of our own language.

Through all of Lev's vast range of experiences you feel you are going through them al with him, they are so warmly and inclusively written. When he mucks things up in his only human way you cringe along with him and admire him for rising again to the next challenges.

So much of the story shows us how other people's voices, opinions and advice constantly ring in our heads - if we choose to let them. Also that the kindness of strangers really can turn your life around.
Lovely stuff!

Rose Tremain does it again, 23 Sep 2008
This is a wonderful novel. I always enjoy Rose Tremain, and The Road Home is certainly one of my favourites.
It's fabulously written, as ever, and Lev is a sympathetic hero, though she certainly doesn't hide his faults. His flashes of anger, culminating in the book's most brutal scene, are convincingly built up - and his treatment of long-suffering Lydia is pretty shoddy.
I agree that there's the odd stereotype among the characters, but I most certainly do not share the view that this story has a fairytale ending. It's highly ambiguous - is everyone really happy and how rosy is the future?
Because Rose Tremain's novels are all so different from each other, I was surprised - and charmed - to find her using a character from an earlier novel quite prominently. Ruby Constad, an old lady who Lev comes to know, is the heroine of Tremain's much earlier novel Letter to Sister Benedicta. The poor woman's life hasn't improved along the way, but I think her appearance here shows how much Tremain cares for her. And if you realise that, you can see she's far more than the convenient plot device she might, at first, appear.

A mirror through which to view a 'Green and pleasant land'., 14 Sep 2008
I enjoyed this book, which isn't surprising considering it was written by Rose Tremain. As usual the prose, construction, attention to detail, plot progression and pace were brilliant: I'm certain Rose Tremain could write a novel about a matchbox and it would be riveting and informative.
For me, Lev, the central character is in essence a mirror that Tremain holds up for us to see the England we'd maybe rather ignore or forget: the pretentious garbage of celebrity and affluence; the coldness and fickle allegiances of a morally bankrupt society; the pockets of loneliness and sadness that exist within families and institutions.
There are aspects of the book that didn't work for me. I felt Lev's character was a little one-dimensional and slightly underdeveloped. His outbursts of temper seemed incongruous and, somewhat irritatingly, his mastery of English seemed to be achieved at a phenomenal rate. I felt the ending was a little brief, not really tying together or enhancing what went before. However his work ethic, determination and pragmatism were an accurate reflection of the Eastern European workers I know.
Some of the characters in the story are memorable: the scarred, sensitive and lonely Christy; the life force that is Rudi; the driven GK Ashe. Others were less believable or bordered on parody: the farmer Midge was irritatingly underdeveloped and his cod rural speech and mannerisms annoying; I didn't find Sophie believable, a shame given her central role.
But, the negatives above can't detract from the overall quality of the book. I was held throughout Lev's odyssey and as I neared the end I actually longed for it all to turn out well for him. I finished with a feeling that my latent dislike of much of what is modern England had flowered into something approaching full blown disgust.
This book reminded me of the famous lines from Burns:

'Oh wad some power the Giftie gie us
To see oursels as others see us!'



Beautifully written but predictable tale, 02 Sep 2008
Fascinating to read so many rave reviews. I read this on a very long train journey and if I hadn't been stuck there would probably have abandoned it. Rose Tremain has a wonderful prose style and she organizes her plots really well with lots of development, but the novel didn't grip me at all. Characters were boring, situations obvious (mobile phone going off during concert, stereotypical rich/poor London, even more stereotypical run-down anonymous ex-eastern bloc country etc), the ending warm & cosy. Did nobody else find Lev deeply tedious? She is very good at doing her homework, so the top-class restaurant, police treatment of migrants, retirement home, and lots of other stuff were thoroughly credible. But I felt disappointed; maybe I'm just expecting too much.
Norman Housley

Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

My favourite read of the year, 30 Sep 2008
There are some writers who just create seamless prose that reads like it's always been there on the page and they just traced over the words. Well, for me, this was one of those books. I loved it from beginning to end. It tells the story of Lev, an "economic migrant" from the East, and his search for work, and life. It is probably a little too rose tinted to be real, and I doubt there are many migrants so lucky as Lev, but I so wanted him to succeed.

Ok it's a fairy tale but a life affirming one, 30 Sep 2008
In language serious, studied, courtly and old-fashioned RT takes us straight into the mind of our melancholy hero Lev - not Olev - cleverly written, carefully researched and up to the minute subject.
Through a haze of cigarettes, the smoking of each one has to be respectfully described, swigs of his darling vodka lisch, all vital to him despite the poverty of his circumstances. Christy and Rudi also sharing his crutches of nicotine and alcohol until they learn that they live more happily without them..

Auror, Glic, Yarbyl, Baryn, Jor are all unrecognised as actual place names so Lev comes from an unknown to us Eastern European country, of grey trade and grey money, arriving by bus and ferry to London. Journeying with the tidy figure of Lydia beside him.
Threading through the story the memory of Marina his lost loved wife, who was a strong mother, daughter in law, friend and colleague. Looking at London and Londoners through the eyes of a new comer with only his language structure to describe it. "Sucking on bottles like anxious babies"..

A clear and effective narrative - Rudi's voice is always in Lev's head, a powerful influence on him. Although later Lev overtakes Rudi and turns his life around for him. The homespun wisdom of Lev's family pushing through his thoughts. Homesickness constantly threatening to overwhelm him. Thoughts of Rudi and his Tschevi (almost a person) Lev's innocence, naivety and simplicity is appealing. Rudi's character is attractive and impressive. When he eventually becomes "The Face Of The Place' all seems right with the world.

Ina, the grim and difficult mother/grandmother/widow whose God is asleep never reacts quite as we'd hope and is like a belligerent donkey who will not be led. I felt she was an excellently drawn person, quite believable.

The themes of food and diet running through are interesting and touching. This chocolate `reminds me of sleep' says Ina grudgingly at the end in the restaurant at no. 43 Podorsky Street. Food horizons opening up with the experience of GKAshe, I remember the same when I worked in restaurant kitchens. Detailed descriptions of meals all so different, from hardboiled eggs, greasy grey goat meat kebabs onward all affected Lev and awoke his senses. Although I am amazed that Lev's taste buds actually worked after so much abuse from the tobacco and spirits. In fact Lev falls in love with food and cooking. Even in the uninspiring atmosphere of the nursing home kitchen. Food becomes his life even after the forty two years of not thinking about it. The kitchen suppers at GKAshe have a comforting reassuring feel, the crostini so delicious you can almost smell it.

As a poignant thoughtful touch RT includes characters from her other stories at least I recognised Ruby Constad from Letters to Sister Benedicta.

Truly felicitous meetings unfold through Lev's progress from his doomed home. His path is smoothed in a fairy tale way mostly by kind ladies and people who are pleased to repay the kindness of others to them. Lydia, Sulima at the first B+B, Ahmed the kebab man, hospitable Tom and Larissa (yoga aficionado). Christy Slane is far deeper and more of a character than he first appears and like all pantomime stories, his ends happily thankfully. Sophie, Sam the mad hatter, Vitas, the Ming's.

Throughout the tale we always understand what is being said to Lev but because of his limited English he only gets part of the conversations along the way especially with GKAshe (Gordon Ramsey) whose kitchen is run like an orchestra or an operating theatre. Christy talking away, his ex wife,snapping, Sophie the lover. It all gives the reader another view of our own language.

Through all of Lev's vast range of experiences you feel you are going through them al with him, they are so warmly and inclusively written. When he mucks things up in his only human way you cringe along with him and admire him for rising again to the next challenges.

So much of the story shows us how other people's voices, opinions and advice constantly ring in our heads - if we choose to let them. Also that the kindness of strangers really can turn your life around.
Lovely stuff!

