Clare Boylan's expansion of Bronte's scrap of plot into Emma Brown is powerfully imagined and stylish, with enough melodramatic twists to keep the momentum going until the end. She is distinctly successful in recreating faithfully an idiom both familiar yet obsolete. Charlotte Bronte left a fragment of a novel at her death, subsequently published under the title Emma, concerning the placement by a rich father of a haughty and unresponsive daughter at a school for young ladies. As with Jane Austen's Sanditon or Dickens' Edwin Drood it has offered later writers the challenge of guessing a dead author's intentions.

Paradoxically, one of the opportunities that such an enterprise offers is the possibility of subverting the apparent direction of a plot-line, or undermining the perceived character of participants in the story and Clare Boylan takes extensive--perhaps too extensive--advantage of her freedom in this regard. A modern author's preoccupations are unlikely to be the same as those of a mid-Victorian and Boylan's story takes Charlotte Bronte's characters into darker milieu, and with a greater explicitness of social detail, than their creator is likely to have permitted herself. Rather like Charles Palliser did with Dickens in The Quincunx, Boylan seems to be trying to strip away the euphemism and restraint required of the great 19th-century novelists to show the reality of the world they mirrored. Students of Victorian social history will recognise elements drawn from Mayhew and WT Stead, among others: indeed Stead and the incident for which he is now best remembered--the purchase of a child--has clearly influenced a key character and plot element.

There is much of Dickens, and perhaps even more of Wilkie Collins, in the plotting, which survives a tendency to the schematic or mechanical to deliver a story that ranges widely through 19th-century England and society. This is a remarkable achievement in many ways. While clearly not the novel that Charlotte Bronte would have written, it is a successful resuscitation of the forms of high Victorian fiction as a vessel for 21st-century concerns. --Robin Davidson

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

GROWING PAINS REMEMBERED, 26 Oct 2008
Take Dublin in the early fifties, add a family of three growing girls, mix in a procession of eccentric lodgers, whose purpose is to fend off the parents' poverty, and you have a recipe for a finely observed drama of lives crossing and colliding. All this is told by the youngest daughter, who observes and reports upon the goings-on around her. It's written in an easy flowing style that wraps you up and carries you with it. I was laughing out loud as I turned the pages and lurched, like the family, from one minor crisis to another. I was sorry when I'd finished it, and will be looking out for more by this author.

Room For a Singla Lady, 07 Aug 2005
Loved it! I cried when I finished it as I wanted it to go on and on. A simple story of innocence in 50's Ireland but one that everyone can aquaint with whatever age they are. It tells the story of a girl and her family who have hit hard times and of the lodgers that they are forced to take in to earn money to survive. These lodgers shape their lives and their destinys. A fantastic book. I sm now going to read her others.

Interesting and original premise for a book, 07 Aug 2001
Set in Ireland. With overbearing Father out of work and overburdened Mother struggling to cope, the three daughters grapple with their teenage growing pains within the constraints of a strict sheltered upbringing.With no money for food, Father decides he will have to rent out the spare room, but only to single females, the sisters observe with fascination as a stream of lodgers follow - each with very different personalities,lives and varying amounts of influence over the three girls.The whole family become very attached to,and intertwined with some of them, and the story also follows the fortunes of some after they have gone on their way.

Father will not let go of his strict moral code throughout and his views that 'women don't work' or 'go to university' and are there to 'look after husband and home', whilst long-suffering Mother will not abandon her adamance that a woman should retain finer pursuits such as art,that keep her spirit alive.

An enjoyable gentle book about ordinary lives and struggles - written in a quaint style with a certain kind of charm and innocence.I liked it immensely.So many books do not live up to their back-cover synopses,or reviews, and leave you a little drained or depressed.This book seemed just right - being uplifting in its honesty and innocence.

Clare Boylan's expansion of Bronte's scrap of plot into Emma Brown is powerfully imagined and stylish, with enough melodramatic twists to keep the momentum going until the end. She is distinctly successful in recreating faithfully an idiom both familiar yet obsolete. Charlotte Bronte left a fragment of a novel at her death, subsequently published under the title Emma, concerning the placement by a rich father of a haughty and unresponsive daughter at a school for young ladies. As with Jane Austen's Sanditon or Dickens' Edwin Drood it has offered later writers the challenge of guessing a dead author's intentions.