Rose Tremain does it again, 23 Sep 2008
This is a wonderful novel. I always enjoy Rose Tremain, and The Road Home is certainly one of my favourites.
It's fabulously written, as ever, and Lev is a sympathetic hero, though she certainly doesn't hide his faults. His flashes of anger, culminating in the book's most brutal scene, are convincingly built up - and his treatment of long-suffering Lydia is pretty shoddy.
I agree that there's the odd stereotype among the characters, but I most certainly do not share the view that this story has a fairytale ending. It's highly ambiguous - is everyone really happy and how rosy is the future?
Because Rose Tremain's novels are all so different from each other, I was surprised - and charmed - to find her using a character from an earlier novel quite prominently. Ruby Constad, an old lady who Lev comes to know, is the heroine of Tremain's much earlier novel Letter to Sister Benedicta. The poor woman's life hasn't improved along the way, but I think her appearance here shows how much Tremain cares for her. And if you realise that, you can see she's far more than the convenient plot device she might, at first, appear.

A mirror through which to view a 'Green and pleasant land'., 14 Sep 2008
I enjoyed this book, which isn't surprising considering it was written by Rose Tremain. As usual the prose, construction, attention to detail, plot progression and pace were brilliant: I'm certain Rose Tremain could write a novel about a matchbox and it would be riveting and informative.
For me, Lev, the central character is in essence a mirror that Tremain holds up for us to see the England we'd maybe rather ignore or forget: the pretentious garbage of celebrity and affluence; the coldness and fickle allegiances of a morally bankrupt society; the pockets of loneliness and sadness that exist within families and institutions.
There are aspects of the book that didn't work for me. I felt Lev's character was a little one-dimensional and slightly underdeveloped. His outbursts of temper seemed incongruous and, somewhat irritatingly, his mastery of English seemed to be achieved at a phenomenal rate. I felt the ending was a little brief, not really tying together or enhancing what went before. However his work ethic, determination and pragmatism were an accurate reflection of the Eastern European workers I know.
Some of the characters in the story are memorable: the scarred, sensitive and lonely Christy; the life force that is Rudi; the driven GK Ashe. Others were less believable or bordered on parody: the farmer Midge was irritatingly underdeveloped and his cod rural speech and mannerisms annoying; I didn't find Sophie believable, a shame given her central role.
But, the negatives above can't detract from the overall quality of the book. I was held throughout Lev's odyssey and as I neared the end I actually longed for it all to turn out well for him. I finished with a feeling that my latent dislike of much of what is modern England had flowered into something approaching full blown disgust.
This book reminded me of the famous lines from Burns:

'Oh wad some power the Giftie gie us
To see oursels as others see us!'



Beautifully written but predictable tale, 02 Sep 2008
Fascinating to read so many rave reviews. I read this on a very long train journey and if I hadn't been stuck there would probably have abandoned it. Rose Tremain has a wonderful prose style and she organizes her plots really well with lots of development, but the novel didn't grip me at all. Characters were boring, situations obvious (mobile phone going off during concert, stereotypical rich/poor London, even more stereotypical run-down anonymous ex-eastern bloc country etc), the ending warm & cosy. Did nobody else find Lev deeply tedious? She is very good at doing her homework, so the top-class restaurant, police treatment of migrants, retirement home, and lots of other stuff were thoroughly credible. But I felt disappointed; maybe I'm just expecting too much.
Norman Housley

Room for improvement, 07 Oct 2008
So I found myself in Terminal 5 at Heathrow last week and in the process of getting psyched up for my week long European tour of my companies offices I decided to take Mr Frys book with me as a companion.

And, well, its a rather bitter sweet sort of read, leaving you simultaneously amused but short changed.

You see, the author delights you with a wonderful 7 page prologue, dripping in his trademark whit and informed conversation and you're set for the great mans perspective on all things american.

Except its exactly that same dialogue that is actually missing from this book.

What you get is 5 or 6 pages per state, usually with Mr Fry having some form of meal with "typical" residents of the State in question. It's more Dorling Kindersley visits America than Stephen Fry in America. Delaware barely gets a mention at all (6 paragraphs I think) and in what I suspect is a conspiracy to make you watch the accompanying documentary, the lack of substance makes you think all the best bits have been left out of the book.

This is a very well written book, but there's little of Mr Fry in here. I mean clearly its him, he's in all the pictures, but you dont get the feel that he's the one taking you on the journey. This is a man who could make an entire series about Washington DC alone, it would be revealing and insightful and informative and leave no stone unturned. But that's not the treatment DC gets in this book, so I was feeling a little, cheated.

So my conclusion. This is a well written book, with beautiful photography but I suspect the BBC has restricted the content to make sure we watch the TV show. And for that, I mark this down. There's just not enough room in here for Mr Fry to stretch his wings and thats a damn shame.

Stephen Fry in America

Stephen goes Stateside, 01 Oct 2008
"Oh no, not ANOTHER travel book, written by some jumped-up celebrity hoofing it around some unheard of corner of the world, almost gloating at me, saying 'Look where I am, you're not here, ha ha'...oh, hang on! Stephen Fry, is it? I quite like him. And he's in America? Hmmm...I'm intrigued."
And that's how this book made it into my hands. I don't usually go for books like these, but because it's Stephen Fry, I took the plunge. Am I ever glad I did.
Stephen Fry travels across USA's 50 states on a mission: to discover the real America. As a country everyone seems to have an opinion on, this comes as being very timely. Is the stereotype of the 'Fat Dumb Yankee' fact or fiction?
In the hands of any other author, such a journey would be dull and cliched, always ending with the inevitable 'my perception's completely changed' wrap-up. But such is Stephen Fry's voice, intelligence and wit, that his writing leaps out at you, and you can almost hear his voice booming in your ear as he guides you from Maine to Hawaii in a black cab. His observations and opinions are wonderful; insightful yet humourous, thoughtful yet sharp. What's best is that it allows you to draw your own conclusions. All the evidence is laid out before the reader: it's up to you to make your own assumptions.

This is a book that could be recommended to practically anyone and everyone: it's big, full of lavish pictures and crammed with facts, and can be either dipped into or read cover to cover. It's a perfect companion piece to the upcoming TV series. Brilliant.

Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

My favourite read of the year, 30 Sep 2008
There are some writers who just create seamless prose that reads like it's always been there on the page and they just traced over the words. Well, for me, this was one of those books. I loved it from beginning to end. It tells the story of Lev, an "economic migrant" from the East, and his search for work, and life. It is probably a little too rose tinted to be real, and I doubt there are many migrants so lucky as Lev, but I so wanted him to succeed.

Ok it's a fairy tale but a life affirming one, 30 Sep 2008
In language serious, studied, courtly and old-fashioned RT takes us straight into the mind of our melancholy hero Lev - not Olev - cleverly written, carefully researched and up to the minute subject.
Through a haze of cigarettes, the smoking of each one has to be respectfully described, swigs of his darling vodka lisch, all vital to him despite the poverty of his circumstances. Christy and Rudi also sharing his crutches of nicotine and alcohol until they learn that they live more happily without them..

Auror, Glic, Yarbyl, Baryn, Jor are all unrecognised as actual place names so Lev comes from an unknown to us Eastern European country, of grey trade and grey money, arriving by bus and ferry to London. Journeying with the tidy figure of Lydia beside him.
Threading through the story the memory of Marina his lost loved wife, who was a strong mother, daughter in law, friend and colleague. Looking at London and Londoners through the eyes of a new comer with only his language structure to describe it. "Sucking on bottles like anxious babies"..

A clear and effective narrative - Rudi's voice is always in Lev's head, a powerful influence on him. Although later Lev overtakes Rudi and turns his life around for him. The homespun wisdom of Lev's family pushing through his thoughts. Homesickness constantly threatening to overwhelm him. Thoughts of Rudi and his Tschevi (almost a person) Lev's innocence, naivety and simplicity is appealing. Rudi's character is attractive and impressive. When he eventually becomes "The Face Of The Place' all seems right with the world.

Ina, the grim and difficult mother/grandmother/widow whose God is asleep never reacts quite as we'd hope and is like a belligerent donkey who will not be led. I felt she was an excellently drawn person, quite believable.

The themes of food and diet running through are interesting and touching. This chocolate `reminds me of sleep' says Ina grudgingly at the end in the restaurant at no. 43 Podorsky Street. Food horizons opening up with the experience of GKAshe, I remember the same when I worked in restaurant kitchens. Detailed descriptions of meals all so different, from hardboiled eggs, greasy grey goat meat kebabs onward all affected Lev and awoke his senses. Although I am amazed that Lev's taste buds actually worked after so much abuse from the tobacco and spirits. In fact Lev falls in love with food and cooking. Even in the uninspiring atmosphere of the nursing home kitchen. Food becomes his life even after the forty two years of not thinking about it. The kitchen suppers at GKAshe have a comforting reassuring feel, the crostini so delicious you can almost smell it.

As a poignant thoughtful touch RT includes characters from her other stories at least I recognised Ruby Constad from Letters to Sister Benedicta.

Truly felicitous meetings unfold through Lev's progress from his doomed home. His path is smoothed in a fairy tale way mostly by kind ladies and people who are pleased to repay the kindness of others to them. Lydia, Sulima at the first B+B, Ahmed the kebab man, hospitable Tom and Larissa (yoga aficionado). Christy Slane is far deeper and more of a character than he first appears and like all pantomime stories, his ends happily thankfully. Sophie, Sam the mad hatter, Vitas, the Ming's.

Throughout the tale we always understand what is being said to Lev but because of his limited English he only gets part of the conversations along the way especially with GKAshe (Gordon Ramsey) whose kitchen is run like an orchestra or an operating theatre. Christy talking away, his ex wife,snapping, Sophie the lover. It all gives the reader another view of our own language.

Through all of Lev's vast range of experiences you feel you are going through them al with him, they are so warmly and inclusively written. When he mucks things up in his only human way you cringe along with him and admire him for rising again to the next challenges.

So much of the story shows us how other people's voices, opinions and advice constantly ring in our heads - if we choose to let them. Also that the kindness of strangers really can turn your life around.
Lovely stuff!

Rose Tremain does it again, 23 Sep 2008
This is a wonderful novel. I always enjoy Rose Tremain, and The Road Home is certainly one of my favourites.
It's fabulously written, as ever, and Lev is a sympathetic hero, though she certainly doesn't hide his faults. His flashes of anger, culminating in the book's most brutal scene, are convincingly built up - and his treatment of long-suffering Lydia is pretty shoddy.
I agree that there's the odd stereotype among the characters, but I most certainly do not share the view that this story has a fairytale ending. It's highly ambiguous - is everyone really happy and how rosy is the future?
Because Rose Tremain's novels are all so different from each other, I was surprised - and charmed - to find her using a character from an earlier novel quite prominently. Ruby Constad, an old lady who Lev comes to know, is the heroine of Tremain's much earlier novel Letter to Sister Benedicta. The poor woman's life hasn't improved along the way, but I think her appearance here shows how much Tremain cares for her. And if you realise that, you can see she's far more than the convenient plot device she might, at first, appear.

A mirror through which to view a 'Green and pleasant land'., 14 Sep 2008
I enjoyed this book, which isn't surprising considering it was written by Rose Tremain. As usual the prose, construction, attention to detail, plot progression and pace were brilliant: I'm certain Rose Tremain could write a novel about a matchbox and it would be riveting and informative.
For me, Lev, the central character is in essence a mirror that Tremain holds up for us to see the England we'd maybe rather ignore or forget: the pretentious garbage of celebrity and affluence; the coldness and fickle allegiances of a morally bankrupt society; the pockets of loneliness and sadness that exist within families and institutions.
There are aspects of the book that didn't work for me. I felt Lev's character was a little one-dimensional and slightly underdeveloped. His outbursts of temper seemed incongruous and, somewhat irritatingly, his mastery of English seemed to be achieved at a phenomenal rate. I felt the ending was a little brief, not really tying together or enhancing what went before. However his work ethic, determination and pragmatism were an accurate reflection of the Eastern European workers I know.
Some of the characters in the story are memorable: the scarred, sensitive and lonely Christy; the life force that is Rudi; the driven GK Ashe. Others were less believable or bordered on parody: the farmer Midge was irritatingly underdeveloped and his cod rural speech and mannerisms annoying; I didn't find Sophie believable, a shame given her central role.
But, the negatives above can't detract from the overall quality of the book. I was held throughout Lev's odyssey and as I neared the end I actually longed for it all to turn out well for him. I finished with a feeling that my latent dislike of much of what is modern England had flowered into something approaching full blown disgust.
This book reminded me of the famous lines from Burns:

'Oh wad some power the Giftie gie us
To see oursels as others see us!'



Beautifully written but predictable tale, 02 Sep 2008
Fascinating to read so many rave reviews. I read this on a very long train journey and if I hadn't been stuck there would probably have abandoned it. Rose Tremain has a wonderful prose style and she organizes her plots really well with lots of development, but the novel didn't grip me at all. Characters were boring, situations obvious (mobile phone going off during concert, stereotypical rich/poor London, even more stereotypical run-down anonymous ex-eastern bloc country etc), the ending warm & cosy. Did nobody else find Lev deeply tedious? She is very good at doing her homework, so the top-class restaurant, police treatment of migrants, retirement home, and lots of other stuff were thoroughly credible. But I felt disappointed; maybe I'm just expecting too much.
Norman Housley

Room for improvement, 07 Oct 2008
So I found myself in Terminal 5 at Heathrow last week and in the process of getting psyched up for my week long European tour of my companies offices I decided to take Mr Frys book with me as a companion.

And, well, its a rather bitter sweet sort of read, leaving you simultaneously amused but short changed.

You see, the author delights you with a wonderful 7 page prologue, dripping in his trademark whit and informed conversation and you're set for the great mans perspective on all things american.

Except its exactly that same dialogue that is actually missing from this book.

What you get is 5 or 6 pages per state, usually with Mr Fry having some form of meal with "typical" residents of the State in question. It's more Dorling Kindersley visits America than Stephen Fry in America. Delaware barely gets a mention at all (6 paragraphs I think) and in what I suspect is a conspiracy to make you watch the accompanying documentary, the lack of substance makes you think all the best bits have been left out of the book.

This is a very well written book, but there's little of Mr Fry in here. I mean clearly its him, he's in all the pictures, but you dont get the feel that he's the one taking you on the journey. This is a man who could make an entire series about Washington DC alone, it would be revealing and insightful and informative and leave no stone unturned. But that's not the treatment DC gets in this book, so I was feeling a little, cheated.

So my conclusion. This is a well written book, with beautiful photography but I suspect the BBC has restricted the content to make sure we watch the TV show. And for that, I mark this down. There's just not enough room in here for Mr Fry to stretch his wings and thats a damn shame.

Stephen Fry in America

Stephen goes Stateside, 01 Oct 2008
"Oh no, not ANOTHER travel book, written by some jumped-up celebrity hoofing it around some unheard of corner of the world, almost gloating at me, saying 'Look where I am, you're not here, ha ha'...oh, hang on! Stephen Fry, is it? I quite like him. And he's in America? Hmmm...I'm intrigued."
And that's how this book made it into my hands. I don't usually go for books like these, but because it's Stephen Fry, I took the plunge. Am I ever glad I did.
Stephen Fry travels across USA's 50 states on a mission: to discover the real America. As a country everyone seems to have an opinion on, this comes as being very timely. Is the stereotype of the 'Fat Dumb Yankee' fact or fiction?
In the hands of any other author, such a journey would be dull and cliched, always ending with the inevitable 'my perception's completely changed' wrap-up. But such is Stephen Fry's voice, intelligence and wit, that his writing leaps out at you, and you can almost hear his voice booming in your ear as he guides you from Maine to Hawaii in a black cab. His observations and opinions are wonderful; insightful yet humourous, thoughtful yet sharp. What's best is that it allows you to draw your own conclusions. All the evidence is laid out before the reader: it's up to you to make your own assumptions.