Paradoxically, one of the opportunities that such an enterprise offers is the possibility of subverting the apparent direction of a plot-line, or undermining the perceived character of participants in the story and Clare Boylan takes extensive--perhaps too extensive--advantage of her freedom in this regard. A modern author's preoccupations are unlikely to be the same as those of a mid-Victorian and Boylan's story takes Charlotte Bronte's characters into darker milieu, and with a greater explicitness of social detail, than their creator is likely to have permitted herself. Rather like Charles Palliser did with Dickens in The Quincunx, Boylan seems to be trying to strip away the euphemism and restraint required of the great 19th-century novelists to show the reality of the world they mirrored. Students of Victorian social history will recognise elements drawn from Mayhew and WT Stead, among others: indeed Stead and the incident for which he is now best remembered--the purchase of a child--has clearly influenced a key character and plot element.

There is much of Dickens, and perhaps even more of Wilkie Collins, in the plotting, which survives a tendency to the schematic or mechanical to deliver a story that ranges widely through 19th-century England and society. This is a remarkable achievement in many ways. While clearly not the novel that Charlotte Bronte would have written, it is a successful resuscitation of the forms of high Victorian fiction as a vessel for 21st-century concerns. --Robin Davidson

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

GROWING PAINS REMEMBERED, 26 Oct 2008
Take Dublin in the early fifties, add a family of three growing girls, mix in a procession of eccentric lodgers, whose purpose is to fend off the parents' poverty, and you have a recipe for a finely observed drama of lives crossing and colliding. All this is told by the youngest daughter, who observes and reports upon the goings-on around her. It's written in an easy flowing style that wraps you up and carries you with it. I was laughing out loud as I turned the pages and lurched, like the family, from one minor crisis to another. I was sorry when I'd finished it, and will be looking out for more by this author.

Room For a Singla Lady, 07 Aug 2005
Loved it! I cried when I finished it as I wanted it to go on and on. A simple story of innocence in 50's Ireland but one that everyone can aquaint with whatever age they are. It tells the story of a girl and her family who have hit hard times and of the lodgers that they are forced to take in to earn money to survive. These lodgers shape their lives and their destinys. A fantastic book. I sm now going to read her others.

Interesting and original premise for a book, 07 Aug 2001
Set in Ireland. With overbearing Father out of work and overburdened Mother struggling to cope, the three daughters grapple with their teenage growing pains within the constraints of a strict sheltered upbringing.With no money for food, Father decides he will have to rent out the spare room, but only to single females, the sisters observe with fascination as a stream of lodgers follow - each with very different personalities,lives and varying amounts of influence over the three girls.The whole family become very attached to,and intertwined with some of them, and the story also follows the fortunes of some after they have gone on their way.

Father will not let go of his strict moral code throughout and his views that 'women don't work' or 'go to university' and are there to 'look after husband and home', whilst long-suffering Mother will not abandon her adamance that a woman should retain finer pursuits such as art,that keep her spirit alive.

An enjoyable gentle book about ordinary lives and struggles - written in a quaint style with a certain kind of charm and innocence.I liked it immensely.So many books do not live up to their back-cover synopses,or reviews, and leave you a little drained or depressed.This book seemed just right - being uplifting in its honesty and innocence.

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

Clare Boylan's expansion of Bronte's scrap of plot into Emma Brown is powerfully imagined and stylish, with enough melodramatic twists to keep the momentum going until the end. She is distinctly successful in recreating faithfully an idiom both familiar yet obsolete. Charlotte Bronte left a fragment of a novel at her death, subsequently published under the title Emma, concerning the placement by a rich father of a haughty and unresponsive daughter at a school for young ladies. As with Jane Austen's Sanditon or Dickens' Edwin Drood it has offered later writers the challenge of guessing a dead author's intentions.

Paradoxically, one of the opportunities that such an enterprise offers is the possibility of subverting the apparent direction of a plot-line, or undermining the perceived character of participants in the story and Clare Boylan takes extensive--perhaps too extensive--advantage of her freedom in this regard. A modern author's preoccupations are unlikely to be the same as those of a mid-Victorian and Boylan's story takes Charlotte Bronte's characters into darker milieu, and with a greater explicitness of social detail, than their creator is likely to have permitted herself. Rather like Charles Palliser did with Dickens in The Quincunx, Boylan seems to be trying to strip away the euphemism and restraint required of the great 19th-century novelists to show the reality of the world they mirrored. Students of Victorian social history will recognise elements drawn from Mayhew and WT Stead, among others: indeed Stead and the incident for which he is now best remembered--the purchase of a child--has clearly influenced a key character and plot element.