This is a book that could be recommended to practically anyone and everyone: it's big, full of lavish pictures and crammed with facts, and can be either dipped into or read cover to cover. It's a perfect companion piece to the upcoming TV series. Brilliant.

Maybe he should never have written nr 2...., 24 Jul 2008
I have been waiting for this book for years.... and now when I have read it, I hope it was never written. IT does not at all live up the the Pillars of earth. Neither does it compare to some of the other good books Ken Follet has written. 150 pages less and it might have been ok. I try to end all the books I start, but this was heavy. The story line was light, some of the "histories" within the story are totally out of scope (like nuns in french war). I read 6 books in my vacation. This was the worst.

Loved it!, 23 Jul 2008
I read Pillars of the Earth and thoroughly enjoyed it (apart from the lame plot line at the beginning with the builder meeting the exotic woman of the woods!). This one had a lot to live up to and I have to say, I prefer it to the first one. There is a little less 'technical' material about the building work that is going on and more about the characters and the goings on in their personal lives. There were so many sub-plots, I almost lost count, but this adds to the intrigue. I find this era in history fascinating and I think that's what I found so appealing about the story. I feel bereft now I have finished it and am desperately trying to find another book to replace the void.

Brilliant Sequel to Pillars of the Earth, 22 May 2008
Pillars of the Earth is my all time favorite novel, so although I usually wait for the paperback, when I saw the reduced price of the hardback at Amazon, I immediately ordered it. It was well worth it. However "Sequels are not equal". So I only give it four stars, although I admit, my expectations after Pillars of the Earth were extremely high. While brilliant, after Pillars of the Earth, I felt it lacked somewhat in originality. Also, I am not a prude, but I found the graphic sex as depicted not believable, considering the historical period and the morals of the time. Otherwise it appears to be well researched and historical accurate. In any case, a good read!

Ken Follet at his best, 20 Apr 2008
I wanted to wait for the paperback to come out, but I did not have the patience. Now I am glad I did not. If you liked The Pillars of the Earth you will love this one. It is very similar, but maybe even easier to read. All the characters are brand new, and even if there are some allusions to those that appeared in his celebrated novel, it is not necessary at all to have read it to enjoy this one.Even though it is a very long book, once you start you cannot stop.
It is a best-seller, yes;but a most enjoyable one.

Fabulous but formulaic, 19 Apr 2008
Pillars of the Earth remains one of the best loved books from my late teens, but Follett's more recent books have been increasingly weak, so I had mixed feelings about reading this one.

I'm very pleased to report that World Without End represents something of a return to form.

It contains most of the elements that made Pillars such a success - strong central characters, historical detail, suspense, injustice, outrage, romance and a central building project. In fact, it shares so many elements that had it been written by any other author then it would be condemned as a cheap knock-off. Fortunately, it's pretty well done.

There is a good feel for the historical period, some tremendous characters and a storyline that continues to evolve at a fast enough pace to justify the size of the tome!

Some parts do grate. The end feels slightly rushed (amazingly for such a long novel) and some parts are utterly contrived (Crècy) and I was frankly sick of Follett's habit of recapping the earlier sections of the book when explaining his characters' thought processes. He also tended to explain how his characters were trying to manipulate each other too clearly - it sometimes felt like the novel was aimed only at schoolkids.

Good but not great, at least in comparison to the original.

Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

My favourite read of the year, 30 Sep 2008
There are some writers who just create seamless prose that reads like it's always been there on the page and they just traced over the words. Well, for me, this was one of those books. I loved it from beginning to end. It tells the story of Lev, an "economic migrant" from the East, and his search for work, and life. It is probably a little too rose tinted to be real, and I doubt there are many migrants so lucky as Lev, but I so wanted him to succeed.

Ok it's a fairy tale but a life affirming one, 30 Sep 2008
In language serious, studied, courtly and old-fashioned RT takes us straight into the mind of our melancholy hero Lev - not Olev - cleverly written, carefully researched and up to the minute subject.
Through a haze of cigarettes, the smoking of each one has to be respectfully described, swigs of his darling vodka lisch, all vital to him despite the poverty of his circumstances. Christy and Rudi also sharing his crutches of nicotine and alcohol until they learn that they live more happily without them..

Auror, Glic, Yarbyl, Baryn, Jor are all unrecognised as actual place names so Lev comes from an unknown to us Eastern European country, of grey trade and grey money, arriving by bus and ferry to London. Journeying with the tidy figure of Lydia beside him.
Threading through the story the memory of Marina his lost loved wife, who was a strong mother, daughter in law, friend and colleague. Looking at London and Londoners through the eyes of a new comer with only his language structure to describe it. "Sucking on bottles like anxious babies"..

A clear and effective narrative - Rudi's voice is always in Lev's head, a powerful influence on him. Although later Lev overtakes Rudi and turns his life around for him. The homespun wisdom of Lev's family pushing through his thoughts. Homesickness constantly threatening to overwhelm him. Thoughts of Rudi and his Tschevi (almost a person) Lev's innocence, naivety and simplicity is appealing. Rudi's character is attractive and impressive. When he eventually becomes "The Face Of The Place' all seems right with the world.

Ina, the grim and difficult mother/grandmother/widow whose God is asleep never reacts quite as we'd hope and is like a belligerent donkey who will not be led. I felt she was an excellently drawn person, quite believable.

The themes of food and diet running through are interesting and touching. This chocolate `reminds me of sleep' says Ina grudgingly at the end in the restaurant at no. 43 Podorsky Street. Food horizons opening up with the experience of GKAshe, I remember the same when I worked in restaurant kitchens. Detailed descriptions of meals all so different, from hardboiled eggs, greasy grey goat meat kebabs onward all affected Lev and awoke his senses. Although I am amazed that Lev's taste buds actually worked after so much abuse from the tobacco and spirits. In fact Lev falls in love with food and cooking. Even in the uninspiring atmosphere of the nursing home kitchen. Food becomes his life even after the forty two years of not thinking about it. The kitchen suppers at GKAshe have a comforting reassuring feel, the crostini so delicious you can almost smell it.

As a poignant thoughtful touch RT includes characters from her other stories at least I recognised Ruby Constad from Letters to Sister Benedicta.

Truly felicitous meetings unfold through Lev's progress from his doomed home. His path is smoothed in a fairy tale way mostly by kind ladies and people who are pleased to repay the kindness of others to them. Lydia, Sulima at the first B+B, Ahmed the kebab man, hospitable Tom and Larissa (yoga aficionado). Christy Slane is far deeper and more of a character than he first appears and like all pantomime stories, his ends happily thankfully. Sophie, Sam the mad hatter, Vitas, the Ming's.

Throughout the tale we always understand what is being said to Lev but because of his limited English he only gets part of the conversations along the way especially with GKAshe (Gordon Ramsey) whose kitchen is run like an orchestra or an operating theatre. Christy talking away, his ex wife,snapping, Sophie the lover. It all gives the reader another view of our own language.

Through all of Lev's vast range of experiences you feel you are going through them al with him, they are so warmly and inclusively written. When he mucks things up in his only human way you cringe along with him and admire him for rising again to the next challenges.

So much of the story shows us how other people's voices, opinions and advice constantly ring in our heads - if we choose to let them. Also that the kindness of strangers really can turn your life around.
Lovely stuff!

Rose Tremain does it again, 23 Sep 2008
This is a wonderful novel. I always enjoy Rose Tremain, and The Road Home is certainly one of my favourites.
It's fabulously written, as ever, and Lev is a sympathetic hero, though she certainly doesn't hide his faults. His flashes of anger, culminating in the book's most brutal scene, are convincingly built up - and his treatment of long-suffering Lydia is pretty shoddy.
I agree that there's the odd stereotype among the characters, but I most certainly do not share the view that this story has a fairytale ending. It's highly ambiguous - is everyone really happy and how rosy is the future?
Because Rose Tremain's novels are all so different from each other, I was surprised - and charmed - to find her using a character from an earlier novel quite prominently. Ruby Constad, an old lady who Lev comes to know, is the heroine of Tremain's much earlier novel Letter to Sister Benedicta. The poor woman's life hasn't improved along the way, but I think her appearance here shows how much Tremain cares for her. And if you realise that, you can see she's far more than the convenient plot device she might, at first, appear.

A mirror through which to view a 'Green and pleasant land'., 14 Sep 2008
I enjoyed this book, which isn't surprising considering it was written by Rose Tremain. As usual the prose, construction, attention to detail, plot progression and pace were brilliant: I'm certain Rose Tremain could write a novel about a matchbox and it would be riveting and informative.
For me, Lev, the central character is in essence a mirror that Tremain holds up for us to see the England we'd maybe rather ignore or forget: the pretentious garbage of celebrity and affluence; the coldness and fickle allegiances of a morally bankrupt society; the pockets of loneliness and sadness that exist within families and institutions.
There are aspects of the book that didn't work for me. I felt Lev's character was a little one-dimensional and slightly underdeveloped. His outbursts of temper seemed incongruous and, somewhat irritatingly, his mastery of English seemed to be achieved at a phenomenal rate. I felt the ending was a little brief, not really tying together or enhancing what went before. However his work ethic, determination and pragmatism were an accurate reflection of the Eastern European workers I know.
Some of the characters in the story are memorable: the scarred, sensitive and lonely Christy; the life force that is Rudi; the driven GK Ashe. Others were less believable or bordered on parody: the farmer Midge was irritatingly underdeveloped and his cod rural speech and mannerisms annoying; I didn't find Sophie believable, a shame given her central role.
But, the negatives above can't detract from the overall quality of the book. I was held throughout Lev's odyssey and as I neared the end I actually longed for it all to turn out well for him. I finished with a feeling that my latent dislike of much of what is modern England had flowered into something approaching full blown disgust.
This book reminded me of the famous lines from Burns:

'Oh wad some power the Giftie gie us
To see oursels as others see us!'



Beautifully written but predictable tale, 02 Sep 2008
Fascinating to read so many rave reviews. I read this on a very long train journey and if I hadn't been stuck there would probably have abandoned it. Rose Tremain has a wonderful prose style and she organizes her plots really well with lots of development, but the novel didn't grip me at all. Characters were boring, situations obvious (mobile phone going off during concert, stereotypical rich/poor London, even more stereotypical run-down anonymous ex-eastern bloc country etc), the ending warm & cosy. Did nobody else find Lev deeply tedious? She is very good at doing her homework, so the top-class restaurant, police treatment of migrants, retirement home, and lots of other stuff were thoroughly credible. But I felt disappointed; maybe I'm just expecting too much.
Norman Housley

Room for improvement, 07 Oct 2008
So I found myself in Terminal 5 at Heathrow last week and in the process of getting psyched up for my week long European tour of my companies offices I decided to take Mr Frys book with me as a companion.

And, well, its a rather bitter sweet sort of read, leaving you simultaneously amused but short changed.

You see, the author delights you with a wonderful 7 page prologue, dripping in his trademark whit and informed conversation and you're set for the great mans perspective on all things american.

Except its exactly that same dialogue that is actually missing from this book.

What you get is 5 or 6 pages per state, usually with Mr Fry having some form of meal with "typical" residents of the State in question. It's more Dorling Kindersley visits America than Stephen Fry in America. Delaware barely gets a mention at all (6 paragraphs I think) and in what I suspect is a conspiracy to make you watch the accompanying documentary, the lack of substance makes you think all the best bits have been left out of the book.

This is a very well written book, but there's little of Mr Fry in here. I mean clearly its him, he's in all the pictures, but you dont get the feel that he's the one taking you on the journey. This is a man who could make an entire series about Washington DC alone, it would be revealing and insightful and informative and leave no stone unturned. But that's not the treatment DC gets in this book, so I was feeling a little, cheated.

So my conclusion. This is a well written book, with beautiful photography but I suspect the BBC has restricted the content to make sure we watch the TV show. And for that, I mark this down. There's just not enough room in here for Mr Fry to stretch his wings and thats a damn shame.

Stephen Fry in America

Stephen goes Stateside, 01 Oct 2008
"Oh no, not ANOTHER travel book, written by some jumped-up celebrity hoofing it around some unheard of corner of the world, almost gloating at me, saying 'Look where I am, you're not here, ha ha'...oh, hang on! Stephen Fry, is it? I quite like him. And he's in America? Hmmm...I'm intrigued."
And that's how this book made it into my hands. I don't usually go for books like these, but because it's Stephen Fry, I took the plunge. Am I ever glad I did.
Stephen Fry travels across USA's 50 states on a mission: to discover the real America. As a country everyone seems to have an opinion on, this comes as being very timely. Is the stereotype of the 'Fat Dumb Yankee' fact or fiction?
In the hands of any other author, such a journey would be dull and cliched, always ending with the inevitable 'my perception's completely changed' wrap-up. But such is Stephen Fry's voice, intelligence and wit, that his writing leaps out at you, and you can almost hear his voice booming in your ear as he guides you from Maine to Hawaii in a black cab. His observations and opinions are wonderful; insightful yet humourous, thoughtful yet sharp. What's best is that it allows you to draw your own conclusions. All the evidence is laid out before the reader: it's up to you to make your own assumptions.

This is a book that could be recommended to practically anyone and everyone: it's big, full of lavish pictures and crammed with facts, and can be either dipped into or read cover to cover. It's a perfect companion piece to the upcoming TV series. Brilliant.

Maybe he should never have written nr 2...., 24 Jul 2008
I have been waiting for this book for years.... and now when I have read it, I hope it was never written. IT does not at all live up the the Pillars of earth. Neither does it compare to some of the other good books Ken Follet has written. 150 pages less and it might have been ok. I try to end all the books I start, but this was heavy. The story line was light, some of the "histories" within the story are totally out of scope (like nuns in french war). I read 6 books in my vacation. This was the worst.

Loved it!, 23 Jul 2008
I read Pillars of the Earth and thoroughly enjoyed it (apart from the lame plot line at the beginning with the builder meeting the exotic woman of the woods!). This one had a lot to live up to and I have to say, I prefer it to the first one. There is a little less 'technical' material about the building work that is going on and more about the characters and the goings on in their personal lives. There were so many sub-plots, I almost lost count, but this adds to the intrigue. I find this era in history fascinating and I think that's what I found so appealing about the story. I feel bereft now I have finished it and am desperately trying to find another book to replace the void.

Brilliant Sequel to Pillars of the Earth, 22 May 2008
Pillars of the Earth is my all time favorite novel, so although I usually wait for the paperback, when I saw the reduced price of the hardback at Amazon, I immediately ordered it. It was well worth it. However "Sequels are not equal". So I only give it four stars, although I admit, my expectations after Pillars of the Earth were extremely high. While brilliant, after Pillars of the Earth, I felt it lacked somewhat in originality. Also, I am not a prude, but I found the graphic sex as depicted not believable, considering the historical period and the morals of the time. Otherwise it appears to be well researched and historical accurate. In any case, a good read!