There is much of Dickens, and perhaps even more of Wilkie Collins, in the plotting, which survives a tendency to the schematic or mechanical to deliver a story that ranges widely through 19th-century England and society. This is a remarkable achievement in many ways. While clearly not the novel that Charlotte Bronte would have written, it is a successful resuscitation of the forms of high Victorian fiction as a vessel for 21st-century concerns. --Robin Davidson

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

GROWING PAINS REMEMBERED, 26 Oct 2008
Take Dublin in the early fifties, add a family of three growing girls, mix in a procession of eccentric lodgers, whose purpose is to fend off the parents' poverty, and you have a recipe for a finely observed drama of lives crossing and colliding. All this is told by the youngest daughter, who observes and reports upon the goings-on around her. It's written in an easy flowing style that wraps you up and carries you with it. I was laughing out loud as I turned the pages and lurched, like the family, from one minor crisis to another. I was sorry when I'd finished it, and will be looking out for more by this author.

Room For a Singla Lady, 07 Aug 2005
Loved it! I cried when I finished it as I wanted it to go on and on. A simple story of innocence in 50's Ireland but one that everyone can aquaint with whatever age they are. It tells the story of a girl and her family who have hit hard times and of the lodgers that they are forced to take in to earn money to survive. These lodgers shape their lives and their destinys. A fantastic book. I sm now going to read her others.

Interesting and original premise for a book, 07 Aug 2001
Set in Ireland. With overbearing Father out of work and overburdened Mother struggling to cope, the three daughters grapple with their teenage growing pains within the constraints of a strict sheltered upbringing.With no money for food, Father decides he will have to rent out the spare room, but only to single females, the sisters observe with fascination as a stream of lodgers follow - each with very different personalities,lives and varying amounts of influence over the three girls.The whole family become very attached to,and intertwined with some of them, and the story also follows the fortunes of some after they have gone on their way.

Father will not let go of his strict moral code throughout and his views that 'women don't work' or 'go to university' and are there to 'look after husband and home', whilst long-suffering Mother will not abandon her adamance that a woman should retain finer pursuits such as art,that keep her spirit alive.

An enjoyable gentle book about ordinary lives and struggles - written in a quaint style with a certain kind of charm and innocence.I liked it immensely.So many books do not live up to their back-cover synopses,or reviews, and leave you a little drained or depressed.This book seemed just right - being uplifting in its honesty and innocence.

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.

Beauty and the beastly - a riviting "read", 03 Nov 2007
The Beauty of this novel is in it's language - it's form, and descriptive prose. The beastly is the unapologetic presentation of life for the poor as it was then - grim at best, and horrific at worst. A side of life rarely even mentioned in the usual Bronte or Austen novels which so many of us love. Sadly, it's message of child prostitution is painfully current to modern days, too - we still haven't learned that lesson!

The story is a wonderful mix of mystery, detective, and romance, though, and a cracking good novel. I really hope the author tackles a version of the further adventures of Mr and Mrs Darcy, as she mentioned her interest in that area. She has a real talent for this type of writing!

Engrossing Read, 02 May 2007
I found this novel absolutely riveting. Like most gothic tales, 'Emma Brown' is essentially a mystery. Although it is certainly predictable at times, I kept turning the pages until I reached the end.

This adaptation may not please purists, but for those in search of a good read, I highly recommend Boylan's novel.

My expectations were high, but "Emma Brown" falls short!!, 08 Aug 2005
Charlotte Bronte began writing what would have been her last novel, "Emma," soon after "Villette" was published in 1853, and before she married her father's curate, Arthur Bell Nicholls in 1854. According to some biographers, Charlotte allowed her husband to read the two chapters she had completed but he discouraged her from continuing. Nicholls, a diligent, serious-minded man, believed that since "Emma" was about a girl's school where the protagonist suffered, it would bear too much resemblance to "Jane Eyre." He was concerned the critics would accuse her of being repetitious. The twenty page draft was put away and Miss Bronte died five months later.

Author Clare Boylan was introduced to this fragment of unfinished work by Bronte biographers Lyndall Gordan and Juliet Barker and was inspired to undertake the awesome task of completing "Emma" - to recreate Charlotte Bronte's post-Romantic, gothic literary style as well as life in Victorian England, and to continue a tale hardly begun. This is not the first time a modern writer has tried to get inside the head and imagination of a long deceased author to write a sequel to a novel, or, as in this case, to complete one. I sincerely admire Ms. Boylan's efforts, but do not think she has succeeded. Although "Emma Brown" starts off well, and continues to intrigue far beyond Miss Bronte's contribution, halfway through the book the narrative begins to deteriorate.

Isabel Chalfont, a prosperous, attractive widow, "not young nor yet old," who resides in a rural English village, is our narrator. Three of her neighbors, the pretentious Misses Wilcox, own and teach at Fuchsia Lodge, a school for young ladies. Their enterprise is a small one, just a few students, but the Wilcox sisters are always on the lookout to expand. Therefore they are delighted when wealthy Conway Fitzgibbon, Esq. of May Park, Midland County, deposits his heiress daughter in their care. The mysterious Miss Matilda Fitzgibbon boasts an extremely expensive wardrobe and an "insolently distant" air. She possesses a plain, weary countenance and looks unhappy most of the time. This may be partially due to the fact that she sleepwalks and experiences strange fits. Matilda neither glories in her finery nor interacts with her peers. She is obviously favored by the Misses Wilcox over the other pupils, because of her wealth and status in society. However, she is indifferent to their pampering.