Ken Follet at his best, 20 Apr 2008
I wanted to wait for the paperback to come out, but I did not have the patience. Now I am glad I did not. If you liked The Pillars of the Earth you will love this one. It is very similar, but maybe even easier to read. All the characters are brand new, and even if there are some allusions to those that appeared in his celebrated novel, it is not necessary at all to have read it to enjoy this one.Even though it is a very long book, once you start you cannot stop.
It is a best-seller, yes;but a most enjoyable one.

Fabulous but formulaic, 19 Apr 2008
Pillars of the Earth remains one of the best loved books from my late teens, but Follett's more recent books have been increasingly weak, so I had mixed feelings about reading this one.

I'm very pleased to report that World Without End represents something of a return to form.

It contains most of the elements that made Pillars such a success - strong central characters, historical detail, suspense, injustice, outrage, romance and a central building project. In fact, it shares so many elements that had it been written by any other author then it would be condemned as a cheap knock-off. Fortunately, it's pretty well done.

There is a good feel for the historical period, some tremendous characters and a storyline that continues to evolve at a fast enough pace to justify the size of the tome!

Some parts do grate. The end feels slightly rushed (amazingly for such a long novel) and some parts are utterly contrived (Crècy) and I was frankly sick of Follett's habit of recapping the earlier sections of the book when explaining his characters' thought processes. He also tended to explain how his characters were trying to manipulate each other too clearly - it sometimes felt like the novel was aimed only at schoolkids.

Good but not great, at least in comparison to the original.

High personal price of special forces soldiering, 11 Oct 2008
A sad but very much needed work on the nasty realities of soldiering, this book recounts the very moving descent into unhappiness and despair some of McNab's best mates endured in the aftermath of service.

From this book it seems clear that the Regiment is an unnatural substitute for normal family life for young men, i.e., wife and kids are replaced by comradeship, which perhaps becomes foundational for a subsequent dysfunctional life for some of the guys. It means that when they leave there is a sense that they've lost the focus or foundation of their daily existence. And of course, the exposure to the cutting edge of modern military adventurism is the other key factor destabilising the mental health of special forces soldiers, with the inevitable horrible sights, sounds and loss of beloved friends. I couldn't help but conclude that, all the prestige notwithstanding, making it into the SAS is just not worth it for a lot, maybe even most, of the lads who manage it.

A few errors apart (i.e. Kesh RUC station was in Fermanagh, not Donegal, as the latter is part of the Republic of Ireland), the book is replete with fascinating anecdotes and occasional operational accounts, most notably in my native Northern Ireland, where, among my own community (the Protestants), the SAS are revered for their work at Loughgall in particular and against the IRA in general. Many of us would have liked to have seen them given a freer hand during the Troubles, as we are sure that had they been, there would be fewer of our friends and family lying dead in graveyards around the Province.

In closing, I am very pleased McNab wrote this and especially glad he disclosed so much of Frank Collins' story therein also. I was moved to tears at the kindness and sincerity of Collins as accounted in the book, so credit to McNab for not shying away from relating the man's religious convictions. In sum, this book shows us that even the elite forces are just human beings, amongst some of the most noble on the face of this earth. Highly recommended reading!

Stories of laughter and others of sorrow, 22 Sep 2008
After reading Bravo Two Zero and Immediate Action a long time ago as a young soldier, I still cannot bring myself to read a fiction book from Andy McNab; not because they might not be good but because of the first two books being non-fiction. However, as soon as I discovered that he had created a new book of his personal stories I broke my pledge of "no more war stories" and bought it.

The book does build upon Immediate Action but it has an underlying and consistent message, one that I unfortunately witnessed in some ex-Falkland paras. Without telling the lay of the book and thereby removing the enjoyment for other readers, what I will say is that the story follows a young trooper meeting "brothers in arms" and what can result from years at the hard edge. Like Andy's first two books; I read this one in under a week (I spend some time at airports!)

The message is simple; the reality of war is hell and those that return can suffer from physical and/or mental injury. Both types of wounds can be very deep and life threatening; the latter is extremely difficult to heal. The book concludes with open emotion and I take my hat (well, beret as an ex-para) to anyone who can put that onto paper.




Not entirely a new book, but a great read., 19 Sep 2008
If you've already read Immediate Action, this book will contain a lot that's familiar. In a sense, if the book were re-released as a revision to Immediate Action it wouldn't be far wrong. A great read in it's own right, and as the other reviewer suggests Andy has taken a lot of time to touch on the more sensitive aspects of soldiering - in particular the "after" of that career. And that's a good thing. Hopefully in the future Andy and other ex service writers look at the long-term effect of that way of life on the families & relationships that support them too.

A HAUNTING TOUR DE FORCE, 15 Sep 2008
This book does much more than just take over from where Bravo Two Zero and Immediate Action left off. It traces Andy McNab's military career from the time he joined 7 Troop, SAS, to the time he left, but covers many other aspects of his subsequent life as and when they overlap with other members of the Troop. In many ways, this is as much their story as his, and McNab is man enough to give centre stage from time to time to giants like Frank Collins, Al Slater and Nish Bruce. Nor does he try to sweep bad news under the carpet; the events of 1998 when Dr Thomas Shanks gunned down his former girlfriend with an AK47 in a Leeds car park are given a full airing. This is a reflective, almost sad, book, but it's none the worse for that. The reality is starting to hit home about the time-bomb of PTSD, and McNab champions the cause of counselling, even for rough, tough SAS lads. This book might be harrowing, but it still carries all the McNab hallmarks of a brilliant sense of (dark) humour, and dialogue and action that crackles with authenticity. I loved it. I just hope the powers that be take heed of what men like McNab are saying.

Adventure history at its best, 10 Oct 2008
It probably comes as no suprise to anyone who saw Bernard Cornwell's glowing comments on the front of Juliet Barker's excellent history book 'Agincourt', that Cornwell turned his attention Henry V's famous, almost miraculous, victory over the French. The problem is how to make such an extraordinarily well known story - thanks to Shakespeare and numerous histories - seem fresh and exciting. Thankfully, we are in the hands of a master at this sort of thing.

His story of Nick Hook, an English longbowman, does more than simply tick the expected boxes. It successfully puts the victory at Agincourt into perspective both politically and socially. It does so by bringing us firmly into the lives of the people. These people realised as properly medieval men and women. Cornwell scores over so many of his competitors by convincing us that these are not simply modern men in fancy dress. Faith in Christianity, for example, and the battle between the heretical Lollard beliefs, common in England at the time, and the Church are woven into the fabric of the story. It will come as no suprise that the battle scenes are strongly and convincingly portrayed.

I always hesitate before giving a five star review, but this is certainly worth it.

Fabulous, 10 Oct 2008
I've been a fan of Cornwell's for some years now and have read everything he's done, in the past I have found his one off story's lack the sheer brilliance of his books that are part of a series. Azincourt however is, in my opinion, the best novel Cornwell has as yet produced, it's simply awsome. There are some aspects here that just shouldn't work (mainly the bits with God and the Saints) but Mr C pulls it off without leaving the reader thinking 'yeah right like that'd happen'.

I read this in 2 days flat, it's the very best book I have read in a long time, I implore buy this book, you will not be disappointed.

Cornwell ? The best on the scene, 09 Oct 2008
Bernard Cornwell is like a war machine: a wonderful book every 8-12 months. After Sharpe (the best of His series) Arthur and Harlequin a new adventure with the fierce struggle between british archers and french heavy cavalry at Azincourt. A solid plot, good characters, a great battle. What else ?


A return to form.., 08 Oct 2008
In my view this is the best writing he's done since the Grail Quest series of books (Harlequin etc.)

Cornwell has a very happy knack of being able to describe what the experience of being in battle is like, and nowhere does he do it better than here - the description of black powder battles in Sharpe are good, but this is brilliant... he describes the mud, the blood, the sheer ferocity and butchery involved in medieval battles.

The hero of the book is well described and has depth (flawed but likeable), the "baddies" are suitably psychopathic, and the history is good - I learnt a lot about the background to the battle.

What a brilliant read - right up there next to his best for me...

Cornwell Genius, 03 Oct 2008
Cornwell at his very, very best.
If you enjoyed the Harlequin series featuring Thomas of Hookton then you will love this.
I read it within two days of receiving it and am gutted that it wasn't much longer even though it fully satisfied me as a true historical read.
Cornwell is the master of this style of writing. I really enjoy Conn Iggulden and Valerio Massimo Manfredi but Cornwell is the master.
My only wish is that Ridley Scott would take a story of Cornwell's like this one or the Harlequin series and make it into as visual a treat as the novels are writtenAzincourt.
More power to your quill Mr. Cornwell and long may your stories keep us as enthralled as this.

My favourite read of the year, 30 Sep 2008
There are some writers who just create seamless prose that reads like it's always been there on the page and they just traced over the words. Well, for me, this was one of those books. I loved it from beginning to end. It tells the story of Lev, an "economic migrant" from the East, and his search for work, and life. It is probably a little too rose tinted to be real, and I doubt there are many migrants so lucky as Lev, but I so wanted him to succeed.

Ok it's a fairy tale but a life affirming one, 30 Sep 2008
In language serious, studied, courtly and old-fashioned RT takes us straight into the mind of our melancholy hero Lev - not Olev - cleverly written, carefully researched and up to the minute subject.
Through a haze of cigarettes, the smoking of each one has to be respectfully described, swigs of his darling vodka lisch, all vital to him despite the poverty of his circumstances. Christy and Rudi also sharing his crutches of nicotine and alcohol until they learn that they live more happily without them..

Auror, Glic, Yarbyl, Baryn, Jor are all unrecognised as actual place names so Lev comes from an unknown to us Eastern European country, of grey trade and grey money, arriving by bus and ferry to London. Journeying with the tidy figure of Lydia beside him.
Threading through the story the memory of Marina his lost loved wife, who was a strong mother, daughter in law, friend and colleague. Looking at London and Londoners through the eyes of a new comer with only his language structure to describe it. "Sucking on bottles like anxious babies"..

A clear and effective narrative - Rudi's voice is always in Lev's head, a powerful influence on him. Although later Lev overtakes Rudi and turns his life around for him. The homespun wisdom of Lev's family pushing through his thoughts. Homesickness constantly threatening to overwhelm him. Thoughts of Rudi and his Tschevi (almost a person) Lev's innocence, naivety and simplicity is appealing. Rudi's character is attractive and impressive. When he eventually becomes "The Face Of The Place' all seems right with the world.

Ina, the grim and difficult mother/grandmother/widow whose God is asleep never reacts quite as we'd hope and is like a belligerent donkey who will not be led. I felt she was an excellently drawn person, quite believable.

The themes of food and diet running through are interesting and touching. This chocolate `reminds me of sleep' says Ina grudgingly at the end in the restaurant at no. 43 Podorsky Street. Food horizons opening up with the experience of GKAshe, I remember the same when I worked in restaurant kitchens. Detailed descriptions of meals all so different, from hardboiled eggs, greasy grey goat meat kebabs onward all affected Lev and awoke his senses. Although I am amazed that Lev's taste buds actually worked after so much abuse from the tobacco and spirits. In fact Lev falls in love with food and cooking. Even in the uninspiring atmosphere of the nursing home kitchen. Food becomes his life even after the forty two years of not thinking about it. The kitchen suppers at GKAshe have a comforting reassuring feel, the crostini so delicious you can almost smell it.

As a poignant thoughtful touch RT includes characters from her other stories at least I recognised Ruby Constad from Letters to Sister Benedicta.

Truly felicitous meetings unfold through Lev's progress from his doomed home. His path is smoothed in a fairy tale way mostly by kind ladies and people who are pleased to repay the kindness of others to them. Lydia, Sulima at the first B+B, Ahmed the kebab man, hospitable Tom and Larissa (yoga aficionado). Christy Slane is far deeper and more of a character than he first appears and like all pantomime stories, his ends happily thankfully. Sophie, Sam the mad hatter, Vitas, the Ming's.

Throughout the tale we always understand what is being said to Lev but because of his limited English he only gets part of the conversations along the way especially with GKAshe (Gordon Ramsey) whose kitchen is run like an orchestra or an operating theatre. Christy talking away, his ex wife,snapping, Sophie the lover. It all gives the reader another view of our own language.

Through all of Lev's vast range of experiences you feel you are going through them al with him, they are so warmly and inclusively written. When he mucks things up in his only human way you cringe along with him and admire him for rising again to the next challenges.

So much of the story shows us how other people's voices, opinions and advice constantly ring in our heads - if we choose to let them. Also that the kindness of strangers really can turn your life around.
Lovely stuff!

Rose Tremain does it again, 23 Sep 2008
This is a wonderful novel. I always enjoy Rose Tremain, and The Road Home is certainly one of my favourites.
It's fabulously written, as ever, and Lev is a sympathetic hero, though she certainly doesn't hide his faults. His flashes of anger, culminating in the book's most brutal scene, are convincingly built up - and his treatment of long-suffering Lydia is pretty shoddy.
I agree that there's the odd stereotype among the characters, but I most certainly do not share the view that this story has a fairytale ending. It's highly ambiguous - is everyone really happy and how rosy is the future?
Because Rose Tremain's novels are all so different from each other, I was surprised - and charmed - to find her using a character from an earlier novel quite prominently. Ruby Constad, an old lady who Lev comes to know, is the heroine of Tremain's much earlier novel Letter to Sister Benedicta. The poor woman's life hasn't improved along the way, but I think her appearance here shows how much Tremain cares for her. And if you realise that, you can see she's far more than the convenient plot device she might, at first, appear.

A mirror through which to view a 'Green and pleasant land'., 14 Sep 2008
I enjoyed this book, which isn't surprising considering it was written by Rose Tremain. As usual the prose, construction, attention to detail, plot progression and pace were brilliant: I'm certain Rose Tremain could write a novel about a matchbox and it would be riveting and informative.
For me, Lev, the central character is in essence a mirror that Tremain holds up for us to see the England we'd maybe rather ignore or forget: the pretentious garbage of celebrity and affluence; the coldness and fickle allegiances of a morally bankrupt society; the pockets of loneliness and sadness that exist within families and institutions.
There are aspects of the book that didn't work for me. I felt Lev's character was a little one-dimensional and slightly underdeveloped. His outbursts of temper seemed incongruous and, somewhat irritatingly, his mastery of English seemed to be achieved at a phenomenal rate. I felt the ending was a little brief, not really tying together or enhancing what went before. However his work ethic, determination and pragmatism were an accurate reflection of the Eastern European workers I know.
Some of the characters in the story are memorable: the scarred, sensitive and lonely Christy; the life force that is Rudi; the driven GK Ashe. Others were less believable or bordered on parody: the farmer Midge was irritatingly underdeveloped and his cod rural speech and mannerisms annoying; I didn't find Sophie believable, a shame given her central role.
But, the negatives above can't detract from the overall quality of the book. I was held throughout Lev's odyssey and as I neared the end I actually longed for it all to turn out well for him. I finished with a feeling that my latent dislike of much of what is modern England had flowered into something approaching full blown disgust.
This book reminded me of the famous lines from Burns:

'Oh wad some power the Giftie gie us
To see oursels as others see us!'