When letters are mailed to the girls' parents asking them if they expect their daughters to travel home for Christmas, the note sent to Fitzgibbon, Esq., is returned unopened. It appears that there is no such place as Midland County and no such person as the addressee. Another neighbor, local bachelor William Ellin, is asked to investigate. And indeed, he takes it upon himself to play detective, but consults with his friend, the level-headed, intelligent Widow Chalfont first. She pities the terrified girl, who seems to have no memory of her past, and offers her a home and affection while they wait for the mystery of her identity to be solved.

Isabel tries to draw the girl out, and at times she seems responsive. One morning, however, Matilda goes on an errand and never returns. Her destination and her history are much more shocking then anyone could have imagined. Mrs. Chalfont's story, as well as Mr. Ellin's tale, are interwoven into the narrative, where far too many contrivances and coincidences occur to make for credible reading. The excesses of fate and melodrama are among this novel's weaknesses. Also, during the seemingly never-ending period when Maltilda wanders through the stews of Victorian London, there is just too much repetition. As interested as I had become, I found the reading so tedious I was tempted to put the book down. I am reminded of the silent film episodic serial, "The Perils of Pauline." The perils never cease, but the suspense and drama do. I also seriously doubt whether Charlotte Bronte would have written as graphically as does Ms. Boylan about the perversions to be found in the back alleyways of London, especially child prostitution.

I find many similarities between "Emma Brown" and "Jane Eyre." I don't think Charlotte Bronte would have gone in this direction. Yes, there is the obvious similarity of the girl's schools, Lowood and Fuchsia Hall, where, when found to be a fraud, Matilda is tormented by her former benefactresses as much as Jane ever was by Mr. Brocklehurst. I accept that, and these scenes play only a small part overall. However, just as Jane was befriended by Helen Burns, despite her many humiliations, so does the once hostile Diana make friends with and comfort Matilda. Jane finds longed for maternal kindness in Miss Temple, as does Matilda with Isabel Chalfont. There is a governess who falls in love above her station, etc..

On a more positive note, the author is obviously familiar with Miss Bronte's writing, including her correspondence. At times I hear the voice she has strived to create throughout. She address effectively some of Miss Bronte's major themes, the search for one's identity, women's forced dependence no matter the social class, and the limited options open to educated but impoverished women. Elements of the story, apart from the girl's repetitive wanderings, are fascinating and certainly held my interest. I just feel disappointed that "Emma Brown falls short when my expectations were so high.
JANA

Good read with real flavour of Bronte, 16 Sep 2004
I really enjoyed this book. It must always be a risk to take on and complete something begun by one of the great writers, but Clare Boylan has produced from Charlotte Bronte's fragment, a novel which is both a worthy tribute to Charlotte but also a very good read in its own right. Many of the familiar Bronte themes are here and there is also a sufficiently intriguing and complex plot to keep those pages turning. This novel shows the sharp contrasts between different classes in 19th century society, and also demonstrates well the problems faced by women in that society. However, at its heart is a well-crafted mystery and a cracking good tale. I think Clare Boylan managed a good balancing act. She manages to retain enough of Charlotte's style in her writing that you never completely forget her, but at the same time, she has produced something distinctive of her own.

An intelligent, yet easy and slightly predictable read, 12 Aug 2004
I was new to Clare Boylan's writing, although she is well known and respected in Ireland. When I heard of the concept, taking the first two chapters of an unfinished novel by Charlotte Bronte and completing it, I was intrigued and couldn't wait for the paperback version to come out.
The main part written by Boylan is intelligent, well researched and brighter in tone than the first two chapters by Bronte. I find Bronte's work sometimes bleak and depressing, and although there are very sad and shocking images of the lives of the destitute in Victorian London imparted by Boylan, I felt she only added them to make a point and they did not really capture the mood unlike in Sarah Walter's "Fingersmith". As the story unfolded, you always had the sense that everything would work out fine in the end.
At times, I was also reminded of Wilkie Collin's "The Lady in White". The characters are well rounded but could do with being slightly less predictable in their reactions to events in the novel. Perhaps it's a bit unfair of me to say so, but they could have walked off an Oscar Wilde stage, so two-dimensional were they at times.
All in all, a good, recommendable novel, but one which could do bit a bit more of Charlotte Bronte's grit.