Beautifully written but predictable tale, 02 Sep 2008
Fascinating to read so many rave reviews. I read this on a very long train journey and if I hadn't been stuck there would probably have abandoned it. Rose Tremain has a wonderful prose style and she organizes her plots really well with lots of development, but the novel didn't grip me at all. Characters were boring, situations obvious (mobile phone going off during concert, stereotypical rich/poor London, even more stereotypical run-down anonymous ex-eastern bloc country etc), the ending warm & cosy. Did nobody else find Lev deeply tedious? She is very good at doing her homework, so the top-class restaurant, police treatment of migrants, retirement home, and lots of other stuff were thoroughly credible. But I felt disappointed; maybe I'm just expecting too much.
Norman Housley

Room for improvement, 07 Oct 2008
So I found myself in Terminal 5 at Heathrow last week and in the process of getting psyched up for my week long European tour of my companies offices I decided to take Mr Frys book with me as a companion.

And, well, its a rather bitter sweet sort of read, leaving you simultaneously amused but short changed.

You see, the author delights you with a wonderful 7 page prologue, dripping in his trademark whit and informed conversation and you're set for the great mans perspective on all things american.

Except its exactly that same dialogue that is actually missing from this book.

What you get is 5 or 6 pages per state, usually with Mr Fry having some form of meal with "typical" residents of the State in question. It's more Dorling Kindersley visits America than Stephen Fry in America. Delaware barely gets a mention at all (6 paragraphs I think) and in what I suspect is a conspiracy to make you watch the accompanying documentary, the lack of substance makes you think all the best bits have been left out of the book.

This is a very well written book, but there's little of Mr Fry in here. I mean clearly its him, he's in all the pictures, but you dont get the feel that he's the one taking you on the journey. This is a man who could make an entire series about Washington DC alone, it would be revealing and insightful and informative and leave no stone unturned. But that's not the treatment DC gets in this book, so I was feeling a little, cheated.

So my conclusion. This is a well written book, with beautiful photography but I suspect the BBC has restricted the content to make sure we watch the TV show. And for that, I mark this down. There's just not enough room in here for Mr Fry to stretch his wings and thats a damn shame.

Stephen Fry in America

Stephen goes Stateside, 01 Oct 2008
"Oh no, not ANOTHER travel book, written by some jumped-up celebrity hoofing it around some unheard of corner of the world, almost gloating at me, saying 'Look where I am, you're not here, ha ha'...oh, hang on! Stephen Fry, is it? I quite like him. And he's in America? Hmmm...I'm intrigued."
And that's how this book made it into my hands. I don't usually go for books like these, but because it's Stephen Fry, I took the plunge. Am I ever glad I did.
Stephen Fry travels across USA's 50 states on a mission: to discover the real America. As a country everyone seems to have an opinion on, this comes as being very timely. Is the stereotype of the 'Fat Dumb Yankee' fact or fiction?
In the hands of any other author, such a journey would be dull and cliched, always ending with the inevitable 'my perception's completely changed' wrap-up. But such is Stephen Fry's voice, intelligence and wit, that his writing leaps out at you, and you can almost hear his voice booming in your ear as he guides you from Maine to Hawaii in a black cab. His observations and opinions are wonderful; insightful yet humourous, thoughtful yet sharp. What's best is that it allows you to draw your own conclusions. All the evidence is laid out before the reader: it's up to you to make your own assumptions.

This is a book that could be recommended to practically anyone and everyone: it's big, full of lavish pictures and crammed with facts, and can be either dipped into or read cover to cover. It's a perfect companion piece to the upcoming TV series. Brilliant.

Maybe he should never have written nr 2...., 24 Jul 2008
I have been waiting for this book for years.... and now when I have read it, I hope it was never written. IT does not at all live up the the Pillars of earth. Neither does it compare to some of the other good books Ken Follet has written. 150 pages less and it might have been ok. I try to end all the books I start, but this was heavy. The story line was light, some of the "histories" within the story are totally out of scope (like nuns in french war). I read 6 books in my vacation. This was the worst.

Loved it!, 23 Jul 2008
I read Pillars of the Earth and thoroughly enjoyed it (apart from the lame plot line at the beginning with the builder meeting the exotic woman of the woods!). This one had a lot to live up to and I have to say, I prefer it to the first one. There is a little less 'technical' material about the building work that is going on and more about the characters and the goings on in their personal lives. There were so many sub-plots, I almost lost count, but this adds to the intrigue. I find this era in history fascinating and I think that's what I found so appealing about the story. I feel bereft now I have finished it and am desperately trying to find another book to replace the void.

Brilliant Sequel to Pillars of the Earth, 22 May 2008
Pillars of the Earth is my all time favorite novel, so although I usually wait for the paperback, when I saw the reduced price of the hardback at Amazon, I immediately ordered it. It was well worth it. However "Sequels are not equal". So I only give it four stars, although I admit, my expectations after Pillars of the Earth were extremely high. While brilliant, after Pillars of the Earth, I felt it lacked somewhat in originality. Also, I am not a prude, but I found the graphic sex as depicted not believable, considering the historical period and the morals of the time. Otherwise it appears to be well researched and historical accurate. In any case, a good read!

Ken Follet at his best, 20 Apr 2008
I wanted to wait for the paperback to come out, but I did not have the patience. Now I am glad I did not. If you liked The Pillars of the Earth you will love this one. It is very similar, but maybe even easier to read. All the characters are brand new, and even if there are some allusions to those that appeared in his celebrated novel, it is not necessary at all to have read it to enjoy this one.Even though it is a very long book, once you start you cannot stop.
It is a best-seller, yes;but a most enjoyable one.

Fabulous but formulaic, 19 Apr 2008
Pillars of the Earth remains one of the best loved books from my late teens, but Follett's more recent books have been increasingly weak, so I had mixed feelings about reading this one.

I'm very pleased to report that World Without End represents something of a return to form.

It contains most of the elements that made Pillars such a success - strong central characters, historical detail, suspense, injustice, outrage, romance and a central building project. In fact, it shares so many elements that had it been written by any other author then it would be condemned as a cheap knock-off. Fortunately, it's pretty well done.

There is a good feel for the historical period, some tremendous characters and a storyline that continues to evolve at a fast enough pace to justify the size of the tome!

Some parts do grate. The end feels slightly rushed (amazingly for such a long novel) and some parts are utterly contrived (Crècy) and I was frankly sick of Follett's habit of recapping the earlier sections of the book when explaining his characters' thought processes. He also tended to explain how his characters were trying to manipulate each other too clearly - it sometimes felt like the novel was aimed only at schoolkids.

Good but not great, at least in comparison to the original.

High personal price of special forces soldiering, 11 Oct 2008
A sad but very much needed work on the nasty realities of soldiering, this book recounts the very moving descent into unhappiness and despair some of McNab's best mates endured in the aftermath of service.

From this book it seems clear that the Regiment is an unnatural substitute for normal family life for young men, i.e., wife and kids are replaced by comradeship, which perhaps becomes foundational for a subsequent dysfunctional life for some of the guys. It means that when they leave there is a sense that they've lost the focus or foundation of their daily existence. And of course, the exposure to the cutting edge of modern military adventurism is the other key factor destabilising the mental health of special forces soldiers, with the inevitable horrible sights, sounds and loss of beloved friends. I couldn't help but conclude that, all the prestige notwithstanding, making it into the SAS is just not worth it for a lot, maybe even most, of the lads who manage it.

A few errors apart (i.e. Kesh RUC station was in Fermanagh, not Donegal, as the latter is part of the Republic of Ireland), the book is replete with fascinating anecdotes and occasional operational accounts, most notably in my native Northern Ireland, where, among my own community (the Protestants), the SAS are revered for their work at Loughgall in particular and against the IRA in general. Many of us would have liked to have seen them given a freer hand during the Troubles, as we are sure that had they been, there would be fewer